{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,13]],"date-time":"2025-12-13T07:23:10Z","timestamp":1765610590405,"version":"build-2065373602"},"publisher-location":"New York, NY, USA","reference-count":23,"publisher":"ACM","content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2025,9,3]]},"DOI":"10.1145\/3749893.3749912","type":"proceedings-article","created":{"date-parts":[[2025,11,5]],"date-time":"2025-11-05T09:49:31Z","timestamp":1762336171000},"page":"117-124","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Body Oracle: Exploring Somatic Hieroglyphs for Collective Bodily Awareness"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0009-0009-7954-0803","authenticated-orcid":false,"given":"Danlin","family":"Huang","sequence":"first","affiliation":[{"name":"School of Design &amp; Innovation, China Academy of Art, Hangzhou, Zhejiang, China"}]},{"ORCID":"https:\/\/orcid.org\/0009-0000-6884-9076","authenticated-orcid":false,"given":"Ke","family":"Huang","sequence":"additional","affiliation":[{"name":"School of Design &amp; Innovation, China Academy of Art, Hangzhou, Zhejiang, China"}]},{"ORCID":"https:\/\/orcid.org\/0009-0008-0548-7301","authenticated-orcid":false,"given":"Ruoqi","family":"Wang","sequence":"additional","affiliation":[{"name":"School of Design &amp; Innovation, China Academy of Art, Hangzhou, Zhejiang, China"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-4504-0941","authenticated-orcid":false,"given":"Botao Amber","family":"Hu","sequence":"additional","affiliation":[{"name":"Reality Design Lab, New York City, USA"}]}],"member":"320","published-online":{"date-parts":[[2025,11,5]]},"reference":[{"key":"e_1_3_3_3_2_2","doi-asserted-by":"publisher","unstructured":"James Auger. 2013. Speculative Design: Crafting the Speculation. Digital Creativity 24 (03 2013). 10.1080\/14626268.2013.767276","DOI":"10.1080\/14626268.2013.767276"},{"key":"e_1_3_3_3_3_2","doi-asserted-by":"crossref","unstructured":"Qiyu Bai Qi Dan Zhe Mu and Maokun Yang. 2019. A systematic review of emoji: Current research and future perspectives. Frontiers in psychology 10 (2019) 2221.","DOI":"10.3389\/fpsyg.2019.02221"},{"key":"e_1_3_3_3_4_2","volume-title":"Benesh Movement Notation","author":"Benesh Rudolf","year":"1955","unstructured":"Rudolf Benesh. 1955. Benesh Movement Notation. Institute of Choreology."},{"key":"e_1_3_3_3_5_2","doi-asserted-by":"publisher","unstructured":"J\u00e9r\u00f4me Bourdon. 2020. From Correspondence to Computers: A Theory of Mediated Presence in History. 30 1 (2020) 64\u201383. 10.1093\/ct\/qtz020","DOI":"10.1093\/ct\/qtz020"},{"key":"e_1_3_3_3_6_2","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/7221.001.0001"},{"key":"e_1_3_3_3_7_2","doi-asserted-by":"publisher","DOI":"10.1093\/oso\/9780192898197.001.0001"},{"key":"e_1_3_3_3_8_2","volume-title":"An Introduction To Motif Notation","author":"Guest Ann\u00a0Hutchinson","year":"2007","unstructured":"Ann\u00a0Hutchinson Guest. 2007. An Introduction To Motif Notation. Language of Dance Centre, London."},{"key":"e_1_3_3_3_9_2","doi-asserted-by":"publisher","DOI":"10.4324\/9780203626122"},{"key":"e_1_3_3_3_10_2","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/11481.001.0001"},{"key":"e_1_3_3_3_11_2","doi-asserted-by":"publisher","DOI":"10.1145\/3675094.3677549"},{"key":"e_1_3_3_3_12_2","doi-asserted-by":"publisher","DOI":"10.1145\/3689050.3707688"},{"key":"e_1_3_3_3_13_2","doi-asserted-by":"publisher","unstructured":"Phillip Isola Jun-Yan Zhu Tinghui Zhou and Alexei\u00a0A. Efros. 2018. Image-to-Image Translation with Conditional Adversarial Networks. 10.48550\/arXiv.1611.07004 arxiv:https:\/\/arXiv.org\/abs\/1611.07004\u00a0[cs]","DOI":"10.48550\/arXiv.1611.07004"},{"key":"e_1_3_3_3_14_2","doi-asserted-by":"publisher","unstructured":"Yongcheng Jing Yezhou Yang Zunlei Feng Jingwen Ye Yizhou Yu and Mingli Song. 2020. Neural Style Transfer: A Review. IEEE Transactions on Visualization and Computer Graphics 26 11 (Nov. 2020) 3365\u20133385. 10.1109\/TVCG.2019.2921336","DOI":"10.1109\/TVCG.2019.2921336"},{"key":"e_1_3_3_3_15_2","doi-asserted-by":"publisher","unstructured":"Seok Kang. 2007. Disembodiment in online social interaction: impact of online chat on social support and psychosocial well-being. 10 3 (2007) 475\u2013477. 10.1089\/cpb.2006.9929","DOI":"10.1089\/cpb.2006.9929"},{"key":"e_1_3_3_3_16_2","volume-title":"Sources of Shang history: the oracle-bone inscriptions of Bronze Age China","author":"Keightley David\u00a0N","year":"1985","unstructured":"David\u00a0N Keightley. 1985. Sources of Shang history: the oracle-bone inscriptions of Bronze Age China. Univ of California Press."},{"key":"e_1_3_3_3_17_2","doi-asserted-by":"crossref","unstructured":"Christian Keysers Jon\u00a0H Kaas and Valeria Gazzola. 2010. Somatosensation in social perception. Nature Reviews Neuroscience 11 6 (2010) 417\u2013428.","DOI":"10.1038\/nrn2833"},{"key":"e_1_3_3_3_18_2","doi-asserted-by":"crossref","unstructured":"David Lapakko. 2007. Communication is 93% nonverbal: An urban legend proliferates. Communication and Theater Association of Minnesota Journal 34 1 (2007) 2.","DOI":"10.56816\/2471-0032.1000"},{"key":"e_1_3_3_3_19_2","doi-asserted-by":"crossref","unstructured":"G.\u00a0L. Mattos. 1947. Fang-Kuei Li: Studies on Archaic Chinese. 31 (1947) 219\u2013287. https:\/\/www.jstor.org\/stable\/40726172 Publisher: Taylor & Francis Ltd..","DOI":"10.1080\/02549948.1974.11731100"},{"key":"e_1_3_3_3_20_2","doi-asserted-by":"publisher","DOI":"10.4324\/9780203720714"},{"key":"e_1_3_3_3_21_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-0-387-72611-314"},{"key":"e_1_3_3_3_22_2","doi-asserted-by":"publisher","DOI":"10.1017\/CBO9780511802829"},{"key":"e_1_3_3_3_23_2","doi-asserted-by":"publisher","DOI":"10.1145\/3610591.3616427"},{"key":"e_1_3_3_3_24_2","doi-asserted-by":"publisher","unstructured":"Weidi Zhang Donghao Ren and George Legrady. 2021. Cangjie\u2019s Poetry: An Interactive Art Experience of a Semantic Human-Machine Reality. Proc. ACM Comput. Graph. Interact. Tech. 4 2 Article 19 (Aug. 2021) 9\u00a0pages. 10.1145\/3465619","DOI":"10.1145\/3465619"}],"event":{"name":"Expanded 2025: Conference on Animation and Interactive Art","location":"Linz Austria","acronym":"Expanded 2025"},"container-title":["Proceedings of the Conference on Animation and Interactive Art"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3749893.3749912","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,11,5]],"date-time":"2025-11-05T09:49:51Z","timestamp":1762336191000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3749893.3749912"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2025,9,3]]},"references-count":23,"alternative-id":["10.1145\/3749893.3749912","10.1145\/3749893"],"URL":"https:\/\/doi.org\/10.1145\/3749893.3749912","relation":{},"subject":[],"published":{"date-parts":[[2025,9,3]]},"assertion":[{"value":"2025-11-05","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}