{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T05:04:36Z","timestamp":1750309476944,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":5,"publisher":"ACM","license":[{"start":{"date-parts":[[2024,12,11]],"date-time":"2024-12-11T00:00:00Z","timestamp":1733875200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2024,12,11]]},"DOI":"10.1145\/3678698.3687210","type":"proceedings-article","created":{"date-parts":[[2024,11,18]],"date-time":"2024-11-18T20:24:16Z","timestamp":1731961456000},"page":"1-2","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Invisibles: Collection of Artificial Intelligence Generated Shorts"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-9160-6352","authenticated-orcid":false,"given":"Assem","family":"Kroma","sequence":"first","affiliation":[{"name":"Carleton University, Ottawa, Canada and 23-11-23 Troupe, Ottawa, Canada"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2024,12,11]]},"reference":[{"key":"e_1_3_3_1_2_2","unstructured":"Stan Brakhage. 1963. Metaphors on Vision. Film Culture 30 (1963) 12\u201357."},{"key":"e_1_3_3_1_3_2","volume-title":"Film Form: Essays in Film Theory","author":"Eisenstein Sergei","year":"1949","unstructured":"Sergei Eisenstein. 1949. Film Form: Essays in Film Theory. Harcourt."},{"key":"e_1_3_3_1_4_2","volume-title":"Stigma: Notes on the Management of Spoiled Identity","author":"Goffman Erving","year":"1963","unstructured":"Erving Goffman. 1963. Stigma: Notes on the Management of Spoiled Identity. Prentice-Hall."},{"key":"e_1_3_3_1_5_2","volume-title":"The imaginary signifier: Psychoanalysis and the cinema","author":"Metz Christian","year":"1981","unstructured":"Christian Metz. 1981. The imaginary signifier: Psychoanalysis and the cinema. Indiana University Press."},{"key":"e_1_3_3_1_6_2","volume-title":"Signs and Meaning in the Cinema","author":"Wollen Peter","year":"2019","unstructured":"Peter Wollen. 2019. Signs and Meaning in the Cinema. Bloomsbury Publishing."}],"event":{"name":"VINCI '24: The 17th International Symposium on Visual Information Communication and Interaction","acronym":"VINCI 2024","location":"Hsinchu Taiwan"},"container-title":["Proceedings of the 17th International Symposium on Visual Information Communication and Interaction"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3678698.3687210","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3678698.3687210","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T01:17:26Z","timestamp":1750295846000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3678698.3687210"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,12,11]]},"references-count":5,"alternative-id":["10.1145\/3678698.3687210","10.1145\/3678698"],"URL":"https:\/\/doi.org\/10.1145\/3678698.3687210","relation":{},"subject":[],"published":{"date-parts":[[2024,12,11]]},"assertion":[{"value":"2024-12-11","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}