{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,13]],"date-time":"2026-04-13T21:41:09Z","timestamp":1776116469251,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":91,"publisher":"ACM","license":[{"start":{"date-parts":[[2025,4,25]],"date-time":"2025-04-25T00:00:00Z","timestamp":1745539200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"name":"Institute of Information & communications Technology Planning & Evaluation (IITP) grant funded by the Korea government (MSIT) (No.2019-0-01842, Artificial Intelligence Graduate School Program (GIST))"},{"name":"This work was supported by the GIST-MIT Research Collaboration grant funded by the GIST in 2023."}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2025,4,26]]},"DOI":"10.1145\/3706598.3714298","type":"proceedings-article","created":{"date-parts":[[2025,4,24]],"date-time":"2025-04-24T03:24:33Z","timestamp":1745465073000},"page":"1-20","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":15,"title":["Exploring the Potential of Music Generative AI for Music-Making by Deaf and Hard of Hearing People"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-2788-7871","authenticated-orcid":false,"given":"Youjin","family":"Choi","sequence":"first","affiliation":[{"name":"School of Integrated Technology\/Soft Computing &amp; Interaction Laboratory, Gwangju Institute of Science and Technology, Gwangju, Republic of Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-1852-2769","authenticated-orcid":false,"given":"JaeYoung","family":"Moon","sequence":"additional","affiliation":[{"name":"AI graduated school, Gwangju Institute of Science and Technology, Gwangju, Buk-gu, Republic of Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0002-0751-4349","authenticated-orcid":false,"given":"JinYoung","family":"Yoo","sequence":"additional","affiliation":[{"name":"Gwangju Institute of Science and Technology, Gwangju, Republic of Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-8838-5667","authenticated-orcid":false,"given":"Jin-Hyuk","family":"Hong","sequence":"additional","affiliation":[{"name":"School of Integrated Technology, Gwangju Institute of Science and Technology, Gwangju, Republic of Korea and Artificial Intelligence Graduate School, Gwangju Institute of Science and Technology, Gwangju, Republic of Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2025,4,25]]},"reference":[{"key":"e_1_3_3_3_2_2","doi-asserted-by":"publisher","DOI":"10.1145\/3610661.3617514"},{"key":"e_1_3_3_3_3_2","doi-asserted-by":"crossref","unstructured":"Albert Bandura. 1982. Self-efficacy mechanism in human agency. American psychologist 37 2 (1982) 122.","DOI":"10.1037\/\/0003-066X.37.2.122"},{"key":"e_1_3_3_3_4_2","unstructured":"Sunny\u00a0Gordon Bar. 2014. How personal systems coaching increases selfefficacy and well-being for Israeli single mothers. International Journal of Evidence Based Coaching and Mentoring 12 2 (2014) 59\u201374."},{"key":"e_1_3_3_3_5_2","doi-asserted-by":"publisher","unstructured":"Oded Ben-Tal Matthew\u00a0Tobias Harris and Bob\u00a0L.T. Sturm. 2021. How Music AI Is Useful: Engagements with Composers Performers and Audiences. Leonardo 54 5 (10 2021) 510\u2013516. 10.1162\/leon_a_01959 arXiv:https:\/\/direct.mit.edu\/leon\/article-pdf\/54\/5\/510\/1968709\/leon_a_01959.pdf","DOI":"10.1162\/leon_a_01959"},{"key":"e_1_3_3_3_6_2","doi-asserted-by":"publisher","unstructured":"Christodoulos Benetatos and Zhiyao Duan. 2022. Draw and Listen! A Sketch-Based System for Music Inpainting. Transactions of the International Society for Music Information Retrieval (Nov 2022). 10.5334\/tismir.128","DOI":"10.5334\/tismir.128"},{"key":"e_1_3_3_3_7_2","doi-asserted-by":"publisher","unstructured":"Joanna Borowiec Anita H\u00f6kelmann and Wies\u0142aw Osi\u0144ski. 2019. The level of self-esteem of deaf children: Can participating in dance lessons with vibrational headphones improve it? The Arts in Psychotherapy 64 (2019) 34\u201338. 10.1016\/j.aip.2019.03.004","DOI":"10.1016\/j.aip.2019.03.004"},{"key":"e_1_3_3_3_8_2","doi-asserted-by":"publisher","DOI":"10.1145\/3527927.3535200"},{"key":"e_1_3_3_3_9_2","doi-asserted-by":"publisher","unstructured":"Virginia Braun and Victoria Clarke. 2006. Using thematic analysis in psychology. Qualitative Research in Psychology 3 2 (2006) 77\u2013101. 10.1191\/1478088706qp063oa arXiv:https:\/\/www.tandfonline.com\/doi\/pdf\/10.1191\/1478088706qp063oa","DOI":"10.1191\/1478088706qp063oa"},{"key":"e_1_3_3_3_10_2","doi-asserted-by":"publisher","DOI":"10.21428\/92fbeb44.b24043e8"},{"key":"e_1_3_3_3_11_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3641989"},{"key":"e_1_3_3_3_12_2","doi-asserted-by":"publisher","unstructured":"Insook Choi. 2022. An Introduction to Musical Interactions. Multimodal Technologies and Interaction 6 1 (2022). 10.3390\/mti6010004","DOI":"10.3390\/mti6010004"},{"key":"e_1_3_3_3_13_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642665"},{"key":"e_1_3_3_3_14_2","doi-asserted-by":"crossref","unstructured":"Youjin Choi ChungHa Lee Songmin Chung Eunhye Cho Suhyeon Yoo and Jin-Hyuk Hong. 2025. Enhancing collaborative signing songwriting experience of the d\/Deaf individuals. International Journal of Human-Computer Studies 193 (2025) 103382.","DOI":"10.1016\/j.ijhcs.2024.103382"},{"key":"e_1_3_3_3_15_2","unstructured":"Warren\u00a0N Churchill. 2016. Claiming musical spaces: Stories of deaf and hard-of-hearing musicians. Ph.\u00a0D. Dissertation. Teachers College Columbia University."},{"key":"e_1_3_3_3_16_2","doi-asserted-by":"publisher","DOI":"10.1145\/3474085.3475195"},{"key":"e_1_3_3_3_17_2","first-page":"569","volume-title":"NIME","author":"Diao Haojing","year":"2014","unstructured":"Haojing Diao, Yanchao Zhou, Christopher\u00a0Andrew Harte, and Nick Bryan-Kinns. 2014. Sketch-Based Musical Composition and Performance.. In NIME. 569\u2013572."},{"key":"e_1_3_3_3_18_2","doi-asserted-by":"crossref","unstructured":"Ana-Bel\u00e9n Dom\u00ednguez and Jesus Alegria. 2010. Reading mechanisms in orally educated deaf adults. Journal of deaf studies and deaf education 15 2 (2010) 136\u2013148.","DOI":"10.1093\/deafed\/enp033"},{"key":"e_1_3_3_3_19_2","doi-asserted-by":"publisher","DOI":"10.1145\/3628516.3659375"},{"key":"e_1_3_3_3_20_2","doi-asserted-by":"publisher","DOI":"10.18260\/p.26879"},{"key":"e_1_3_3_3_21_2","doi-asserted-by":"publisher","unstructured":"Joyce\u00a0Horn Fonteles Maria Andr\u00e9ia\u00a0Formico Rodrigues and Victor Emanuel\u00a0Dias Basso. 2013. Creating and evaluating a particle system for music visualization. Journal of Visual Languages & Computing 24 6 (2013) 472\u2013482. 10.1016\/j.jvlc.2013.10.002","DOI":"10.1016\/j.jvlc.2013.10.002"},{"key":"e_1_3_3_3_22_2","doi-asserted-by":"publisher","unstructured":"Emma Frid. 2019. Accessible Digital Musical Instruments\u2014A Review of Musical Interfaces in Inclusive Music Practice. Multimodal Technologies and Interaction 3 3 (2019). 10.3390\/mti3030057","DOI":"10.3390\/mti3030057"},{"key":"e_1_3_3_3_23_2","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376514"},{"key":"e_1_3_3_3_24_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-030-58621-8_44"},{"key":"e_1_3_3_3_25_2","doi-asserted-by":"publisher","DOI":"10.1145\/3597638.3614548"},{"key":"e_1_3_3_3_26_2","doi-asserted-by":"publisher","DOI":"10.1145\/3585088.3593867"},{"key":"e_1_3_3_3_27_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613905.3650785"},{"key":"e_1_3_3_3_28_2","doi-asserted-by":"publisher","DOI":"10.1145\/641007.641054"},{"key":"e_1_3_3_3_29_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642800"},{"key":"e_1_3_3_3_30_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642040"},{"key":"e_1_3_3_3_31_2","doi-asserted-by":"publisher","DOI":"10.1145\/1753846.1753919"},{"key":"e_1_3_3_3_32_2","doi-asserted-by":"publisher","DOI":"10.1145\/2771839.2771870"},{"key":"e_1_3_3_3_33_2","doi-asserted-by":"publisher","unstructured":"Melissa\u00a0Gerber Knecht. 2003. Music expertise and memory: the relationship between music expertise and memory of music patterns within various degrees of contextual constraint. Music Education Research 5 3 (2003) 227\u2013242. 10.1080\/1461380032000126328 arXiv:10.1080\/1461380032000126328","DOI":"10.1080\/1461380032000126328"},{"key":"e_1_3_3_3_34_2","doi-asserted-by":"publisher","DOI":"10.1145\/2641248.2641267"},{"key":"e_1_3_3_3_35_2","doi-asserted-by":"publisher","DOI":"10.1145\/3544549.3583824"},{"key":"e_1_3_3_3_36_2","doi-asserted-by":"publisher","DOI":"10.1145\/3403782.3403789"},{"key":"e_1_3_3_3_37_2","unstructured":"Tony Lin. 2022. Multi-modal music interfaces for Deaf and Hard of Hearing to explore creativity. Ph.\u00a0D. Dissertation. RMIT University."},{"key":"e_1_3_3_3_38_2","doi-asserted-by":"publisher","unstructured":"Yu Liu. 2024. Optimization of Teaching Innovation Path of Music Education in Colleges and Universities Based on the Stochastic Process Model. Applied Mathematics and Nonlinear Sciences 9 1 (2024) \u2013. 10.2478\/amns-2024-0305","DOI":"10.2478\/amns-2024-0305"},{"key":"e_1_3_3_3_39_2","doi-asserted-by":"publisher","DOI":"10.1145\/3490099.3511159"},{"key":"e_1_3_3_3_40_2","doi-asserted-by":"publisher","DOI":"10.1145\/632716.632790"},{"key":"e_1_3_3_3_41_2","doi-asserted-by":"crossref","unstructured":"Anabel Maler. 2013. Songs for hands: Analyzing interactions of sign language and music. Music theory online 19 1 (2013).","DOI":"10.30535\/mto.19.1.4"},{"key":"e_1_3_3_3_42_2","doi-asserted-by":"crossref","unstructured":"Anabel Maler. 2015. Musical expression among deaf and hearing song signers. The Oxford handbook of music and disability studies (2015) 73\u201391.","DOI":"10.1093\/oxfordhb\/9780199331444.013.4"},{"key":"e_1_3_3_3_43_2","doi-asserted-by":"publisher","DOI":"10.1109\/ICONAT53423.2022.9726088"},{"key":"e_1_3_3_3_44_2","doi-asserted-by":"publisher","unstructured":"Ian McKinnon. 2005. Children\u2019s music journey: the development of an interactive software solution for early childhood music education. Comput. Entertain. 3 4 (oct 2005) 1\u201310. 10.1145\/1095534.1095547","DOI":"10.1145\/1095534.1095547"},{"key":"e_1_3_3_3_45_2","doi-asserted-by":"publisher","DOI":"10.1109\/CGI.2003.1214486"},{"key":"e_1_3_3_3_46_2","doi-asserted-by":"crossref","unstructured":"Andrew McMillan and Fabio Morreale. 2023. Designing accessible musical instruments by addressing musician-instrument relationships. Frontiers in Computer Science 5 (2023) 1153232.","DOI":"10.3389\/fcomp.2023.1153232"},{"key":"e_1_3_3_3_47_2","doi-asserted-by":"publisher","DOI":"10.1145\/800249.807447"},{"key":"e_1_3_3_3_48_2","doi-asserted-by":"publisher","DOI":"10.1109\/TIC-STH.2009.5444362"},{"key":"e_1_3_3_3_49_2","doi-asserted-by":"publisher","DOI":"10.1145\/3472301.3484331"},{"key":"e_1_3_3_3_50_2","volume-title":"RESHAPE MUSIC: A REPORT EXPLORING THE LIVED EXPERIENCE OF DISABLED MUSICIANS IN EDUCATION AND BEYOND.","author":"MUSIC YOUTH","year":"2020","unstructured":"YOUTH MUSIC. 2020. RESHAPE MUSIC: A REPORT EXPLORING THE LIVED EXPERIENCE OF DISABLED MUSICIANS IN EDUCATION AND BEYOND.https:\/\/youthmusic.org.uk\/reshape-music"},{"key":"e_1_3_3_3_51_2","volume-title":"MusicAI: AI-Powered Music Creation Platform","year":"2024","unstructured":"MusicAI. 2024. MusicAI: AI-Powered Music Creation Platform. https:\/\/music.ai\/"},{"key":"e_1_3_3_3_52_2","doi-asserted-by":"publisher","DOI":"10.1145\/1518701.1518756"},{"key":"e_1_3_3_3_53_2","doi-asserted-by":"publisher","DOI":"10.1109\/ICICS.2007.4449609"},{"key":"e_1_3_3_3_54_2","doi-asserted-by":"publisher","unstructured":"Saul\u00a0B. Needleman and Christian\u00a0D. Wunsch. 1970. A general method applicable to the search for similarities in the amino acid sequence of two proteins. Journal of Molecular Biology 48 3 (1970) 443\u2013453. 10.1016\/0022-2836(70)90057-4","DOI":"10.1016\/0022-2836(70)90057-4"},{"key":"e_1_3_3_3_55_2","doi-asserted-by":"publisher","DOI":"10.1145\/3173574.3174223"},{"key":"e_1_3_3_3_56_2","doi-asserted-by":"crossref","unstructured":"Beate \u00d8hre Maj Volden Erik Falkum and Stephen von Tetzchner. 2016. Mental disorders in deaf and hard of hearing adult outpatients: a comparison of linguistic subgroups. The Journal of Deaf Studies and Deaf Education (2016) 1\u201313.","DOI":"10.1093\/deafed\/enw061"},{"key":"e_1_3_3_3_57_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642454"},{"key":"e_1_3_3_3_58_2","volume-title":"World report on hearing","author":"Organization World\u00a0Health","year":"2021","unstructured":"World\u00a0Health Organization et\u00a0al. 2021. World report on hearing. World Health Organization."},{"key":"e_1_3_3_3_59_2","unstructured":"Carol Padden. 1988. Deaf in America: Voices from a culture. Harvard University (1988)."},{"key":"e_1_3_3_3_60_2","doi-asserted-by":"crossref","unstructured":"Stephen\u00a0E Palmer Karen\u00a0B Schloss Zoe Xu and Lilia\u00a0R Prado-Le\u00f3n. 2013. Music\u2013color associations are mediated by emotion. Proceedings of the National Academy of Sciences 110 22 (2013) 8836\u20138841.","DOI":"10.1073\/pnas.1212562110"},{"key":"e_1_3_3_3_61_2","doi-asserted-by":"crossref","unstructured":"Benjamin Petry Jochen Huber and Suranga Nanayakkara. 2018. Scaffolding the music listening and music making experience for the deaf. Assistive Augmentation (2018) 23\u201348.","DOI":"10.1007\/978-981-10-6404-3_3"},{"key":"e_1_3_3_3_62_2","doi-asserted-by":"publisher","DOI":"10.1145\/3173574.3174060"},{"key":"e_1_3_3_3_63_2","doi-asserted-by":"publisher","DOI":"10.1145\/3010915.3010939"},{"key":"e_1_3_3_3_64_2","doi-asserted-by":"publisher","DOI":"10.1145\/3634848.3634863"},{"key":"e_1_3_3_3_65_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613905.3648112"},{"key":"e_1_3_3_3_66_2","volume-title":"Proc. of the 23rd Int. Society for Music Information Retrieval Conf","author":"Rau Simeon","year":"2022","unstructured":"Simeon Rau, Frank Heyen, Stefan Wagner, and Michael Sedlmair. 2022. Vi- sualization for AI-Assisted Composing. In Proc. of the 23rd Int. Society for Music Information Retrieval Conf."},{"key":"e_1_3_3_3_67_2","doi-asserted-by":"publisher","unstructured":"Jeba Rezwana and Mary\u00a0Lou Maher. 2023. Designing Creative AI Partners with COFI: A Framework for Modeling Interaction in Human-AI Co-Creative Systems. ACM Trans. Comput.-Hum. Interact. 30 5 Article 67 (sep 2023) 28\u00a0pages. 10.1145\/3519026","DOI":"10.1145\/3519026"},{"key":"e_1_3_3_3_68_2","doi-asserted-by":"crossref","unstructured":"Nicola\u00a0S Schutte and John\u00a0M Malouff. 2019. Increasing curiosity through autonomy of choice. Motivation and Emotion 43 (2019) 563\u2013570.","DOI":"10.1007\/s11031-019-09758-w"},{"key":"e_1_3_3_3_69_2","doi-asserted-by":"crossref","unstructured":"Andr\u00e9anne Sharp BA Bacon and F Champoux. 2020. Enhanced tactile identification of musical emotion in the deaf. Experimental brain research 238 5 (2020) 1229\u20131236.","DOI":"10.1007\/s00221-020-05789-9"},{"key":"e_1_3_3_3_70_2","doi-asserted-by":"publisher","unstructured":"Kristen Shinohara Cynthia\u00a0L. Bennett Wanda Pratt and Jacob\u00a0O. Wobbrock. 2018. Tenets for Social Accessibility: Towards Humanizing Disabled People in Design. ACM Trans. Access. Comput. 11 1 Article 6 (mar 2018) 31\u00a0pages. 10.1145\/3178855","DOI":"10.1145\/3178855"},{"key":"e_1_3_3_3_71_2","doi-asserted-by":"publisher","DOI":"10.1109\/VISUAL.1997.663931"},{"key":"e_1_3_3_3_72_2","volume-title":"Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2016)","author":"S\u00f8derberg Ene Alicia","year":"2016","unstructured":"Ene Alicia S\u00f8derberg, Rasmus Emil Odgaard, Sarah Bitsch, Oliver H\u00f8eg-Jensen, Nikolaj Schildt Christensen, S\u00f8ren Dahl Poulsen, and Steven Gelineck. 2016. Music Aid: Towards a Collaborative Experience for Deaf and Hearing People in Creating Music. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2016). http:\/\/nime2016.org New Interfaces for Musical Expression, NIME ; Conference date: 11-07-2016 Through 15-07-2016."},{"key":"e_1_3_3_3_73_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642764"},{"key":"e_1_3_3_3_74_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642764"},{"key":"e_1_3_3_3_75_2","doi-asserted-by":"publisher","unstructured":"S.\u00a0H.\u00a0Ong Suranga Chandima\u00a0Nanayakkara Lonce\u00a0Wyse and Elizabeth\u00a0A. Taylor. 2013. Enhancing Musical Experience for the Hearing-Impaired Using Visual and Haptic Displays. Human\u2013Computer Interaction 28 2 (2013) 115\u2013160. 10.1080\/07370024.2012.697006 arXiv:https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/07370024.2012.697006","DOI":"10.1080\/07370024.2012.697006"},{"key":"e_1_3_3_3_76_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642899"},{"key":"e_1_3_3_3_77_2","doi-asserted-by":"publisher","unstructured":"Shari Trewin Sara Basson Michael Muller Stacy Branham Jutta Treviranus Daniel Gruen Daniel Hebert Natalia Lyckowski and Erich Manser. 2019. Considerations for AI fairness for people with disabilities. AI Matters 5 3 (dec 2019) 40\u201363. 10.1145\/3362077.3362086","DOI":"10.1145\/3362077.3362086"},{"key":"e_1_3_3_3_78_2","doi-asserted-by":"publisher","DOI":"10.1109\/IDCIoT59759.2024.10467661"},{"key":"e_1_3_3_3_79_2","doi-asserted-by":"crossref","unstructured":"Emily\u00a0Q Wang and Anne\u00a0Marie Piper. 2018. Accessibility in action: Co-located collaboration among deaf and hearing professionals. Proceedings of the ACM on Human-Computer Interaction 2 CSCW (2018) 1\u201325.","DOI":"10.1145\/3274449"},{"key":"e_1_3_3_3_80_2","unstructured":"Justin\u00a0D. Weisz Michael Muller Jessica He and Stephanie Houde. 2023. Toward General Design Principles for Generative AI Applications. arxiv:https:\/\/arXiv.org\/abs\/2301.05578\u00a0[cs.HC] https:\/\/arxiv.org\/abs\/2301.05578"},{"key":"e_1_3_3_3_81_2","unstructured":"Meredith Whittaker Meryl Alper Cynthia\u00a0L Bennett Sara Hendren Liz Kaziunas Mara Mills Meredith\u00a0Ringel Morris Joy Rankin Emily Rogers Marcel Salas et\u00a0al. 2019. Disability bias and AI. AI Now Institute 8 (2019)."},{"key":"e_1_3_3_3_82_2","doi-asserted-by":"crossref","unstructured":"H-J Yang Y-L Lay Y-C Liou W-Y Tsao and C-K Lin. 2007. Development and evaluation of computer-aided music-learning system for the hearing impaired. Journal of Computer Assisted Learning 23 6 (2007) 466\u2013476.","DOI":"10.1111\/j.1365-2729.2007.00229.x"},{"key":"e_1_3_3_3_83_2","doi-asserted-by":"publisher","DOI":"10.1145\/3544548.3581287"},{"key":"e_1_3_3_3_84_2","unstructured":"Betty\u00a0Anne Younker and William\u00a0H. Smith. 1996. Comparing and Modeling Musical Thought Processes of Expert and Novice Composers. Bulletin of the Council for Research in Music Education128 (1996) 25\u201336. http:\/\/www.jstor.org\/stable\/40318786"},{"key":"e_1_3_3_3_85_2","unstructured":"Jiaxing Yu Songruoyao Wu Guanting Lu Zijin Li Li Zhou and Kejun Zhang. 2024. Suno: potential prospects and trends. Frontiers of Information Technology & Electronic Engineering (2024) 1\u20136."},{"key":"e_1_3_3_3_86_2","doi-asserted-by":"crossref","unstructured":"Philip Zazove Helen\u00a0E Meador Barbara\u00a0D Reed and Daniel\u00a0W Gorenflo. 2013. Deaf persons\u2019 English reading levels and associations with epidemiological educational and cultural factors. Journal of health communication 18 7 (2013) 760\u2013772.","DOI":"10.1080\/10810730.2012.743633"},{"key":"e_1_3_3_3_87_2","doi-asserted-by":"crossref","unstructured":"Shuang Zhang Xiaofeng Lu and Xinwen Liu. 2024. Study on the Influence of AI Composition Software on Students\u2019 Creative Ability in Music Education. Journal of Educational Technology and Innovation 6 2 (2024).","DOI":"10.61414\/jeti.v6i2.190"},{"key":"e_1_3_3_3_88_2","unstructured":"Yixiao Zhang Akira Maezawa Gus Xia Kazuhiko Yamamoto and Simon Dixon. 2024. Loop Copilot: Conducting AI Ensembles for Music Generation and Iterative Editing. arxiv:https:\/\/arXiv.org\/abs\/2310.12404\u00a0[cs.SD] https:\/\/arxiv.org\/abs\/2310.12404"},{"key":"e_1_3_3_3_89_2","doi-asserted-by":"publisher","DOI":"10.21428\/92fbeb44.110a7a32"},{"key":"e_1_3_3_3_90_2","doi-asserted-by":"publisher","DOI":"10.1145\/3397481.3450663"},{"key":"e_1_3_3_3_91_2","unstructured":"Yueyue Zhu Jared Baca Banafsheh Rekabdar and Reza Rawassizadeh. 2023. A Survey of AI Music Generation Tools and Models. arxiv:https:\/\/arXiv.org\/abs\/2308.12982\u00a0[cs.SD] https:\/\/arxiv.org\/abs\/2308.12982"},{"key":"e_1_3_3_3_92_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-642-40480-1_55"}],"event":{"name":"CHI 2025: CHI Conference on Human Factors in Computing Systems","location":"Yokohama Japan","acronym":"CHI '25","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["Proceedings of the 2025 CHI Conference on Human Factors in Computing Systems"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3706598.3714298","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3706598.3714298","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,7,4]],"date-time":"2025-07-04T04:59:32Z","timestamp":1751605172000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3706598.3714298"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2025,4,25]]},"references-count":91,"alternative-id":["10.1145\/3706598.3714298","10.1145\/3706598"],"URL":"https:\/\/doi.org\/10.1145\/3706598.3714298","relation":{},"subject":[],"published":{"date-parts":[[2025,4,25]]},"assertion":[{"value":"2025-04-25","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}