{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,5,4]],"date-time":"2026-05-04T14:41:52Z","timestamp":1777905712060,"version":"3.51.4"},"reference-count":60,"publisher":"Association for Computing Machinery (ACM)","issue":"1","content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["Proc. ACM Comput. Graph. Interact. Tech."],"published-print":{"date-parts":[[2026,5,1]]},"abstract":"<jats:p>\n                    3D Aesthetics is significant in digital design, shaping how users experience real-time 3D content in games, VR, and product design. However, creating aesthetically pleasing shapes remains challenging due to diverse subjective standards and the lack of tools that support aesthetics-driven editing. Users often rely on intuition without explicit guidance on visual appeal, making aesthetics refinement slow, inconsistent, and cognitively demanding, particularly in fast-paced, iterative workflows. To address this challenge, we conducted in-depth interviews with design experts to identify challenges in aesthetics-oriented modeling workflows. Based on the findings, we developed\n                    <jats:italic toggle=\"yes\">Aesthetic3D<\/jats:italic>\n                    , a 3D modeling interface that provides real-time aesthetics scores learned from human perceptual data. Furthermore,\n                    <jats:italic toggle=\"yes\">Aesthetic3D<\/jats:italic>\n                    seamlessly integrates the learned aesthetics measures into intuitive editing operations, enabling aesthetics-driven exploration and refinement of shape geometry. We evaluated\n                    <jats:italic toggle=\"yes\">Aesthetic3D<\/jats:italic>\n                    \u00a0through an ablation study, an open-ended study, and three generalization evaluations. Comprehensive experiments show that with\n                    <jats:italic toggle=\"yes\">Aesthetic3D<\/jats:italic>\n                    , users can easily and effectively enhance the aesthetics appeal of 3D shapes.\n                  <\/jats:p>","DOI":"10.1145\/3804501","type":"journal-article","created":{"date-parts":[[2026,5,1]],"date-time":"2026-05-01T12:35:16Z","timestamp":1777638916000},"page":"1-20","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Aesthetic3D: Incorporating Shape Aesthetic Measures into 3D Modeling Interfaces"],"prefix":"10.1145","volume":"9","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-2343-3688","authenticated-orcid":false,"given":"Deng","family":"Yu","sequence":"first","affiliation":[{"name":"School of Artificial Intelligence","place":["Jinan, China"]},{"name":"Shandong University","place":["Jinan, China"]},{"name":"Qingdao Key Laboratory of Trustworhty Artificial Intelligence","place":["Jinan, China"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0003-6959-5620","authenticated-orcid":false,"given":"Jianing","family":"Guo","sequence":"additional","affiliation":[{"name":"School of Computer Science and Technology","place":["Qingdao, China"]},{"name":"Shandong University","place":["Qingdao, China"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-9539-9920","authenticated-orcid":false,"given":"Hui","family":"Ye","sequence":"additional","affiliation":[{"name":"Department of Interactive Media, Hong Kong Baptist University","place":["Hong Kong, China"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-2964-6422","authenticated-orcid":false,"given":"Pengjie","family":"Ren","sequence":"additional","affiliation":[{"name":"School of Computer Science and Technology","place":["Qingdao, China"]},{"name":"Shandong University","place":["Qingdao, China"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-0284-726X","authenticated-orcid":false,"given":"Hongbo","family":"Fu","sequence":"additional","affiliation":[{"name":"Division of Arts and Machine Creativity, Hong Kong University of Science and Technology","place":["Hong Kong, China"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-9373-6620","authenticated-orcid":false,"given":"Manfred","family":"Lau","sequence":"additional","affiliation":[{"name":"Lakehead University","place":["Thunder Bay, Canada"]}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2026,5,1]]},"reference":[{"key":"e_1_3_2_2_1","article-title":"Autodesk Maya","author":"Autodesk Inc.","year":"2025","unstructured":"Inc. 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