{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,7,9]],"date-time":"2026-07-09T04:52:43Z","timestamp":1783572763167,"version":"3.55.0"},"publisher-location":"New York, NY, USA","reference-count":53,"publisher":"ACM","license":[{"start":{"date-parts":[[2025,4,25]],"date-time":"2025-04-25T00:00:00Z","timestamp":1745539200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"name":"ANR Continuum","award":["ANR-21-ESRE-0030"],"award-info":[{"award-number":["ANR-21-ESRE-0030"]}]}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2025,4,26]]},"DOI":"10.1145\/3706598.3713488","type":"proceedings-article","created":{"date-parts":[[2025,4,24]],"date-time":"2025-04-24T04:40:09Z","timestamp":1745469609000},"page":"1-16","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":6,"title":["EuterPen: Unleashing Creative Expression in Music Score Writing"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-6662-7362","authenticated-orcid":false,"given":"Vincent","family":"Cavez","sequence":"first","affiliation":[{"name":"LISN, Universit\u00e9 Paris-Saclay, CNRS, Inria, Gif-sur-Yvette, France"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-4935-5008","authenticated-orcid":false,"given":"Catherine","family":"Letondal","sequence":"additional","affiliation":[{"name":"Interactive Informatics, University of Toulouse - ENAC, Toulouse, France"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-3050-9284","authenticated-orcid":false,"given":"Caroline","family":"Appert","sequence":"additional","affiliation":[{"name":"LISN, Universit\u00e9 Paris-Saclay, CNRS, Inria, Orsay, France"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9762-0462","authenticated-orcid":false,"given":"Emmanuel","family":"Pietriga","sequence":"additional","affiliation":[{"name":"LISN, Universit\u00e9 Paris-Saclay, CNRS, Inria, Gif-sur-Yvette, France"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"320","published-online":{"date-parts":[[2025,4,25]]},"reference":[{"key":"e_1_3_3_3_2_2","doi-asserted-by":"publisher","DOI":"10.1109\/OZCHI.1996.560019"},{"key":"e_1_3_3_3_3_2","doi-asserted-by":"publisher","DOI":"10.1145\/1518701.1519052"},{"key":"e_1_3_3_3_4_2","doi-asserted-by":"publisher","DOI":"10.1145\/3526113.3545619"},{"key":"e_1_3_3_3_5_2","unstructured":"Amelia Bellamy-Royds Bogdan Brinza Chris Lilley Dirk Schulze David Storey and Eric Willigers. 2018. Scalable Vector Graphics (SVG) 2 - W3C Candidate Recommendation. https:\/\/www.w3.org\/TR\/SVG2\/."},{"key":"e_1_3_3_3_6_2","doi-asserted-by":"crossref","unstructured":"Stan Bennett. 1976. The Process of Musical Creation: Interviews with Eight Composers. Journal of Research in Music Education 24 1 (1976) 3\u201313.","DOI":"10.2307\/3345061"},{"key":"e_1_3_3_3_7_2","series-title":"(ICMC)","volume-title":"Workshop on Notation and Music Information Retrieval in the Computer Age at the International Computer Music Conference","author":"Blackwell Alan\u00a0F","year":"2000","unstructured":"Alan\u00a0F Blackwell, Thomas\u00a0RG Green, and Douglas\u00a0JE Nunn. 2000. Cognitive dimensions and musical notation systems. In Workshop on Notation and Music Information Retrieval in the Computer Age at the International Computer Music Conference(ICMC). 6\u00a0pages."},{"key":"e_1_3_3_3_8_2","doi-asserted-by":"publisher","unstructured":"Michael Bostock Vadim Ogievetsky and Jeffrey Heer. 2011. D3: Data-Driven Documents. IEEE Transactions on Visualization and Computer Graphics 17 12 (2011) 2301\u20132309. 10.1109\/TVCG.2011.185","DOI":"10.1109\/TVCG.2011.185"},{"key":"e_1_3_3_3_9_2","doi-asserted-by":"publisher","DOI":"10.1145\/2072298.2072434"},{"key":"e_1_3_3_3_10_2","unstructured":"Matt Brubeck Rick Byers Patrick\u00a0H. Lauke and Navid Zolghadr. 2019. Pointer Events Level 2 - W3C Recommendation. https:\/\/www.w3.org\/TR\/pointerevents2\/."},{"key":"e_1_3_3_3_11_2","doi-asserted-by":"publisher","unstructured":"Jorge Calvo-Zaragoza Jan\u00a0Haji\u010d Jr. and Alexander Pacha. 2020. Understanding Optical Music Recognition. ACM Comput. Surv. 53 4 Article 77 (jul 2020) 35\u00a0pages. 10.1145\/3397499","DOI":"10.1145\/3397499"},{"key":"e_1_3_3_3_12_2","doi-asserted-by":"publisher","unstructured":"Vincent Cavez Caroline Appert and Emmanuel Pietriga. 2024. Spreadsheets on Interactive Surfaces: Breaking through the Grid with the Pen. ACM Trans. Comput.-Hum. Interact. 31 2 Article 16 (jan 2024) 33\u00a0pages. 10.1145\/3630097","DOI":"10.1145\/3630097"},{"key":"e_1_3_3_3_13_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642079"},{"key":"e_1_3_3_3_14_2","unstructured":"Mohit\u00a0Muthanna Cheppudira. 2024. VexFlow - JavaScript Music Notation and Guitar Tablature. https:\/\/www.vexflow.com. Last accessed: 2024-08-01."},{"key":"e_1_3_3_3_15_2","doi-asserted-by":"publisher","unstructured":"David Collins. 2005. A synthesis process model of creative thinking in music composition. Psychology of Music 33 2 (2005) 193\u2013216. 10.1177\/0305735605050651","DOI":"10.1177\/0305735605050651"},{"key":"e_1_3_3_3_16_2","doi-asserted-by":"publisher","unstructured":"G\u00f6ran Folkestad David\u00a0J. Hargreaves and Berner Lindstr\u00f6m. 1998. Compositional Strategies in Computer-Based Music-Making. British Journal of Music Education 15 1 (1998) 83\u201397. 10.1017\/S0265051700003788","DOI":"10.1017\/S0265051700003788"},{"key":"e_1_3_3_3_17_2","doi-asserted-by":"publisher","DOI":"10.1145\/2207676.2208316"},{"key":"e_1_3_3_3_18_2","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.1178027"},{"key":"e_1_3_3_3_19_2","volume-title":"The Theory of Affordances. The Ecological Approach to Visual Perception","author":"Gibson James\u00a0J","year":"1979","unstructured":"James\u00a0J Gibson. 1979. The Theory of Affordances. The Ecological Approach to Visual Perception. Houghton Mifflin."},{"key":"e_1_3_3_3_20_2","doi-asserted-by":"publisher","unstructured":"T.\u00a0R.\u00a0G. Green and M. Petre. 1996. Usability Analysis of Visual Programming Environments: A \u2018Cognitive Dimensions\u2019 Framework. Journal of Visual Languages & Computing 7 2 (1996) 131\u2013174. 10.1006\/jvlc.1996.0009","DOI":"10.1006\/jvlc.1996.0009"},{"key":"e_1_3_3_3_21_2","volume-title":"Proceedings of the Annual Meeting of the Cognitive Science Society, Vol 29","author":"Healey Patrick G.\u00a0T.","year":"2007","unstructured":"Patrick G.\u00a0T. Healey and Jean-Baptiste Thiebaut. 2007. Sketching Musical Compositions. In Proceedings of the Annual Meeting of the Cognitive Science Society, Vol 29. 6\u00a0pages. https:\/\/escholarship.org\/uc\/item\/3kc0t66r"},{"key":"e_1_3_3_3_22_2","doi-asserted-by":"publisher","unstructured":"D.L. Hecht. 2001. Printed embedded data graphical user interfaces. IEEE Computer 34 3 (2001) 47\u201355. 10.1109\/2.910893","DOI":"10.1109\/2.910893"},{"key":"e_1_3_3_3_23_2","doi-asserted-by":"publisher","DOI":"10.1145\/1866029.1866036"},{"key":"e_1_3_3_3_24_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642121"},{"key":"e_1_3_3_3_25_2","series-title":"(ICMC \u201994)","first-page":"286","volume-title":"Proceedings of the 1994 International Computer Music Conference","author":"Leroy Annick","year":"1994","unstructured":"Annick Leroy, Giovanni M\u00fcller, and Guy\u00a0E. Garnett. 1994. The Design of a Pen-Based Music Notation System. In Proceedings of the 1994 International Computer Music Conference(ICMC \u201994). 286\u2013292."},{"key":"e_1_3_3_3_26_2","series-title":"(CoPADD)","first-page":"27","volume-title":"Proceedings of the 2nd International Workshop on Collaborating over Paper and Digital Documents","author":"Letondal Catherine","year":"2007","unstructured":"Catherine Letondal and Wendy Mackay. 2007. The Paperoles Project: An Analysis of Paper Use by Music Composers. In Proceedings of the 2nd International Workshop on Collaborating over Paper and Digital Documents(CoPADD). 27\u201330."},{"key":"e_1_3_3_3_27_2","doi-asserted-by":"publisher","DOI":"10.1145\/263690.263806"},{"key":"e_1_3_3_3_28_2","doi-asserted-by":"publisher","DOI":"10.1145\/2512349.2512802"},{"key":"e_1_3_3_3_29_2","doi-asserted-by":"publisher","unstructured":"Hrim Mehta Adam Bradley Mark Hancock and Christopher Collins. 2017. Metatation: Annotation as Implicit Interaction to Bridge Close and Distant Reading. ACM Trans. Comput.-Hum. Interact. 24 5 Article 35 (nov 2017) 41\u00a0pages. 10.1145\/3131609","DOI":"10.1145\/3131609"},{"key":"e_1_3_3_3_30_2","doi-asserted-by":"publisher","DOI":"10.1145\/223904.223970"},{"key":"e_1_3_3_3_31_2","unstructured":"MyScript. 2024. Cross-platform handwriting recognition and interactive ink APIs. https:\/\/developer.myscript.com. Last accessed: 2024-08-01."},{"key":"e_1_3_3_3_32_2","series-title":"(TENOR \u201915)","first-page":"190","volume-title":"Proceedings of the First International Conference on Technologies for Music Notation and Representation","author":"Nash Chris","year":"2015","unstructured":"Chris Nash. 2015. The Cognitive Dimensions of Music Notations. In Proceedings of the First International Conference on Technologies for Music Notation and Representation(TENOR \u201915), Marc Battier, Jean Bresson, Pierre Couprie, C\u00e9cile Davy-Rigaux, Dominique Fober, Yann Geslin, Hugues Genevois, Fran\u00e7ois Picard, and Alice Tacaille (Eds.). Paris, France, 190\u2013202."},{"key":"e_1_3_3_3_33_2","doi-asserted-by":"publisher","DOI":"10.1109\/OZCHI.1998.732212"},{"key":"e_1_3_3_3_34_2","unstructured":"Notion. 2024. Music Notation On the Go. https:\/\/legacy.presonus.com\/products\/Notion-Mobile. Last accessed: 2024-07-03."},{"key":"e_1_3_3_3_35_2","doi-asserted-by":"publisher","DOI":"10.1145\/3025453.3025567"},{"key":"e_1_3_3_3_36_2","unstructured":"Symphony Pro. 2024. Music notation & composition app for iPad. https:\/\/symphonypro.net. Last accessed: 2024-06-28."},{"key":"e_1_3_3_3_37_2","doi-asserted-by":"crossref","unstructured":"Miller Puckette. 2002. Max at Seventeen. Computer Music Journal 26 4 (2002) 31\u201343.","DOI":"10.1162\/014892602320991356"},{"key":"e_1_3_3_3_38_2","doi-asserted-by":"publisher","DOI":"10.1145\/3025453.3025716"},{"key":"e_1_3_3_3_39_2","doi-asserted-by":"publisher","unstructured":"Hans Roels. 2016. Comparing the main compositional activities in a study of eight composers. Musicae Scientiae 20 3 (2016) 413\u2013435. 10.1177\/1029864915624737","DOI":"10.1177\/1029864915624737"},{"key":"e_1_3_3_3_40_2","doi-asserted-by":"crossref","unstructured":"Hugo Romat Caroline Appert and Emmanuel Pietriga. 2019. Expressive authoring of node-link diagrams with graphies. IEEE Transactions on Visualization and Computer Graphics 27 4 (2019) 2329\u20132340.","DOI":"10.1109\/TVCG.2019.2950932"},{"key":"e_1_3_3_3_41_2","doi-asserted-by":"publisher","DOI":"10.1145\/3290605.3300272"},{"key":"e_1_3_3_3_42_2","doi-asserted-by":"publisher","DOI":"10.1145\/3332165.3347934"},{"key":"e_1_3_3_3_43_2","doi-asserted-by":"publisher","DOI":"10.5555\/778158"},{"key":"e_1_3_3_3_44_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642498"},{"key":"e_1_3_3_3_45_2","unstructured":"StaffPad. 2024. Music composition app designed for pen and touch. https:\/\/www.staffpad.net. Last accessed: 2024-06-28."},{"key":"e_1_3_3_3_46_2","volume-title":"Basics of qualitative research: Techniques and procedures for developing grounded theory, 2nd ed.","author":"Strauss Anselm","year":"1998","unstructured":"Anselm Strauss and Juliet Corbin. 1998. Basics of qualitative research: Techniques and procedures for developing grounded theory, 2nd ed.Sage Publications."},{"key":"e_1_3_3_3_47_2","doi-asserted-by":"publisher","DOI":"10.1145\/3279778.3279793"},{"key":"e_1_3_3_3_48_2","unstructured":"OSMD Team. 2024. OpenSheetMusicDisplay. https:\/\/opensheetmusicdisplay.org. Last accessed: 2024-08-01."},{"key":"e_1_3_3_3_49_2","doi-asserted-by":"publisher","DOI":"10.1145\/1518701.1518827"},{"key":"e_1_3_3_3_50_2","first-page":"16","volume-title":"Creativity and music education","author":"Webster Peter\u00a0R","year":"2002","unstructured":"Peter\u00a0R Webster. 2002. Creativity and music education. Canadian Music Educators\u2019 Association, Chapter Creative thinking in music: Advancing a model, 16\u201333."},{"key":"e_1_3_3_3_51_2","doi-asserted-by":"publisher","DOI":"10.1145\/3173574.3173797"},{"key":"e_1_3_3_3_52_2","doi-asserted-by":"publisher","DOI":"10.1145\/3025453.3025664"},{"key":"e_1_3_3_3_53_2","doi-asserted-by":"publisher","DOI":"10.1145\/2501988.2502036"},{"key":"e_1_3_3_3_54_2","doi-asserted-by":"publisher","DOI":"10.1145\/2642918.2647390"}],"event":{"name":"CHI 2025: CHI Conference on Human Factors in Computing Systems","location":"Yokohama Japan","acronym":"CHI '25","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["Proceedings of the 2025 CHI Conference on Human Factors in Computing Systems"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3706598.3713488","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3706598.3713488","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,7,4]],"date-time":"2025-07-04T05:40:44Z","timestamp":1751607644000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3706598.3713488"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2025,4,25]]},"references-count":53,"alternative-id":["10.1145\/3706598.3713488","10.1145\/3706598"],"URL":"https:\/\/doi.org\/10.1145\/3706598.3713488","relation":{},"subject":[],"published":{"date-parts":[[2025,4,25]]},"assertion":[{"value":"2025-04-25","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}