{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,13]],"date-time":"2026-04-13T04:46:03Z","timestamp":1776055563125,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":42,"publisher":"ACM","content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2026,4,13]]},"DOI":"10.1145\/3772363.3798647","type":"proceedings-article","created":{"date-parts":[[2026,4,13]],"date-time":"2026-04-13T01:55:28Z","timestamp":1776045328000},"page":"1-6","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["PardonMix: Unpacking Ambiguity in Semantic Audio Mixing for Adaptive Interface Design"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0009-0003-1867-672X","authenticated-orcid":false,"given":"Dongwoo","family":"Kim","sequence":"first","affiliation":[{"name":"Human-Centered Intelligent Systems Lab, Gwangju Institute of Science and Technology, Gwangju, Republic of Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0006-5286-9842","authenticated-orcid":false,"given":"Kangbeen","family":"Ko","sequence":"additional","affiliation":[{"name":"Human-Centered Intelligent Systems Lab, Gwangju Institute of Science and Technology, Gwangju, Republic of Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0009-1725-2814","authenticated-orcid":false,"given":"Jeongseok","family":"Oh","sequence":"additional","affiliation":[{"name":"Human-Centered Intelligent Systems Lab, Gwangju Institute of Science and Technology, Gwangju, Republic of Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-0470-2483","authenticated-orcid":false,"given":"SeungJun","family":"Kim","sequence":"additional","affiliation":[{"name":"Human-Centered Intelligent Systems Lab, Gwangju Institute of Science and Technology, Gwangju, Republic of Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2026,4,13]]},"reference":[{"key":"e_1_3_3_2_2_2","doi-asserted-by":"publisher","DOI":"10.1145\/3290605.3300233"},{"key":"e_1_3_3_2_3_2","doi-asserted-by":"publisher","unstructured":"Nattaphob Aoonlamai and Parama Kwangmuang. 2025. Integrating digital tools and constructivist learning: a ubiquitous learning framework for enhancing creativity in music education. BMC Psychology 13 1 (Sept. 2025) 18\u00a0pages. 10.1186\/s40359-025-03300-z","DOI":"10.1186\/s40359-025-03300-z"},{"key":"e_1_3_3_2_4_2","unstructured":"Adam Bell Ethan Hein and Jarrod Ratcliffe. 2015. Beyond skeuomorphism: The evolution of music production software user interface metaphors. Journal on the Art of Record Production 9 (01 2015)."},{"key":"e_1_3_3_2_5_2","doi-asserted-by":"publisher","DOI":"10.5555\/1162264"},{"key":"e_1_3_3_2_6_2","volume-title":"The Art of Music Production: The Theory and Practice","author":"Burgess R.J.","year":"2013","unstructured":"R.J. Burgess. 2013. The Art of Music Production: The Theory and Practice. OUP USA, New York. [https:\/\/books.google.co.kr\/books?id=m4dNEAAAQBAJ](https:\/\/books.google.co.kr\/books?id=m4dNEAAAQBAJ)"},{"key":"e_1_3_3_2_7_2","first-page":"395","volume-title":"Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR)","author":"Cartwright Mark","year":"2013","unstructured":"Mark Cartwright and Bryan Pardo. 2013. Social-EQ: Crowdsourcing an Equalization Descriptor Map. In Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR). ISMIR, Curitiba, Brazil, 395\u2013400. https:\/\/brianmcfee.net\/ismir2013\/wp-content\/uploads\/2013\/09\/106_Paper.pdf"},{"key":"e_1_3_3_2_8_2","doi-asserted-by":"publisher","DOI":"10.1145\/2557500.2557530"},{"key":"e_1_3_3_2_9_2","doi-asserted-by":"publisher","DOI":"10.1037\/10096-006"},{"key":"e_1_3_3_2_10_2","doi-asserted-by":"publisher","unstructured":"Michael\u00a0A. Cohen Karla\u00a0K. Evans Todd\u00a0S. Horowitz and Jeremy\u00a0M. Wolfe. 2011. Auditory and visual memory in musicians and nonmusicians. Psychonomic Bulletin & Review 18 3 (03 2011) 586\u2013591. 10.3758\/s13423-011-0074-0","DOI":"10.3758\/s13423-011-0074-0"},{"key":"e_1_3_3_2_11_2","first-page":"9235","volume-title":"Proceedings of the 138th Audio Engineering Society Convention (AES)","author":"De\u00a0Man Brecht","year":"2015","unstructured":"Brecht De\u00a0Man, Matthew Boerum, Brett Leonard, Richard King, George Massenburg, and Joshua\u00a0D. Reiss. 2015. Perceptual Evaluation of Music Mixing Practices. In Proceedings of the 138th Audio Engineering Society Convention (AES). Audio Engineering Society, Warsaw, Poland, 9235. https:\/\/api.semanticscholar.org\/CorpusID:109769061"},{"key":"e_1_3_3_2_12_2","unstructured":"Brecht De\u00a0Man and Joshua Reiss. 2013. A Semantic Approach To Autonomous Mixing. Journal of the Art of Record Production 8 (12 2013)."},{"key":"e_1_3_3_2_13_2","first-page":"436","volume-title":"Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17)","author":"De\u00a0Man Brecht","year":"2017","unstructured":"Brecht De\u00a0Man and Joshua\u00a0D. Reiss. 2017. The Mix Evaluation Dataset. In Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17). University of Edinburgh, Edinburgh, UK, 436\u2013442."},{"key":"e_1_3_3_2_14_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-23778-7_25"},{"key":"e_1_3_3_2_15_2","doi-asserted-by":"publisher","unstructured":"Ben Fauber. 2024. Gini Coefficient as a Unified Metric for Evaluating Many-versus-Many Similarity in Vector Spaces. 10.48550\/ARXIV.2411.07983","DOI":"10.48550\/ARXIV.2411.07983"},{"key":"e_1_3_3_2_16_2","doi-asserted-by":"publisher","DOI":"10.1145\/2807442.2807478"},{"key":"e_1_3_3_2_17_2","doi-asserted-by":"publisher","DOI":"10.1145\/642611.642653"},{"key":"e_1_3_3_2_18_2","unstructured":"Joe Hasell. 2023. Measuring inequality: what is the Gini coefficient? Our World in Data. https:\/\/ourworldindata.org\/what-is-the-gini-coefficient"},{"key":"e_1_3_3_2_19_2","doi-asserted-by":"publisher","unstructured":"Cindy\u00a0E. Hmelo-Silver and Merav\u00a0Green Pfeffer. 2004. Comparing expert and novice understanding of a complex system from the perspective of structures behaviors and functions. Cognitive Science 28 1 (2004) 127\u2013138. 10.1016\/S0364-0213(03)00065-X","DOI":"10.1016\/S0364-0213(03)00065-X"},{"key":"e_1_3_3_2_20_2","volume-title":"Proceedings of the 2000 International Computer Music Conference (ICMC 2000)","author":"Hunt Andy","year":"2000","unstructured":"Andy Hunt, Marcelo\u00a0M. Wanderley, and Ross Kirk. 2000. Towards a Model for Instrumental Mapping in Expert Musical Interaction. In Proceedings of the 2000 International Computer Music Conference (ICMC 2000). International Computer Music Association, Berlin, Germany, 4\u00a0pages."},{"key":"e_1_3_3_2_21_2","doi-asserted-by":"publisher","unstructured":"Edwin\u00a0L. Hutchins James\u00a0D. Hollan and Donald\u00a0A. Norman. 1985. Direct Manipulation Interfaces. Human\u2013Computer Interaction 1 4 (1985) 311\u2013338. arXiv:10.1207\/s15327051hci0104_2","DOI":"10.1207\/s15327051hci0104_2"},{"key":"e_1_3_3_2_22_2","volume-title":"Recommendation BS.1770-4: Algorithms to measure audio programme loudness and true-peak audio level","year":"2015","unstructured":"ITU-R. 2015. Recommendation BS.1770-4: Algorithms to measure audio programme loudness and true-peak audio level. Recommendation. International Telecommunication Union, Geneva."},{"key":"e_1_3_3_2_23_2","doi-asserted-by":"publisher","DOI":"10.4324\/9781315666668"},{"key":"e_1_3_3_2_24_2","first-page":"143","volume-title":"Proceedings of the 12th Sound and Music Computing Conference (SMC 2015)","author":"Jillings Nicholas","year":"2015","unstructured":"Nicholas Jillings, David Moffat, Brecht De\u00a0Man, and Joshua\u00a0D. Reiss. 2015. Web Audio Evaluation Tool: A Browser-Based Listening Test Environment. In Proceedings of the 12th Sound and Music Computing Conference (SMC 2015). Sound and Music Computing Network, Maynooth, Ireland, 143\u2013148."},{"key":"e_1_3_3_2_25_2","doi-asserted-by":"publisher","DOI":"10.1145\/3706599.3720141"},{"key":"e_1_3_3_2_26_2","doi-asserted-by":"publisher","DOI":"10.1145\/1753326.1753667"},{"key":"e_1_3_3_2_27_2","doi-asserted-by":"publisher","DOI":"10.1145\/3173574.3173943"},{"key":"e_1_3_3_2_28_2","doi-asserted-by":"publisher","unstructured":"Evandro\u00a0Manara Miletto Marcelo\u00a0Soares Pimenta Fran\u00e7ois Bouchet Jean-Paul Sansonnet and Dami\u00e1n Keller. 2011. Principles for Music Creation by Novices in Networked Music Environments. Journal of New Music Research 40 3 (Sept. 2011) 205\u2013216. 10.1080\/09298215.2011.603832","DOI":"10.1080\/09298215.2011.603832"},{"key":"e_1_3_3_2_29_2","doi-asserted-by":"publisher","DOI":"10.1145\/3706598.3713815"},{"key":"e_1_3_3_2_30_2","doi-asserted-by":"publisher","DOI":"10.1145\/223355.223730"},{"key":"e_1_3_3_2_31_2","doi-asserted-by":"publisher","DOI":"10.5555\/2187809"},{"key":"e_1_3_3_2_32_2","volume-title":"The Mixing Engineer\u2019s Handbook (4th ed.)","author":"Owsinski Bobby","year":"2017","unstructured":"Bobby Owsinski. 2017. The Mixing Engineer\u2019s Handbook (4th ed.). Bobby Owsinski Media Group, Burbank, CA, USA."},{"key":"e_1_3_3_2_33_2","unstructured":"Mitchel Resnick Brad Myers Kumiyo Nakakoji Ben Shneiderman Randy Pausch and Mike Eisenberg. 2005. Design Principles for Tools to Support Creative Thinking. Report of Workshop on Creativity Support Tools 20 (01 2005)."},{"key":"e_1_3_3_2_34_2","doi-asserted-by":"publisher","unstructured":"Ben Shneiderman. 2007. Creativity support tools: accelerating discovery and innovation. Commun. ACM 50 12 (Dec. 2007) 20\u201332. 10.1145\/1323688.1323689","DOI":"10.1145\/1323688.1323689"},{"key":"e_1_3_3_2_35_2","doi-asserted-by":"publisher","DOI":"10.1145\/2964284.2967238"},{"key":"e_1_3_3_2_36_2","volume-title":"Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR 2014)","author":"Stables Ryan","year":"2014","unstructured":"Ryan Stables, Sean Enderby, Brecht De\u00a0Man, Gy\u00f6rgy Fazekas, and Joshua Reiss. 2014. SAFE: A System for the Extraction and Retrieval of Semantic Audio Descriptors. In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR 2014). International Society for Music Information Retrieval, Taipei, Taiwan, 2\u00a0pages."},{"key":"e_1_3_3_2_37_2","doi-asserted-by":"publisher","unstructured":"Mat\u00fa\u0161 Sul\u00edr and Jaroslav Porub\u00e4n. 2021. Natural mapping between voice commands and APIs. Open Computer Science 11 1 (Jan. 2021) 135\u2013145. 10.1515\/comp-2020-0125","DOI":"10.1515\/comp-2020-0125"},{"key":"e_1_3_3_2_38_2","unstructured":"Soumya\u00a0Sai Vanka Maryam Safi Jean-Baptiste Rolland and Gy\u00f6rgy Fazekas. 2023. The Role of Communication and Reference Songs in the Mixing Process: Insights from Professional Mix Engineers. arxiv:https:\/\/arXiv.org\/abs\/2309.03404\u00a0[cs.HC] [https:\/\/arxiv.org\/abs\/2309.03404](https:\/\/arxiv.org\/abs\/2309.03404)"},{"key":"e_1_3_3_2_39_2","doi-asserted-by":"publisher","unstructured":"Satvik Venkatesh David Moffat and Eduardo\u00a0Reck Miranda. 2022. Word Embeddings for Automatic Equalization in Audio Mixing. Journal of the Audio Engineering Society 70 9 (Nov. 2022) 753\u2013763. 10.17743\/jaes.2022.0047","DOI":"10.17743\/jaes.2022.0047"},{"key":"e_1_3_3_2_40_2","doi-asserted-by":"publisher","DOI":"10.1145\/2470654.2466255"},{"key":"e_1_3_3_2_41_2","doi-asserted-by":"publisher","unstructured":"Asteris Zacharakis Konstantinos Pastiadis and Joshua Reiss. 2015. An Interlanguage Unification of Musical Timbre: Bridging Semantic Perceptual and Acoustic Dimensions. Music Perception: An Interdisciplinary Journal 32 (04 2015) 394\u2013412. 10.1525\/mp.2015.32.4.394","DOI":"10.1525\/mp.2015.32.4.394"},{"key":"e_1_3_3_2_42_2","doi-asserted-by":"publisher","unstructured":"Yuchao Zhang Bin Nie Jianqiang Du Jiandong Chen Yuwen Du Haike Jin Xuepeng Zheng Xingxin Chen and Zhen Miao. 2023. Feature selection based on neighborhood rough sets and Gini index. PeerJ Computer Science 9 (Dec. 2023) e1711. 10.7717\/peerj-cs.1711","DOI":"10.7717\/peerj-cs.1711"},{"key":"e_1_3_3_2_43_2","doi-asserted-by":"publisher","DOI":"10.1145\/2964284.2967207"}],"event":{"name":"CHI EA '26: Extended Abstracts of the 2026 CHI Conference on Human Factors in Computing Systems","location":"Barcelona , Spain","acronym":"CHI EA '26","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["Proceedings of the Extended Abstracts of the 2026 CHI Conference on Human Factors in Computing Systems"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3772363.3798647","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2026,4,13]],"date-time":"2026-04-13T04:01:28Z","timestamp":1776052888000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3772363.3798647"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2026,4,13]]},"references-count":42,"alternative-id":["10.1145\/3772363.3798647","10.1145\/3772363"],"URL":"https:\/\/doi.org\/10.1145\/3772363.3798647","relation":{},"subject":[],"published":{"date-parts":[[2026,4,13]]},"assertion":[{"value":"2026-04-13","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}