{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,4]],"date-time":"2025-10-04T00:44:16Z","timestamp":1759538656683,"version":"build-2065373602"},"reference-count":22,"publisher":"Association for Computing Machinery (ACM)","issue":"3","content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["Proc. ACM Comput. Graph. Interact. Tech."],"published-print":{"date-parts":[[2025,8,31]]},"abstract":"<jats:p>This paper presents PoeSpin, a human\u2013AI co-writing system that transforms pole dance movements into poetry. Inspired by pole dance and computational linguistics, this project reimagines dance as a form of embodied poetic creation situated within the traditions of spatial and concrete poetry. Drawing from these traditions, PoeSpin treats physical motion as a generative force in the poetic process. We implemented three movement-to-poetry strategies. Among them, the second approach\u2014embedding pole dance trajectories into a reduced-dimensional semantic space\u2014served as the foundation for a real-time interactive installation. Building on this implementation and user feedback, we also proposed an integrated strategy for future interaction design. Our primary method employs the reduction of dimensionality of word vectors, mapping dance trajectories into a semantic space constructed upon Yeats\u2019s poetic corpus. Rather than merely describing physical movement, the system generates evocative verse that extends beyond literal translation, unleashing creative possibilities that bridge the corporeal and the literary. This work offers both a technical framework for multimodal dance-poetry generation and a critical reframing of pole dance aesthetics, aiming to liberate this art form from prevailing societal dismissive gaze.<\/jats:p>","DOI":"10.1145\/3736781","type":"journal-article","created":{"date-parts":[[2025,7,16]],"date-time":"2025-07-16T12:12:03Z","timestamp":1752667923000},"page":"1-13","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["PoeSpin: A Human-AI Dance to Poetry System for Movement-Based Verse Generation"],"prefix":"10.1145","volume":"8","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-9129-8062","authenticated-orcid":false,"given":"Yihua","family":"Li","sequence":"first","affiliation":[{"name":"ITP (Interactive telecommunications Program), Tisch School of the Arts","place":["Brooklyn, USA"]},{"name":"New York University","place":["Brooklyn, USA"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0005-9679-6940","authenticated-orcid":false,"given":"Hongyue","family":"Chen","sequence":"additional","affiliation":[{"name":"English Literature and Literary Theory","place":["Freiburg im Breisgau, Germany"]},{"name":"University of Freiburg","place":["Freiburg im Breisgau, Germany"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0009-9784-9097","authenticated-orcid":false,"given":"Yiqing","family":"Li","sequence":"additional","affiliation":[{"name":"ITP (Interactive telecommunications Program), Tisch School of the Arts","place":["Brooklyn, USA"]},{"name":"New York University","place":["Brooklyn, USA"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0007-9190-0571","authenticated-orcid":false,"given":"Yetong","family":"Xin","sequence":"additional","affiliation":[{"name":"Graduate School of Design","place":["Boston, USA"]},{"name":"Harvard University","place":["Boston, USA"]}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2025,7,16]]},"reference":[{"key":"e_1_3_2_2_1","unstructured":"Explosion AI. 2023. spaCy: Industrial-strength Natural Language Processing in Python. https:\/\/spacy.io Version 3.0 and later. 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