{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,6,8]],"date-time":"2026-06-08T23:22:30Z","timestamp":1780960950508,"version":"3.54.1"},"reference-count":22,"publisher":"Association for Computing Machinery (ACM)","issue":"3","funder":[{"name":"Research Ireland","award":["IRC-21\/PATH-A\/9446"],"award-info":[{"award-number":["IRC-21\/PATH-A\/9446"]}]}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["Proc. ACM Comput. Graph. Interact. Tech."],"published-print":{"date-parts":[[2025,8,31]]},"abstract":"<jats:p>\n            This paper explores the reworking of Samuel Beckett\u2019s\n            <jats:italic toggle=\"yes\">Not I<\/jats:italic>\n            as a virtual reality (VR) experience using Unreal Engine and MetaHuman technology. The original work, known for its disembodied mouth and rapid-fire monologue, challenges conventional theater staging and produces profound unease in audiences. Adapting\n            <jats:italic toggle=\"yes\">Not I<\/jats:italic>\n            for VR interrogates how immersive media can intensify or transform the visceral impact of Beckett\u2019s subtractive dramaturgy. Drawing on arts practice-as-research (PAR) and reflective methods, we examine how the demands of VR technology, audience embodiment, and design choices intersect with Beckett\u2019s textual specificity. We conclude by assessing the project\u2019s significance for contemporary performance studies, as well as implications for future XR interpretations of canonical theatrical works.\n          <\/jats:p>","DOI":"10.1145\/3736779","type":"journal-article","created":{"date-parts":[[2025,7,16]],"date-time":"2025-07-16T12:12:03Z","timestamp":1752667923000},"page":"1-10","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":2,"title":["Reimagining Beckett's\n            <i>Not I<\/i>\n            in Virtual Reality: The MetaHuman as a Digital Double of the Actor"],"prefix":"10.1145","volume":"8","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-5477-2466","authenticated-orcid":false,"given":"N\u00e9ill","family":"O'Dwyer","sequence":"first","affiliation":[{"name":"PIX-ART, Department of Drama, School of Creative Arts,","place":["Dublin, Ireland"]},{"name":"Trinity College Dublin","place":["Dublin, Ireland"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-6827-5818","authenticated-orcid":false,"given":"Enda","family":"Bates","sequence":"additional","affiliation":[{"name":"Electronic and Electrical Engineering,","place":["Dublin, Ireland"]},{"name":"Trinity College Dublin","place":["Dublin, Ireland"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-6361-5593","authenticated-orcid":false,"given":"Nicholas","family":"Johnson","sequence":"additional","affiliation":[{"name":"Department of Drama, School of Creative Arts,","place":["Dublin, Ireland"]},{"name":"Trinity College Dublin","place":["Dublin, Ireland"]}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"320","published-online":{"date-parts":[[2025,7,16]]},"reference":[{"key":"e_1_3_1_2_1","volume-title":"The Complete Dramatic Works of Samuel Beckett","author":"Beckett Samuel","year":"2006","unstructured":"Samuel Beckett. 2006. 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