{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,19]],"date-time":"2025-12-19T06:14:34Z","timestamp":1766124874000,"version":"3.48.0"},"publisher-location":"New York, NY, USA","reference-count":32,"publisher":"ACM","content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2025,12]]},"DOI":"10.1145\/3769534.3769601","type":"proceedings-article","created":{"date-parts":[[2025,12,19]],"date-time":"2025-12-19T06:05:38Z","timestamp":1766124338000},"page":"1-5","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["How Visual Feedback Influences the Dancers and the Audience: A Case Study of Co-Creation in An AI-Themed Contemporary Dance"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0009-0007-4418-2343","authenticated-orcid":false,"given":"Yating","family":"Pan","sequence":"first","affiliation":[{"name":"School of Design, Southern University of Science and Technology, Shenzhen, China"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-4022-8774","authenticated-orcid":false,"given":"An","family":"Liang","sequence":"additional","affiliation":[{"name":"Changsha University, Changsha, China"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-2381-3798","authenticated-orcid":false,"given":"Wanlin","family":"Zhang","sequence":"additional","affiliation":[{"name":"School of Design, Southern University of Science and Technology, Shenzhen, China"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2025,12,18]]},"reference":[{"key":"e_1_3_3_1_2_2","doi-asserted-by":"publisher","DOI":"10.1145\/3532106.3533499"},{"key":"e_1_3_3_1_3_2","doi-asserted-by":"publisher","DOI":"10.1145\/3643834.3661607"},{"key":"e_1_3_3_1_4_2","doi-asserted-by":"publisher","DOI":"10.1145\/1358628.1358785"},{"key":"e_1_3_3_1_5_2","doi-asserted-by":"publisher","DOI":"10.1109\/HRI61500.2025.10973822"},{"key":"e_1_3_3_1_6_2","doi-asserted-by":"crossref","unstructured":"Johannes Birringer. 2002. Dance and Media Technologies. PAJ: A Journal of Performance and Art 24 1 (2002) 84\u201393. http:\/\/www.jstor.org\/stable\/3246461","DOI":"10.1162\/152028101753401811"},{"key":"e_1_3_3_1_7_2","doi-asserted-by":"publisher","DOI":"10.1145\/3532106.3533467"},{"key":"e_1_3_3_1_8_2","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/2429.001.0001"},{"key":"e_1_3_3_1_9_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642345"},{"key":"e_1_3_3_1_10_2","doi-asserted-by":"publisher","unstructured":"Andreas Fink and Silke Woschnjak. 2011. Creativity and Personality in Professional Dancers. Personality and Individual Differences 51 6 (2011) 754\u2013758. 10.1016\/j.paid.2011.06.024","DOI":"10.1016\/j.paid.2011.06.024"},{"key":"e_1_3_3_1_11_2","doi-asserted-by":"publisher","DOI":"10.1145\/3458709.3459006"},{"key":"e_1_3_3_1_12_2","doi-asserted-by":"publisher","DOI":"10.1145\/2702613.2725453"},{"key":"e_1_3_3_1_13_2","first-page":"214","volume-title":"Technological Choices: Transformations in Material Cultures Since the Neolithic","author":"Guille-Escuret Georges","year":"1993","unstructured":"Georges Guille-Escuret. 1993. Technical Innovation and Cultural Resistance: The Social Weight of Plowing in the Vineyards of Les Corbi\u00e8res (Languedoc). In Technological Choices: Transformations in Material Cultures Since the Neolithic, Pierre Lemonnier (Ed.). Routledge, London, 214\u2013226."},{"key":"e_1_3_3_1_14_2","doi-asserted-by":"publisher","DOI":"10.1145\/3430524.3440624"},{"key":"e_1_3_3_1_15_2","doi-asserted-by":"publisher","DOI":"10.1145\/3611659.3615705"},{"key":"e_1_3_3_1_16_2","doi-asserted-by":"publisher","unstructured":"SanSan Kwan. 2017. When Is Contemporary Dance? Dance Research Journal 49 3 (2017) 38\u201352. 10.1017\/S0149767717000341","DOI":"10.1017\/S0149767717000341"},{"key":"e_1_3_3_1_17_2","doi-asserted-by":"publisher","DOI":"10.1145\/3643834.3661568"},{"key":"e_1_3_3_1_18_2","volume-title":"Flowers in the Mirror","author":"Li Ju-chen","year":"1965","unstructured":"Ju-chen Li and Tai-yi Lin. 1965. Flowers in the Mirror. Berkeley, University of California Press, Berkeley, CA, USA. http:\/\/archive.org\/details\/flowersinmirror00liju"},{"key":"e_1_3_3_1_19_2","volume-title":"Contemporary Dance : An Anthology of Lectures, Interviews and Essays with Many of the Most Important Contemporary American Choreographers, Scholars and Critics...","author":"Livet Anne","year":"1978","unstructured":"Anne Livet. 1978. Contemporary Dance : An Anthology of Lectures, Interviews and Essays with Many of the Most Important Contemporary American Choreographers, Scholars and Critics...New York : Abbeville Press, New York, NY."},{"key":"e_1_3_3_1_20_2","doi-asserted-by":"publisher","DOI":"10.1145\/3610591.3616431"},{"key":"e_1_3_3_1_21_2","doi-asserted-by":"publisher","DOI":"10.1145\/263552.263612"},{"key":"e_1_3_3_1_22_2","doi-asserted-by":"publisher","DOI":"10.1145\/3658852.3659072"},{"key":"e_1_3_3_1_23_2","doi-asserted-by":"publisher","DOI":"10.1145\/3588028.3603673"},{"key":"e_1_3_3_1_24_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-1-4020-3052-987"},{"key":"e_1_3_3_1_25_2","volume-title":"Exploring Dance Forms and Styles : A Guide to Concert, World, Social, and Historical Dance","author":"Scheff Helene","year":"2010","unstructured":"Helene Scheff. 2010. Exploring Dance Forms and Styles : A Guide to Concert, World, Social, and Historical Dance. Human Kinetics, Champaign, IL, USA."},{"key":"e_1_3_3_1_26_2","volume-title":"The Reflective Practitioner: How Professionals Think In Action","author":"Schon Donald\u00a0A.","year":"1983","unstructured":"Donald\u00a0A. Schon. 1983. The Reflective Practitioner: How Professionals Think In Action. Basic Books, New York."},{"key":"e_1_3_3_1_27_2","doi-asserted-by":"publisher","DOI":"10.1145\/3706598.3713321"},{"key":"e_1_3_3_1_28_2","unstructured":"Shen Wei. 2008. Beijing Olympics: Scroll Painting."},{"key":"e_1_3_3_1_29_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642677"},{"key":"e_1_3_3_1_30_2","volume-title":"New Dance: Approaches to Nonliteral Choreography","author":"Turner Margery\u00a0J.","year":"1971","unstructured":"Margery\u00a0J. Turner. 1971. New Dance: Approaches to Nonliteral Choreography. University of Pittsburgh Press, Pittsburgh, PA, USA."},{"key":"e_1_3_3_1_31_2","doi-asserted-by":"crossref","unstructured":"Zheng Wang. 2024. Evaluation of Creativity in Contemporary Dance in Terms of Audience Perception. Creativity Research Journal 36 (2024) 234\u2013244.","DOI":"10.1080\/10400419.2022.2107849"},{"key":"e_1_3_3_1_32_2","doi-asserted-by":"publisher","DOI":"10.1145\/3706599.3719933"},{"key":"e_1_3_3_1_33_2","doi-asserted-by":"publisher","DOI":"10.1145\/3544548.3580666"}],"event":{"name":"VINCI 2025: Proceedings of the 18th International Symposium on Visual Information Communication and Interaction","location":"Linz Austria","acronym":"VINCI 2025"},"container-title":["Proceedings of the 18th International Symposium on Visual Information Communication and Interaction"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3769534.3769601","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,12,19]],"date-time":"2025-12-19T06:11:38Z","timestamp":1766124698000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3769534.3769601"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2025,12]]},"references-count":32,"alternative-id":["10.1145\/3769534.3769601","10.1145\/3769534"],"URL":"https:\/\/doi.org\/10.1145\/3769534.3769601","relation":{},"subject":[],"published":{"date-parts":[[2025,12]]},"assertion":[{"value":"2025-12-18","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}