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Responding to critiques that dominant interaction models and evaluation norms often reflect Western legacies, we design locally situated digital musical instruments (DMIs) that treat domestic routines as primary interface logic. Our embodied performance system,\n                    <jats:italic toggle=\"yes\">To Perform\/To Live<\/jats:italic>\n                    , repurposes familiar objects used in Chinese women\u2019s daily lives: an abacus, a vegetable washing basin, a soup pot, a fan, and a massage hammer. Across three stages, performers transform counting, soup-making, and restoration gestures into musical control through tempo, pressure, repetition, and pause, rendering gendered labor audible without romanticizing it. After each performance, we extend the work through human\u2013AI co-creation: recorded audio is analyzed to generate a terrain-like surface, 3D printed as a tactile disk that encodes the performance for touch and re-performance. We contribute a China-situated decolonial DMI strategy, a feminist sonic practice of performable labor, and the E2E framework linking embodied knowledge to AI-enabled material extensions.\n                  <\/jats:p>","DOI":"10.1145\/3816078","type":"journal-article","created":{"date-parts":[[2026,6,29]],"date-time":"2026-06-29T15:34:17Z","timestamp":1782747257000},"page":"1-12","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["To Perform\/ To Live: Decolonizing of Digital Music Instruments and Feminism with Human-AI Co-Created Embodied Experience of Daily Objects 45"],"prefix":"10.1145","volume":"9","author":[{"ORCID":"https:\/\/orcid.org\/0009-0005-2000-6113","authenticated-orcid":false,"given":"Shumeng","family":"Zhang","sequence":"first","affiliation":[{"name":"The Hong Kong University of Science and Technology (Guangzhou)","place":["Guangzhou, China"]},{"name":"University of Trento","place":["Guangzhou, China"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0009-0006-6034-1597","authenticated-orcid":false,"given":"Shiqi","family":"Lin","sequence":"additional","affiliation":[{"name":"The Hong Kong University of Science and Technology (Guangzhou)","place":["Guangzhou, China"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0009-0002-3428-4745","authenticated-orcid":false,"given":"Tiancheng","family":"Liu","sequence":"additional","affiliation":[{"name":"The Hong Kong University of Science and Technology (Guangzhou)","place":["Guangzhou, China"]},{"name":"University of Amsterdam","place":["Guangzhou, China"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-0356-4712","authenticated-orcid":false,"given":"Mingming","family":"Fan","sequence":"additional","affiliation":[{"name":"The Hong Kong University of Science and Technology (Guangzhou)","place":["Guangzhou, China"]},{"name":"The Hong Kong University of Science and Technology","place":["Guangzhou, China"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9725-6584","authenticated-orcid":false,"given":"Raul","family":"Masu","sequence":"additional","affiliation":[{"name":"Conservatory of Trento","place":["Trento, Italy"]},{"name":"The Hong Kong University of Science and Technology (Guangzhou)","place":["Trento, Italy"]}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"320","published-online":{"date-parts":[[2026,6,29]]},"reference":[{"key":"e_1_3_2_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411763.3450365"},{"key":"e_1_3_2_3_1","unstructured":"JDK ARMITAGE Andrew McPherson et\u00a0al. 2018. 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