{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,15]],"date-time":"2026-04-15T10:05:02Z","timestamp":1776247502423,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":12,"publisher":"ACM","funder":[{"name":"i2ADS, FCT","award":["https:\/\/sciproj.ptcris.pt\/13319EEC"],"award-info":[{"award-number":["https:\/\/sciproj.ptcris.pt\/13319EEC"]}]}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2025,11,26]]},"DOI":"10.1145\/3773699.3773710","type":"proceedings-article","created":{"date-parts":[[2026,4,14]],"date-time":"2026-04-14T05:05:31Z","timestamp":1776143131000},"page":"1-5","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Aura-Fox Redux: uma arqueologia da imagem t\u00e9cnica"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-7340-9630","authenticated-orcid":false,"given":"Camila","family":"Mangueira","sequence":"first","affiliation":[{"name":"Faculdade de Belas Artes da Universidade do Porto \/ Instituto de Investiga\u00e7\u00e3o em Arte, Design e Sociedade - i2ADS, Porto, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0009-0007-4956-8907","authenticated-orcid":false,"given":"Jo\u00e3o","family":"Lima (Limamil)","sequence":"additional","affiliation":[{"name":"Faculdade de Belas Artes da Universidade do Porto \/ Instituto de Investiga\u00e7\u00e3o em Arte, Design e Sociedade - i2ADS, Porto, Portugal"}]}],"member":"320","published-online":{"date-parts":[[2026,4,13]]},"reference":[{"key":"e_1_3_3_2_1_2","volume-title":"Obras Escolhidas","author":"Benjamin Walter","unstructured":"Walter Benjamin. 1996. Obras Escolhidas Vol. I, Magia e T\u00e9cnica, Arte e Pol\u00edtica. S\u00e3o Paulo: Brasiliense."},{"key":"e_1_3_3_2_2_2","unstructured":"Vil\u00e9m Flusser. 2007. O mundo codificado: por uma filosofia do design e da comunica\u00e7\u00e3o. S\u00e3o Paulo: Cosac Naify."},{"key":"e_1_3_3_2_3_2","first-page":"97","volume-title":"N\u00ba 30","author":"Santaella Lucia","year":"2006","unstructured":"Lucia Santaella. 2006. Ast\u00facias do Design. Revista FAMECOS, N\u00ba 30, Porto Alegre, pp. 97-106."},{"key":"e_1_3_3_2_4_2","doi-asserted-by":"publisher","DOI":"10.1525\/9780520948518-004"},{"key":"e_1_3_3_2_5_2","doi-asserted-by":"publisher","DOI":"10.1515\/9783110799774"},{"key":"e_1_3_3_2_6_2","volume-title":"Mass Mediauras: Form, Technics, Media.","author":"Weber Samuel","year":"1996","unstructured":"Samuel Weber. 1996. Mass Mediauras: Form, Technics, Media."},{"key":"e_1_3_3_2_7_2","volume-title":"Formas de percep\u00e7\u00e3o est\u00e9tica na modernidade. Edvaldo Souza Couto and Carla Milani Dami\u00e3o (Orgs.)","author":"Gagnebin Jean-Marie","unstructured":"Jean-Marie Gagnebin. 2008. Da est\u00e9tica da visibilidade \u00e0 est\u00e9tica da tatibilidade em Walter Benjamin. In: Formas de percep\u00e7\u00e3o est\u00e9tica na modernidade. Edvaldo Souza Couto and Carla Milani Dami\u00e3o (Orgs.). Quarteto Editora, Salvador (Bahia), Brazil."},{"key":"e_1_3_3_2_8_2","volume-title":"Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means. Translated by Gloria Custance","author":"Zielinski Siegfried","unstructured":"Siegfried Zielinski. 2006. Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means. Translated by Gloria Custance. The MIT Press, Cambridge, Massachusetts, London, England."},{"key":"e_1_3_3_2_9_2","unstructured":"Durst Laborator 138 S: Operating instructions. Available at: https:\/\/www.trippingthroughthedark.com\/files\/durst138\/Durst%20Laborator%20138%20Instructions.pdf"},{"key":"e_1_3_3_2_10_2","doi-asserted-by":"publisher","DOI":"10.5749\/minnesota\/9780816677665.001.0001"},{"key":"e_1_3_3_2_11_2","unstructured":"Vil\u00e9m Flusser. 1985. A filosofia da caixa preta: Ensaios para uma futura filosofia da fotografia. Hucitec S\u00e3o Paulo Brazil."},{"key":"e_1_3_3_2_12_2","unstructured":"Pedro Miguel Frade. 1992. Figuras do Espanto: Ensaios sobre Cinema e Filosofia. Edi\u00e7\u00f5es ASA Porto Portugal."}],"event":{"name":"ARTECH 2025: 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories","location":"Braga Portugal","acronym":"ARTECH 2025"},"container-title":["Proceedings of the 2025 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities &amp; Territories"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3773699.3773710","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2026,4,15]],"date-time":"2026-04-15T09:05:38Z","timestamp":1776243938000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3773699.3773710"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2025,11,26]]},"references-count":12,"alternative-id":["10.1145\/3773699.3773710","10.1145\/3773699"],"URL":"https:\/\/doi.org\/10.1145\/3773699.3773710","relation":{},"subject":[],"published":{"date-parts":[[2025,11,26]]},"assertion":[{"value":"2026-04-13","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}