{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,23]],"date-time":"2026-04-23T10:49:02Z","timestamp":1776941342316,"version":"3.51.4"},"publisher-location":"New York, NY, USA","reference-count":49,"publisher":"ACM","funder":[{"name":"European Union","award":["101099581-CREA-CULT-2022-COOP2"],"award-info":[{"award-number":["101099581-CREA-CULT-2022-COOP2"]}]},{"name":"ETAG","award":["TEM-TA26"],"award-info":[{"award-number":["TEM-TA26"]}]},{"name":"FCT","award":["10.54499\/LA\/P\/0083\/2020"],"award-info":[{"award-number":["10.54499\/LA\/P\/0083\/2020"]}]},{"name":"FCT","award":["UID\/50009\/2025"],"award-info":[{"award-number":["UID\/50009\/2025"]}]}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2026,4,23]]},"DOI":"10.1145\/3802842.3802874","type":"proceedings-article","created":{"date-parts":[[2026,4,23]],"date-time":"2026-04-23T07:13:08Z","timestamp":1776928388000},"page":"1-10","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Fantasies Obscurities and (Dis)Connections: Three Case Studies of Dance Artists' Creative Embodied and Political Engagement with AI"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-9999-9162","authenticated-orcid":false,"given":"Nuno N.","family":"Correia","sequence":"first","affiliation":[{"name":"Tallinn University, Tallinn, Estonia and ITI\/LARSyS, Lisbon, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0009-0009-7806-1384","authenticated-orcid":false,"given":"Naoto","family":"Hieda","sequence":"additional","affiliation":[{"name":"Tallinn University, Tallinn, Estonia"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-1539-1350","authenticated-orcid":false,"given":"David","family":"dos Santos","sequence":"additional","affiliation":[{"name":"IST, University of Lisbon, Lisbon, Portugal and ITI\/LARSyS, Lisbon, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-0121-5372","authenticated-orcid":false,"given":"Diogo","family":"Cabral","sequence":"additional","affiliation":[{"name":"ISEL, Polytechnic University of Lisbon, Lisbon, Portugal and ITI\/LARSyS, Lisbon, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-7128-538X","authenticated-orcid":false,"given":"William","family":"Primett","sequence":"additional","affiliation":[{"name":"Tallinn University, Tallinn, Estonia"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9059-9621","authenticated-orcid":false,"given":"Grigore","family":"Burloiu","sequence":"additional","affiliation":[{"name":"UNATC, Bucharest, Romania"}]},{"ORCID":"https:\/\/orcid.org\/0009-0007-7537-2748","authenticated-orcid":false,"given":"Simona","family":"Deaconescu","sequence":"additional","affiliation":[{"name":"Tangaj Collective, Bucharest, Romania"}]},{"ORCID":"https:\/\/orcid.org\/0009-0002-3669-9493","authenticated-orcid":false,"given":"C\u00e9lia","family":"B\u00e9tourn\u00e9","sequence":"additional","affiliation":[{"name":"Cosa Mentale, Lille, France"}]},{"ORCID":"https:\/\/orcid.org\/0009-0000-7716-6648","authenticated-orcid":false,"given":"Max","family":"Levy","sequence":"additional","affiliation":[{"name":"Independent artist, Frankfurt, Germany"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-1928-5993","authenticated-orcid":false,"given":"John","family":"Sullivan","sequence":"additional","affiliation":[{"name":"Independent artist, Montreal, Canada"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-1775-213X","authenticated-orcid":false,"given":"Sarah","family":"Fdili Alaoui","sequence":"additional","affiliation":[{"name":"University of the Arts London, London, United Kingdom"}]}],"member":"320","published-online":{"date-parts":[[2026,4,23]]},"reference":[{"key":"e_1_3_3_2_2_2","doi-asserted-by":"publisher","DOI":"10.48550\/arXiv.2404.17688"},{"key":"e_1_3_3_2_3_2","doi-asserted-by":"publisher","DOI":"10.1145\/3544548.3581543"},{"key":"e_1_3_3_2_4_2","doi-asserted-by":"publisher","unstructured":"Steve Benford Chris Greenhalgh Andy Crabtree Martin Flintham Brendan Walker Joe Marshall Boriana Koleva Stefan Rennick\u00a0Egglestone Gabriella Giannachi Matt Adams Nick Tandavanitj and Ju Row\u00a0Farr. 2013. Performance-Led Research in the Wild. ACM Transactions on Computer-Human Interaction 20 3 (July 2013) 14:1\u201314:22. 10.1145\/2491500.2491502","DOI":"10.1145\/2491500.2491502"},{"key":"e_1_3_3_2_5_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-77583-8_17"},{"key":"e_1_3_3_2_6_2","doi-asserted-by":"publisher","unstructured":"Federico Bomba Mar\u00eda Men\u00e9ndez-Blanco Paolo Grigis Michele Cremaschi and Antonella De\u00a0Angeli. 2024. The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances. ACM Trans. Comput.-Hum. Interact. 31 6 (Dec. 2024) 75:1\u201375:23. 10.1145\/3689040","DOI":"10.1145\/3689040"},{"key":"e_1_3_3_2_7_2","doi-asserted-by":"publisher","unstructured":"Virginia Braun and Victoria Clarke. 2006. Using thematic analysis in psychology. Qualitative Research in Psychology 3 2 (2006) 77\u2013101. 10.1191\/1478088706qp063oa","DOI":"10.1191\/1478088706qp063oa"},{"key":"e_1_3_3_2_8_2","volume-title":"Thematic Analysis: A Practical Guide (1st edition ed.)","author":"Braun Virginia","year":"2021","unstructured":"Virginia Braun and Victoria Clarke. 2021. Thematic Analysis: A Practical Guide (1st edition ed.). SAGE Publications Ltd, Los Angeles London New Delhi Singapore Washington DC Melbourne."},{"key":"e_1_3_3_2_9_2","doi-asserted-by":"publisher","DOI":"10.1145\/2617995.2618017"},{"key":"e_1_3_3_2_10_2","doi-asserted-by":"publisher","unstructured":"Nick Bryan-Kinns. 2024. Reflections on Explainable AI for the Arts (XAIxArts). Interactions 31 1 (Jan. 2024) 43\u201347. 10.1145\/3636457","DOI":"10.1145\/3636457"},{"key":"e_1_3_3_2_11_2","doi-asserted-by":"publisher","unstructured":"Antoine Caillon and Philippe Esling. 2021. RAVE: A variational autoencoder for fast and high-quality neural audio synthesis. 10.48550\/arXiv.2111.05011arXiv:https:\/\/arXiv.org\/abs\/2111.05011 [cs].","DOI":"10.48550\/arXiv.2111.05011"},{"key":"e_1_3_3_2_12_2","doi-asserted-by":"publisher","unstructured":"Baptiste Caramiaux and Sarah Fdili\u00a0Alaoui. 2022. \"Explorers of Unknown Planets\": Practices and Politics of Artificial Intelligence in Visual Arts. Proceedings of the ACM on Human-Computer Interaction 6 CSCW2 (Nov. 2022) 477:1\u2013477:24. 10.1145\/3555578","DOI":"10.1145\/3555578"},{"key":"e_1_3_3_2_13_2","doi-asserted-by":"publisher","DOI":"10.1109\/ICCV.2017.137"},{"key":"e_1_3_3_2_14_2","doi-asserted-by":"publisher","DOI":"10.1145\/3532106.3533467"},{"key":"e_1_3_3_2_15_2","first-page":"272","volume-title":"International Conference on Computational Creativity ICCC2016","author":"Crnkovic-Friis Luka","year":"2016","unstructured":"Luka Crnkovic-Friis and Louise Crnkovic-Friis. 2016. Generative Choreography using Deep Learning. In International Conference on Computational Creativity ICCC2016. Sony CSL Paris, Paris, 272\u2013277. http:\/\/arxiv.org\/abs\/1605.06921 arXiv:https:\/\/arXiv.org\/abs\/1605.06921."},{"key":"e_1_3_3_2_16_2","doi-asserted-by":"publisher","DOI":"10.1109\/CVPR.2009.5206848"},{"key":"e_1_3_3_2_17_2","doi-asserted-by":"publisher","DOI":"10.1109\/CIG.2019.8848007"},{"key":"e_1_3_3_2_18_2","doi-asserted-by":"publisher","DOI":"10.1145\/3290605.3300847"},{"key":"e_1_3_3_2_19_2","doi-asserted-by":"publisher","DOI":"10.1145\/3322276.3322289"},{"key":"e_1_3_3_2_20_2","doi-asserted-by":"publisher","DOI":"10.1145\/2617995.2617996"},{"key":"e_1_3_3_2_21_2","doi-asserted-by":"publisher","DOI":"10.1145\/3025453.3025530"},{"key":"e_1_3_3_2_22_2","unstructured":"Google. 2019. Living Archive: Creating Choreography with Artificial Intelligence. https:\/\/artsandculture.google.com\/story\/living-archive-creating-choreography-with-artificial-intelligence\/1AUBpanMqZxTiQ"},{"key":"e_1_3_3_2_23_2","doi-asserted-by":"publisher","DOI":"10.1109\/CVPR.2016.90"},{"key":"e_1_3_3_2_24_2","doi-asserted-by":"publisher","unstructured":"Stacy Hsueh Sarah\u00a0Fdili Alaoui and Wendy\u00a0E. Mackay. 2019. Deconstructing Creativity: Non-Linear Processes and Fluid Roles in Contemporary Music and Dance. Proceedings of the ACM on Human-Computer Interaction 3 CSCW (Nov. 2019) 203:1\u2013203:21. 10.1145\/3359305","DOI":"10.1145\/3359305"},{"key":"e_1_3_3_2_25_2","doi-asserted-by":"publisher","DOI":"10.1145\/3290605.3300741"},{"key":"e_1_3_3_2_26_2","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/11481.001.0001"},{"key":"e_1_3_3_2_27_2","doi-asserted-by":"publisher","DOI":"10.1145\/3544548.3580885"},{"key":"e_1_3_3_2_28_2","doi-asserted-by":"publisher","DOI":"10.1145\/3430524.3440624"},{"key":"e_1_3_3_2_29_2","unstructured":"Daphne Leprince-Ringuet. 2018. Google\u2019s latest experiment teaches AI to dance like a human. Wired (Dec. 2018). https:\/\/www.wired.com\/story\/google-ai-wayne-mcgregor-dance-choreography\/ Section: tags."},{"key":"e_1_3_3_2_30_2","first-page":"9459","volume-title":"Advances in Neural Information Processing Systems","author":"Lewis Patrick","year":"2020","unstructured":"Patrick Lewis, Ethan Perez, Aleksandra Piktus, Fabio Petroni, Vladimir Karpukhin, Naman Goyal, Heinrich K\u00fcttler, Mike Lewis, Wen-tau Yih, Tim Rockt\u00e4schel, Sebastian Riedel, and Douwe Kiela. 2020. Retrieval-Augmented Generation for Knowledge-Intensive NLP Tasks. In Advances in Neural Information Processing Systems , Vol.\u00a033. Curran Associates, Inc., 9459\u20139474. https:\/\/proceedings.neurips.cc\/paper\/2020\/hash\/6b493230205f780e1bc26945df7481e5-Abstract.html"},{"key":"e_1_3_3_2_31_2","doi-asserted-by":"publisher","DOI":"10.1145\/3643834.3661594"},{"key":"e_1_3_3_2_32_2","unstructured":"Jason Maderer. 2016. You\u2019ll Never Dance Alone with This Artificial Intelligence Project. https:\/\/www.news.gatech.edu\/2016\/04\/28\/youll-never-dance-alone-artificial-intelligence-project"},{"key":"e_1_3_3_2_33_2","doi-asserted-by":"publisher","DOI":"10.1145\/3359852.3359869"},{"key":"e_1_3_3_2_34_2","unstructured":"Kyle McDonald. 2018. Dance x Machine Learning: First Steps. https:\/\/kcimc.medium.com\/discrete-figures-7d9e9c275c47"},{"key":"e_1_3_3_2_35_2","doi-asserted-by":"publisher","DOI":"10.21428\/92fbeb44.9d4bcd4b"},{"key":"e_1_3_3_2_36_2","volume-title":"International Computer Music Conference","author":"Nika J\u00e9r\u00f4me","year":"2017","unstructured":"J\u00e9r\u00f4me Nika, Ken D\u00e9guernel, Axel Chemla\u2013Romeu-Santos, Emmanuel Vincent, and G\u00e9rard Assayag. 2017. DYCI2 agents: merging the \u201dfree\u201d, \u201dreactive\u201d, and \u201dscenario-based\u201d music generation paradigms. In International Computer Music Conference. ICMC, Shangai, China. https:\/\/hal.science\/hal-01583089"},{"key":"e_1_3_3_2_37_2","doi-asserted-by":"publisher","unstructured":"Maria\u00a0Rita Nogueira Paulo Menezes and Jos\u00e9 Ma\u00e7\u00e3s\u00a0de Carvalho. 2024. Exploring the impact of machine learning on dance performance: a systematic review. International Journal of Performance Arts and Digital Media 0 0 (2024) 1\u201350. 10.1080\/14794713.2024.2338927Publisher: Routledge _eprint: https:\/\/doi.org\/10.1080\/14794713.2024.2338927.","DOI":"10.1080\/14794713.2024.2338927"},{"key":"e_1_3_3_2_38_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-031-28993-4_31"},{"key":"e_1_3_3_2_39_2","doi-asserted-by":"publisher","DOI":"10.1145\/3597512.3597528"},{"key":"e_1_3_3_2_40_2","doi-asserted-by":"publisher","DOI":"10.1145\/3430524.3442703"},{"key":"e_1_3_3_2_41_2","volume-title":"Contemporary Choreography","author":"Rubidge Sarah","year":"2009","unstructured":"Sarah Rubidge. 2009. Performing installations: towards an understanding of choreography and performativity in interactive installations: Sarah Rubidge. In Contemporary Choreography. Routledge. Num Pages: 17."},{"key":"e_1_3_3_2_42_2","doi-asserted-by":"publisher","DOI":"10.1145\/1979742.1979640"},{"key":"e_1_3_3_2_43_2","doi-asserted-by":"publisher","DOI":"10.1093\/oso\/9780192845290.001.0001"},{"key":"e_1_3_3_2_44_2","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557251"},{"key":"e_1_3_3_2_45_2","doi-asserted-by":"publisher","unstructured":"Hugo Touvron Thibaut Lavril Gautier Izacard Xavier Martinet Marie-Anne Lachaux Timoth\u00e9e Lacroix Baptiste Rozi\u00e8re Naman Goyal Eric Hambro Faisal Azhar Aurelien Rodriguez Armand Joulin Edouard Grave and Guillaume Lample. 2023. LLaMA: Open and Efficient Foundation Language Models. 10.48550\/arXiv.2302.13971arXiv:https:\/\/arXiv.org\/abs\/2302.13971 [cs].","DOI":"10.48550\/arXiv.2302.13971"},{"key":"e_1_3_3_2_46_2","doi-asserted-by":"publisher","DOI":"10.1145\/3706599.3706710"},{"key":"e_1_3_3_2_47_2","unstructured":"Benedikte Wallace. 2023. AI-generated Dance and The Subjectivity Challenge. PhD thesis. University of Oslo Oslo."},{"key":"e_1_3_3_2_48_2","doi-asserted-by":"publisher","DOI":"10.1145\/3591196.3593336"},{"key":"e_1_3_3_2_49_2","doi-asserted-by":"publisher","DOI":"10.1145\/3526114.3558708"},{"key":"e_1_3_3_2_50_2","doi-asserted-by":"publisher","DOI":"10.1145\/3544548.3580803"}],"event":{"name":"MOCO '26: The 10th International Conference on Movement and Computing 2026","location":"Montpellier France","acronym":"MOCO '26"},"container-title":["Proceedings of the 10th International Conference on Movement and Computing"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3802842.3802874","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2026,4,23]],"date-time":"2026-04-23T10:09:43Z","timestamp":1776938983000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3802842.3802874"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2026,4,23]]},"references-count":49,"alternative-id":["10.1145\/3802842.3802874","10.1145\/3802842"],"URL":"https:\/\/doi.org\/10.1145\/3802842.3802874","relation":{},"subject":[],"published":{"date-parts":[[2026,4,23]]},"assertion":[{"value":"2026-04-23","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}