{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,1,28]],"date-time":"2026-01-28T17:58:23Z","timestamp":1769623103723,"version":"3.49.0"},"reference-count":36,"publisher":"Association for Computing Machinery (ACM)","issue":"1","funder":[{"DOI":"10.13039\/501100001711","name":"Swiss National Science Foundation","doi-asserted-by":"crossref","award":["CRSII_5198632"],"award-info":[{"award-number":["CRSII_5198632"]}],"id":[{"id":"10.13039\/501100001711","id-type":"DOI","asserted-by":"crossref"}]}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["J. Comput. Cult. Herit."],"published-print":{"date-parts":[[2026,3,31]]},"abstract":"<jats:p>\n                    <jats:italic toggle=\"yes\">Dancing through Time<\/jats:italic>\n                    is an interactive installation created to discover the Prix de Lausanne archive, a collection of dance performance recordings over 51 years. It consists of a 4k-touch screen mounted on a 12-meter rail, offering visitors the opportunity to walk through the 51 editions of the Prix de Lausanne dance competition. This article presents the installation and the results of an extensive evaluation on users\u2019 questionnaires. Our main findings validate\n                    <jats:italic toggle=\"yes\">Dancing through Time<\/jats:italic>\n                    in terms of User Experience and User Engagement, indicating that receiving prior instructions only affects the latter. Furthermore, the interaction logs with the application inform us on the benefits on browsing through the entire collection, increasing watch time and distance travelled through time. Finally, we extracted different users\u2019 interaction behaviors to better understand how visitors engaged with\n                    <jats:italic toggle=\"yes\">Dancing through Time<\/jats:italic>\n                    in the situated context of the 2024 edition.\n                  <\/jats:p>","DOI":"10.1145\/3708548","type":"journal-article","created":{"date-parts":[[2024,12,18]],"date-time":"2024-12-18T00:05:06Z","timestamp":1734480306000},"page":"1-16","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Dancing through Time: An Interactive Installation to Discover a Dance Audiovisual Archive"],"prefix":"10.1145","volume":"19","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-8281-4451","authenticated-orcid":false,"given":"Giacomo","family":"Alliata","sequence":"first","affiliation":[{"name":"Laboratory for Experimental Museology, \u00c9cole Polytechnique F\u00e9d\u00e9rale de Lausanne, Lausanne, Switzerland"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-7190-9946","authenticated-orcid":false,"given":"Sarah","family":"Kenderdine","sequence":"additional","affiliation":[{"name":"Laboratory for Experimental Museology, \u00c9cole Polytechnique F\u00e9d\u00e9rale de Lausanne, Lausanne, Switzerland"}]}],"member":"320","published-online":{"date-parts":[[2026,1,22]]},"reference":[{"key":"e_1_3_2_2_2","unstructured":"Giacomo Alliata Yumeng Hou and Sarah Kenderdine. 2024. 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