{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2022,4,5]],"date-time":"2022-04-05T13:12:46Z","timestamp":1649164366417},"reference-count":9,"publisher":"MIT Press - Journals","issue":"3","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Computer Music Journal"],"published-print":{"date-parts":[[2013,9]]},"abstract":"<jats:p> In the mid 1970s, specialized hardware for synthesizing digital audio helped computer music research move beyond its early reliance on software synthesis running on slow mainframe computers. This hardware allowed for synthesis of complex musical scores in real time and for dynamic, interactive control of synthesis. Peter Samson developed one such device, the Systems Concepts Digital Synthesizer, for Stanford University's Center for Computer Research in Music and Acoustics. The \u201cSamson Box\u201d addressed the classical problems of digital audio synthesis with an elegance that still rewards study. This article thoroughly examines the principles underlying the Box's design\u2014while considering how it was actually employed by its users\u2014and describes the architecture's advantages and disadvantages. An interview with Samson is included. <\/jats:p>","DOI":"10.1162\/comj_a_00193","type":"journal-article","created":{"date-parts":[[2013,9,26]],"date-time":"2013-09-26T18:51:12Z","timestamp":1380221472000},"page":"49-67","source":"Crossref","is-referenced-by-count":2,"title":["The Systems Concepts Digital Synthesizer: An Architectural Retrospective"],"prefix":"10.1162","volume":"37","author":[{"given":"D. Gareth","family":"Loy","sequence":"first","affiliation":[{"name":"274 Sausalito St. Corte Madera, California 94925, USA."}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"281","reference":[{"key":"p_1","first-page":"526","volume":"21","author":"Chowning J.","year":"1973","journal-title":"Journal of the Audio Engineering Society"},{"key":"p_7","doi-asserted-by":"publisher","DOI":"10.2307\/3679693"},{"key":"p_8","doi-asserted-by":"publisher","DOI":"10.1162\/COMJ_a_00192"},{"key":"p_10","doi-asserted-by":"publisher","DOI":"10.1093\/icc\/dth045"},{"key":"p_11","author":"Samson P.","year":"1974","journal-title":"San Francisco, California: Systems Concepts. Rev."},{"issue":"3","key":"p_12","first-page":"106","volume":"28","author":"Samson P.","year":"1980","journal-title":"Journal of the Audio Engineering Society"},{"key":"p_13","first-page":"61","author":"Samson P.","year":"1985","journal-title":"J. Strawn, ed. Digital Audio Engineering: An Anthology. Los Altos, California: William Kaufmann"},{"issue":"3","key":"p_16","first-page":"219","volume":"10","author":"Schroeder M.R.","year":"1962","journal-title":"Journal of the Audio Engineering Society"},{"key":"p_17","doi-asserted-by":"publisher","DOI":"10.1121\/1.1911948"}],"container-title":["Computer Music Journal"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.mitpressjournals.org\/doi\/pdf\/10.1162\/COMJ_a_00193","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2021,3,12]],"date-time":"2021-03-12T21:33:35Z","timestamp":1615584815000},"score":1,"resource":{"primary":{"URL":"https:\/\/direct.mit.edu\/comj\/article\/37\/3\/49-67\/94431"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2013,9]]},"references-count":9,"journal-issue":{"issue":"3","published-print":{"date-parts":[[2013,9]]}},"alternative-id":["10.1162\/COMJ_a_00193"],"URL":"https:\/\/doi.org\/10.1162\/comj_a_00193","relation":{},"ISSN":["0148-9267","1531-5169"],"issn-type":[{"value":"0148-9267","type":"print"},{"value":"1531-5169","type":"electronic"}],"subject":[],"published":{"date-parts":[[2013,9]]}}}