{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,19]],"date-time":"2025-12-19T15:55:56Z","timestamp":1766159756459,"version":"build-2065373602"},"publisher-location":"New York, NY, USA","reference-count":17,"publisher":"ACM","content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2025,9,3]]},"DOI":"10.1145\/3749893.3749967","type":"proceedings-article","created":{"date-parts":[[2025,11,5]],"date-time":"2025-11-05T09:49:31Z","timestamp":1762336171000},"page":"149-156","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Animating an Archive: AI and the Limits of Cultural Heritage Interpretation"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0009-0003-1984-5302","authenticated-orcid":false,"given":"Celine","family":"Pham","sequence":"first","affiliation":[{"name":"University of Applied Sciences Upper Austria Hagenberg, Hagenberg, Austria"}]},{"ORCID":"https:\/\/orcid.org\/0009-0003-1340-3781","authenticated-orcid":false,"given":"Jolanda","family":"Abasolo","sequence":"additional","affiliation":[{"name":"University of Applied Sciences Upper Austria Hagenberg, Hagenberg, Austria"}]},{"ORCID":"https:\/\/orcid.org\/0009-0005-7047-3844","authenticated-orcid":false,"given":"Victoria","family":"Wolfersberger","sequence":"additional","affiliation":[{"name":"University of Applied Sciences Upper Austria Hagenberg, Hagenberg, Austria"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-9287-3770","authenticated-orcid":false,"given":"Philipp","family":"Wintersberger","sequence":"additional","affiliation":[{"name":"IT:U, Linz, Austria"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-3440-7768","authenticated-orcid":false,"given":"Juergen","family":"Hagler","sequence":"additional","affiliation":[{"name":"University of Applied Sciences Upper Austria Hagenberg, Hagenberg, Austria"}]}],"member":"320","published-online":{"date-parts":[[2025,11,5]]},"reference":[{"key":"e_1_3_3_2_2_2","unstructured":"Memo Akten. 2018. Deep Meditations: A brief history of almost everything. Immersive media installation. Retrieved April 22 2025 from https:\/\/www.memo.tv\/works\/deep-meditations\/ accessed April 22 2025."},{"key":"e_1_3_3_2_3_2","unstructured":"Refik Anadol. 2017. Archive Dreaming \u2014 AI Data Sculpture. Immersive media installation. Retrieved April 22 2025 from https:\/\/refikanadol.com\/works\/archive-dreaming\/ accessed April 22 2025."},{"key":"e_1_3_3_2_4_2","unstructured":"Refik Anadol. 2017. Virtual Archive. Immersive media installation. Retrieved April 22 2025 from https:\/\/refikanadol.com\/works\/virtual-archive\/ accessed April 22 2025."},{"key":"e_1_3_3_2_5_2","unstructured":"Refik Anadol. 2023. Unsupervised \u2014 Machine Hallucinations \u2014 MoMA. Animation. Retrieved April 22 2025 from https:\/\/refikanadol.com\/works\/unsupervised\/ accessed April 22 2025."},{"key":"e_1_3_3_2_6_2","unstructured":"AI\u00a0Fails\u00a0& Fun. 2024. 17th Century Masterpieces Come to Life: AI Brings Smiles and Laughter to Classic Art. AI Animation. Retrieved April 22 2025 from https:\/\/www.youtube.com\/watch?v=tRMAAd4E67U accessed April 22 2025."},{"key":"e_1_3_3_2_7_2","unstructured":"Leon\u00a0A Gatys. 2015. A neural algorithm of artistic style. arXiv preprint arXiv:https:\/\/arXiv.org\/abs\/1508.06576 (2015)."},{"key":"e_1_3_3_2_8_2","doi-asserted-by":"publisher","DOI":"10.1109\/CVPR.2016.265"},{"key":"e_1_3_3_2_9_2","doi-asserted-by":"crossref","unstructured":"A GNALL. 2023. How AI is expanding art history. Nature 623 (2023) 685.","DOI":"10.1038\/d41586-023-03604-3"},{"key":"e_1_3_3_2_10_2","first-page":"52","volume-title":"Expanded animation. mapping an unlimited landscape","author":"Hagler Juergen","year":"2019","unstructured":"Juergen Hagler. 2019. Anomalies at the Intersection of Animation, Media Art and Technology. In Expanded animation. mapping an unlimited landscape. Hatje Cantz, 52\u201363."},{"key":"e_1_3_3_2_11_2","volume-title":"Klemens Brosch","author":"Kastner Otfried","year":"1963","unstructured":"Otfried Kastner. 1963. Klemens Brosch. J. Wimmer, Linz, AT."},{"key":"e_1_3_3_2_12_2","doi-asserted-by":"publisher","DOI":"10.5555\/1137825"},{"key":"e_1_3_3_2_13_2","doi-asserted-by":"crossref","unstructured":"P\u00e9ter Mezei. 2021. From Leonardo to the Next Rembrandt\u2013the need for AI-Pessimism in the age of algorithms. UFITA archiv f\u00fcr medienrecht und medienwissenschaft 84 2 (2021) 390\u2013429.","DOI":"10.5771\/2568-9185-2020-2-390"},{"key":"e_1_3_3_2_14_2","volume-title":"Klemens Brosch. Kunst und Sucht des Zeichengenies","author":"Nowak-Thaller Elisabeth","year":"2016","unstructured":"Elisabeth Nowak-Thaller. 2016. Klemens Brosch. Kunst und Sucht des Zeichengenies. Anton Pustet, Salzburg, AT."},{"key":"e_1_3_3_2_15_2","unstructured":"Directors:\u00a0Celine Pham Jolanda Abasolo Victoria Wolfersberger Juergen\u00a0Hagler; research &\u00a0support: Philipp\u00a0Wintersberger and Alexander Wilhelm. 2025. Brosch AI - Distorted Dreams. Animation. Retrieved April 22 2025 from https:\/\/www.animaplus.at\/projekte\/"},{"key":"e_1_3_3_2_16_2","doi-asserted-by":"crossref","unstructured":"Hafizur Rahaman. 2018. Digital heritage interpretation: a conceptual framework. Digital creativity 29 2-3 (2018) 208\u2013234.","DOI":"10.1080\/14626268.2018.1511602"},{"key":"e_1_3_3_2_17_2","volume-title":"Klemens Brosch oder Eine Ein\u00fcbung ins Unm\u00f6gliche. Ein Triptychon","author":"Wall Richard","year":"2001","unstructured":"Richard Wall. 2001. Klemens Brosch oder Eine Ein\u00fcbung ins Unm\u00f6gliche. Ein Triptychon. Ritter, Klagenfurt, AT."},{"key":"e_1_3_3_2_18_2","doi-asserted-by":"crossref","unstructured":"Jose Ysique-Neciosup Nilton Mercado-Chavez and Willy Ugarte. 2022. DeepHistory: A convolutional neural network for automatic animation of museum paintings. Computer Animation and Virtual Worlds 33 5 (2022) e2110.","DOI":"10.1002\/cav.2110"}],"event":{"name":"Expanded 2025: Conference on Animation and Interactive Art","location":"Linz Austria","acronym":"Expanded 2025"},"container-title":["Proceedings of the Conference on Animation and Interactive Art"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3749893.3749967","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,11,5]],"date-time":"2025-11-05T09:52:10Z","timestamp":1762336330000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3749893.3749967"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2025,9,3]]},"references-count":17,"alternative-id":["10.1145\/3749893.3749967","10.1145\/3749893"],"URL":"https:\/\/doi.org\/10.1145\/3749893.3749967","relation":{},"subject":[],"published":{"date-parts":[[2025,9,3]]},"assertion":[{"value":"2025-11-05","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}