{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,2,10]],"date-time":"2026-02-10T03:10:40Z","timestamp":1770693040705,"version":"3.49.0"},"publisher-location":"New York, NY, USA","reference-count":21,"publisher":"ACM","license":[{"start":{"date-parts":[[2024,10,14]],"date-time":"2024-10-14T00:00:00Z","timestamp":1728864000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2024,10,14]]},"DOI":"10.1145\/3665463.3678805","type":"proceedings-article","created":{"date-parts":[[2024,10,10]],"date-time":"2024-10-10T07:16:52Z","timestamp":1728544612000},"page":"85-90","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":2,"title":["Stage & Play: Using Game Technologies in the Context of Digitally-mediated Theater Performances"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0009-0006-6282-6870","authenticated-orcid":false,"given":"Nils","family":"Gallist","sequence":"first","affiliation":[{"name":"University of Applied Sciences Upper Austria, Austria"}]},{"ORCID":"https:\/\/orcid.org\/0009-0004-0623-1843","authenticated-orcid":false,"given":"Manuel","family":"Lattner","sequence":"additional","affiliation":[{"name":"University of Applied Sciences Upper Austria, Austria"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-4098-8071","authenticated-orcid":false,"given":"Michael","family":"Lankes","sequence":"additional","affiliation":[{"name":"University of Applied Sciences Upper Austria, Austria"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-3440-7768","authenticated-orcid":false,"given":"J\u00fcrgen","family":"Hagler","sequence":"additional","affiliation":[{"name":"University of Applied Sciences Upper Austria, Austria"}]}],"member":"320","published-online":{"date-parts":[[2024,10,14]]},"reference":[{"key":"e_1_3_2_2_1_1","doi-asserted-by":"publisher","DOI":"10.5824\/1309-1581.2012.3.002.x"},{"key":"e_1_3_2_2_2_1","doi-asserted-by":"publisher","DOI":"10.1093\/llc\/12.4.269"},{"key":"e_1_3_2_2_3_1","volume-title":"Digital performance: a history of new media in theater, dance, performance art, and installation","author":"Dixon Steve","unstructured":"Steve Dixon. 2015. Digital performance: a history of new media in theater, dance, performance art, and installation. MIT press."},{"key":"e_1_3_2_2_4_1","doi-asserted-by":"publisher","DOI":"10.1109\/MPRV.2005.93"},{"key":"e_1_3_2_2_5_1","doi-asserted-by":"publisher","DOI":"10.21608\/mjaf.2020.26102.1544"},{"key":"e_1_3_2_2_6_1","volume-title":"International Conference on Interactive Digital Storytelling. Springer, 697\u2013704","author":"Gallist Nils","year":"2022","unstructured":"Nils Gallist, Manuel Lattner, Michael Lankes, and Juergen Hagler. 2022. Build Your World\u2013Meaningful Choices in a Hybrid Stage Play. In International Conference on Interactive Digital Storytelling. Springer, 697\u2013704."},{"key":"e_1_3_2_2_7_1","volume-title":"Mechanical meaning: The relationship between game mechanics and story in ergodic theatre. Convergence","author":"Greig M","year":"2023","unstructured":"Gabrielle\u00a0M Greig. 2023. Mechanical meaning: The relationship between game mechanics and story in ergodic theatre. Convergence (2023), 13548565231193120."},{"key":"e_1_3_2_2_8_1","doi-asserted-by":"publisher","DOI":"10.1109\/VRW55335.2022.00011"},{"key":"e_1_3_2_2_9_1","volume-title":"Contextualising Liveness: Digitally Distributed, Digitally Mediated and Digitally Located Theatre in Edinburgh and Berlin","author":"Hawthorne Katie","year":"2022","unstructured":"Katie Hawthorne. 2022. Contextualising Liveness: Digitally Distributed, Digitally Mediated and Digitally Located Theatre in Edinburgh and Berlin, 2017-2019. Ph.\u00a0D. Dissertation. The University of Edinburgh."},{"key":"e_1_3_2_2_10_1","doi-asserted-by":"publisher","DOI":"10.1145\/357417.357420"},{"key":"e_1_3_2_2_11_1","volume-title":"Modding the stage. Playful Participatory Practices: Theoretical and Methodological Reflections","author":"Kirschner Friedrich","year":"2020","unstructured":"Friedrich Kirschner and Heiko Kirschner. 2020. Modding the stage. Playful Participatory Practices: Theoretical and Methodological Reflections (2020), 95\u2013109."},{"key":"e_1_3_2_2_12_1","doi-asserted-by":"publisher","DOI":"10.56397\/AS.2023.10.02"},{"key":"e_1_3_2_2_13_1","volume-title":"US & UK 1990-2020","author":"Masura Nadja","unstructured":"Nadja Masura. 2020. Digital theatre: the making and meaning of live mediated performance, US & UK 1990-2020. Springer Nature."},{"key":"e_1_3_2_2_14_1","doi-asserted-by":"publisher","DOI":"10.1145\/1935701.1935727"},{"key":"e_1_3_2_2_15_1","volume-title":"Conference of the Spanish Association for Videogames Sciences. https:\/\/api.semanticscholar.org\/CorpusID:30831421","author":"P\u00e9rez Elena","year":"2014","unstructured":"Elena P\u00e9rez. 2014. Gamification and performance: design challenges when using games to enable alternative ways of engaging with theatre. In Conference of the Spanish Association for Videogames Sciences. https:\/\/api.semanticscholar.org\/CorpusID:30831421"},{"key":"e_1_3_2_2_16_1","volume-title":"Exploring the Difference Between Interactive and Immersive Theatre. Medium (10 nov","author":"Production JFI","year":"2023","unstructured":"JFI Production. 2023. Exploring the Difference Between Interactive and Immersive Theatre. Medium (10 nov 2023)."},{"key":"e_1_3_2_2_17_1","doi-asserted-by":"publisher","DOI":"10.1145\/1620509.1620517"},{"key":"e_1_3_2_2_18_1","doi-asserted-by":"publisher","DOI":"10.1147\/sj.393.0479"},{"key":"e_1_3_2_2_19_1","doi-asserted-by":"publisher","DOI":"10.1145\/3461727"},{"key":"e_1_3_2_2_20_1","doi-asserted-by":"publisher","DOI":"10.1080\/09505431.2021.1893681"},{"key":"e_1_3_2_2_21_1","volume-title":"Performing with Me: Enhancing Audience-Performer Interaction in An Immersive Virtual Play. In Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing Systems. 1\u20136.","author":"Yan Shuo","year":"2021","unstructured":"Shuo Yan, Saixi Ge, Jinhui Wang, and Xukun Shen. 2021. Performing with Me: Enhancing Audience-Performer Interaction in An Immersive Virtual Play. In Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing Systems. 1\u20136."}],"event":{"name":"CHI PLAY '24: The Annual Symposium on Computer-Human Interaction in Play","location":"Tampere Finland","acronym":"CHI PLAY '24","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["Companion Proceedings of the 2024 Annual Symposium on Computer-Human Interaction in Play"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3665463.3678805","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3665463.3678805","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,8,22]],"date-time":"2025-08-22T11:00:13Z","timestamp":1755860413000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3665463.3678805"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,10,14]]},"references-count":21,"alternative-id":["10.1145\/3665463.3678805","10.1145\/3665463"],"URL":"https:\/\/doi.org\/10.1145\/3665463.3678805","relation":{},"subject":[],"published":{"date-parts":[[2024,10,14]]},"assertion":[{"value":"2024-10-14","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}