{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:20:05Z","timestamp":1750220405689,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":11,"publisher":"ACM","license":[{"start":{"date-parts":[[2021,10,13]],"date-time":"2021-10-13T00:00:00Z","timestamp":1634083200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2021,10,13]]},"DOI":"10.1145\/3483529.3483682","type":"proceedings-article","created":{"date-parts":[[2022,2,21]],"date-time":"2022-02-21T13:14:44Z","timestamp":1645449284000},"page":"1-5","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Performative holography"],"prefix":"10.1145","author":[{"given":"Isabel","family":"Azevedo","sequence":"first","affiliation":[{"name":"University of Aveiro, Portugal"}]}],"member":"320","published-online":{"date-parts":[[2022,2,20]]},"reference":[{"key":"e_1_3_2_1_2_1","volume-title":"Bjelkhagen and David Brotherton-Ratcliffe","author":"Hans","year":"2013","unstructured":"Hans I. Bjelkhagen and David Brotherton-Ratcliffe, 2013. Ultra-Realistic Imaging, Advanced Techniques in Analogue and Digital Colour Holography, CRC Press, USA."},{"volume-title":"CRC Press","author":"Saxby Graham","key":"e_1_3_2_1_3_1","unstructured":"Graham Saxby and Stanislovas Zacharovas, 2016. Practical Holography, CRC Press, Fourth Edition, USA."},{"key":"e_1_3_2_1_4_1","unstructured":"Geola Digital uab www.geola.lt"},{"key":"e_1_3_2_1_6_1","volume-title":"haunted houses, dark rides, and magic tricks. It is named after John Henry Pepper, a scientist who popularized the effect in a famed demonstration","author":"Pepper's Ghost","year":"1862","unstructured":"Pepper's Ghost - is an illusion technique used in theatre, haunted houses, dark rides, and magic tricks. It is named after John Henry Pepper, a scientist who popularized the effect in a famed demonstration in 1862."},{"volume-title":"Richardson","author":"Richardson Martin","key":"e_1_3_2_1_7_1","unstructured":"Martin Richardson, 2014. Principles of Holography: Wavefront Reconstruction and Holographic Theory in Techniques and Principles in Three-Dimensional Imaging, an Introductory Approach, Richardson, M., Editor of the Compilation, IGI Global, book series Advances in Multimedia and Interactive Technologies (AMIT), 150-166."},{"key":"e_1_3_2_1_8_1","unstructured":"Geola Digital uab www.geola.lt"},{"key":"e_1_3_2_1_9_1","volume-title":"Herrmann","author":"Ades Dawn","year":"2014","unstructured":"Dawn Ades and Daniel F. Herrmann, 2014. Hannah Hoch, Prestel, UK."},{"key":"e_1_3_2_1_10_1","volume-title":"Dada: Art and Anti-Art, Thames &Hudson, UK.","author":"Richter Hans","year":"1997","unstructured":"Hans Richter, 1997. Dada: Art and Anti-Art, Thames &Hudson, UK."},{"volume-title":"Advances in Computers","author":"Good I. J.","key":"e_1_3_2_1_11_1","unstructured":"I. J. Good, 1965. Speculations Concerning the First Ultra intelligent Machine, Advances in Computers, Trinity College, Oxford, UK, vol. 6."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203938133"},{"key":"e_1_3_2_1_13_1","first-page":"47","volume-title":"Intellect","author":"Auslander Philip","year":"2012","unstructured":"Philip Auslander, 2012. The Performativity of Performance documentation, in Perform, Record, Repeat, Live Art in History, edited by Amelia Jones and Adrian Heathfield, Intellect, Bristol, UK, pp.47- 58."}],"event":{"name":"ARTECH 2021: 10th International Conference on Digital and Interactive Arts","acronym":"ARTECH 2021","location":"Aveiro, Portugal Portugal"},"container-title":["10th International Conference on Digital and Interactive Arts"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3483529.3483682","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3483529.3483682","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T20:18:58Z","timestamp":1750191538000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3483529.3483682"}},"subtitle":["The hologram and the experience with its image"],"short-title":[],"issued":{"date-parts":[[2021,10,13]]},"references-count":11,"alternative-id":["10.1145\/3483529.3483682","10.1145\/3483529"],"URL":"https:\/\/doi.org\/10.1145\/3483529.3483682","relation":{},"subject":[],"published":{"date-parts":[[2021,10,13]]},"assertion":[{"value":"2022-02-20","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}