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However, the creation of such outputs has not always been accompanied and informed by design theory and practices. Design\u2014used in its broadest definition as a process of conceptual making\u2014is an integral, if often implicit, part of archaeological practices and it is through design that we develop and share our work\u2014from data collection and analysis to interpretation and dissemination\u2014and engage with our stakeholders. Engaging with core design practices offers meaningful opportunities for generating new forms of archaeological knowledge production and sharing, as well as creating digitally mediated experiences that are not guided by our own assumptions about our stakeholders\u2019 needs and can really affect people\u2019s engagement with the past. In this article, I investigate the benefits of embedding Human-Centred and Participatory Design into the archaeology and heritage sectors to create more critically engaged digital encounters with the past.<\/jats:p>","DOI":"10.1145\/3700880","type":"journal-article","created":{"date-parts":[[2024,10,18]],"date-time":"2024-10-18T15:43:19Z","timestamp":1729266199000},"page":"1-20","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":3,"title":["Crafting Digital Experiences: Embedding Human-Centred and Participatory Design into Archaeological Practice"],"prefix":"10.1145","volume":"18","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-9324-6979","authenticated-orcid":false,"given":"Francesca","family":"Dolcetti","sequence":"first","affiliation":[{"name":"School of Philosophical, Historical and Interdisciplinary Studies, University of Essex, Colchester, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2025,2,17]]},"reference":[{"key":"e_1_3_1_2_2","volume-title":"Archaeological Illustration","author":"Adkins Lesley","year":"1989","unstructured":"Lesley Adkins and Roy Adkins. 1989. 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