{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,23]],"date-time":"2026-04-23T07:58:45Z","timestamp":1776931125513,"version":"3.51.2"},"publisher-location":"New York, NY, USA","reference-count":11,"publisher":"ACM","content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2025,12,15]]},"DOI":"10.1145\/3757374.3771537","type":"proceedings-article","created":{"date-parts":[[2025,12,13]],"date-time":"2025-12-13T09:55:22Z","timestamp":1765619722000},"page":"1-3","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Generative Tonal Art: An Artistic Rendering Workflow using Programmable TAMs"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0009-0009-9218-6300","authenticated-orcid":false,"given":"Yun-Chen","family":"Lee","sequence":"first","affiliation":[{"name":"National Yang Ming Chiao Tung University, Hsinchu, Taiwan"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-8362-7719","authenticated-orcid":false,"given":"June-Hao","family":"Hou","sequence":"additional","affiliation":[{"name":"Graduate Institute of Architecture, National Yang Ming Chiao Tung University, Hsinchu, Taiwan"}]}],"member":"320","published-online":{"date-parts":[[2025,12,14]]},"reference":[{"key":"e_1_3_3_2_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/1124728.1124749"},{"key":"e_1_3_3_2_3_1","unstructured":"Alejandro Campos. 2024. p5.brush.js. https:\/\/p5-brush.cargo.site\/. Accessed: 2025-10-16."},{"key":"e_1_3_3_2_4_1","unstructured":"DoubleGum. 2018. Komikaze: Toon Shaders & Assets Pack (Stylized Npr). https:\/\/superhivemarket.com\/products\/komikaze. Accessed: 2025-10-16."},{"key":"e_1_3_3_2_5_1","unstructured":"D\u00e9douze. 2021. How this 2D\/3D animation was made - Introduction to Blender greasepencil and tips for beginners. https:\/\/www.youtube.com\/watch?v=saIFT8_j0LQ. Accessed: 2025-10-16."},{"key":"e_1_3_3_2_6_1","unstructured":"Orr Kislev. 2021. Obscure Cameras. https:\/\/www.fxhash.xyz\/project\/obscure-cameras. Accessed: 2025-10-16."},{"key":"e_1_3_3_2_7_1","doi-asserted-by":"publisher","DOI":"10.1145\/383259.383328"},{"key":"e_1_3_3_2_8_1","unstructured":"Gaku Tada. 2025. Deep Paint. https:\/\/gakutada.com\/dp-en\/. Accessed: 2025-10-16."},{"key":"e_1_3_3_2_9_1","unstructured":"Aluan Wang. 2023. After The Cave. https:\/\/aluanwang.com\/short-form\/after-the-cave\/. Accessed: 2025-10-16."},{"key":"e_1_3_3_2_10_1","unstructured":"Alan Wyatt. 2024. Tradigitalist Toolbag. https:\/\/tradigital.gumroad.com\/. Accessed: 2025-10-16."},{"key":"e_1_3_3_2_11_1","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642128"},{"key":"e_1_3_3_2_12_1","doi-asserted-by":"publisher","DOI":"10.1111\/cgf.12538"}],"event":{"name":"SA Posters '25: SIGGRAPH Asia 2025 Posters","location":"Hong Kong Hong Kong","acronym":"SA Posters '25","sponsor":["SIGGRAPH ACM Special Interest Group on Computer Graphics and Interactive Techniques"]},"container-title":["Proceedings of the SIGGRAPH Asia 2025 Posters"],"original-title":[],"deposited":{"date-parts":[[2025,12,13]],"date-time":"2025-12-13T09:56:00Z","timestamp":1765619760000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3757374.3771537"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2025,12,14]]},"references-count":11,"alternative-id":["10.1145\/3757374.3771537","10.1145\/3757374"],"URL":"https:\/\/doi.org\/10.1145\/3757374.3771537","relation":{},"subject":[],"published":{"date-parts":[[2025,12,14]]},"assertion":[{"value":"2025-12-14","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}