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As any mapping control structure for a given digital instrument is determined by the musical context in which it is used, we present musical examples that relate the relatively abstract realm of mapping design to the physically and perceptually grounded notions of control and sonic gesture. Making this connection allows mapping to be more clearly seen as a linkage between a physical action and a sonic result. In this sense, the purpose of this work is to translate the discussion on mapping so that it links an abstract and formalized approach\u2014intended for representation and conceptualization\u2014with a viewpoint that considers mapping in its role as a perceived correspondence between physical materials (i.e., those that act on controllers and transducers) and sonic events. This correspondence is, at its heart, driven by our cognitive and embodied understanding of the acoustic world. <\/jats:p>","DOI":"10.1162\/comj_a_00253","type":"journal-article","created":{"date-parts":[[2014,9,15]],"date-time":"2014-09-15T19:26:23Z","timestamp":1410809183000},"page":"6-22","source":"Crossref","is-referenced-by-count":12,"title":["Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives"],"prefix":"10.1162","volume":"38","author":[{"given":"Doug","family":"Van Nort","sequence":"first","affiliation":[{"name":"School of Arts, Media, Performance, and Design York University 4700 Keele St. Toronto, Ontario M3J 1P3, Canada."}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Marcelo M.","family":"Wanderley","sequence":"additional","affiliation":[{"name":"Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) McGill University 527 Sherbrooke St. West Montreal, Quebec H3A 1E3, Canada."}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Philippe","family":"Depalle","sequence":"additional","affiliation":[{"name":"Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) McGill University 527 Sherbrooke St. West Montreal, Quebec H3A 1E3, Canada."}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"281","reference":[{"key":"p_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802002054"},{"key":"p_3","first-page":"101","author":"Bencina R.","year":"2005","journal-title":"Proceedings of the Conference on New Interfaces for Musical Expression"},{"key":"p_4","first-page":"85","author":"Bevilaqua F.","year":"2005","journal-title":"Proceedings of the Conference on New Interfaces for Musical Expression"},{"key":"p_5","first-page":"181","author":"Bowler I.","year":"1990","journal-title":"Proceedings of the International Computer Music Conference"},{"key":"p_6","first-page":"38","author":"Chadabe J.","year":"2002","journal-title":"Proceedings of the Conference on New Interfaces for Musical Expression"},{"key":"p_8","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771810000154"},{"key":"p_10","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802002029"},{"key":"p_11","first-page":"57","author":"H\u00fclsen H.","year":"2008","journal-title":"Springer"},{"key":"p_13","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802002030"},{"key":"p_14","doi-asserted-by":"publisher","DOI":"10.1109\/TASSP.1986.1164910"},{"key":"p_16","doi-asserted-by":"publisher","DOI":"10.1162\/comj.2007.31.4.15"},{"key":"p_18","doi-asserted-by":"publisher","DOI":"10.1016\/0898-1221(88)90255-6"},{"key":"p_19","doi-asserted-by":"publisher","DOI":"10.1007\/BF00893171"},{"key":"p_20","doi-asserted-by":"publisher","DOI":"10.1162\/comj.2006.30.1.49"},{"key":"p_21","first-page":"54","author":"Momeni A.","year":"2003","journal-title":"Proceedings of the Conference on New Interfaces for Musical Expression"},{"key":"p_22","first-page":"68","author":"Rovan J.","year":"1997","journal-title":"Proceedings of Kansei: The Technology of Emotion Workshop"},{"key":"p_23","first-page":"138","author":"Schnell N.","year":"2002","journal-title":"Proceedings of the Conference on New Interfaces for Musical Expression"},{"key":"p_24","doi-asserted-by":"publisher","DOI":"10.1076\/jnmr.28.2.81.3116"},{"key":"p_25","first-page":"375","author":"Serafin S.","year":"1999","journal-title":"Proceedings of the International Computer Music Conference"},{"key":"p_26","first-page":"21","author":"Sibson R.","year":"1981","journal-title":"Interpreting Multivariate Data. 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