{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2024,4,18]],"date-time":"2024-04-18T14:36:59Z","timestamp":1713451019943},"reference-count":19,"publisher":"MIT Press - Journals","issue":"1","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Computer Music Journal"],"published-print":{"date-parts":[[2017,3]]},"abstract":"<jats:p> This article documents a personal journey of compositional practice that led to the necessity for working with high-density loudspeaker arrays (HDLAs). I work with textural composition, an approach to composing real-time computer music arising from acousmatic and stochastic principles in the form of a sound metaobject. Textural composition depends upon highly mobile sounds without the need for trajectory-based spatialization procedures. In this regard, textural composition is an intermediary aesthetic\u2014between \u201ctape music\u201d and real-time computer music, between sound objects and soundscape, and between point-source and trajectory-based, mimetic spatialization. <\/jats:p><jats:p> I begin with the aesthetics of textural composition, including the musical and sonic spaces it needs to inhabit. I then detail the techniques I use to create textures for this purpose. I follow with the spatialization technique I devised that supports the aesthetic requirements. Finally, I finish with an example of an exception to my techniques, one where computational requirements and the HDLA required me to create a textural composition without my real-time strategies. <\/jats:p>","DOI":"10.1162\/comj_a_00395","type":"journal-article","created":{"date-parts":[[2017,4,6]],"date-time":"2017-04-06T16:38:46Z","timestamp":1491496726000},"page":"34-45","source":"Crossref","is-referenced-by-count":5,"title":["Textural Composition: Aesthetics, Techniques, and Spatialization for High-Density Loudspeaker Arrays"],"prefix":"10.1162","volume":"41","author":[{"given":"Kerry L.","family":"Hagan","sequence":"first","affiliation":[{"name":"Digital Media and Arts Research Centre CS 2011 University of Limerick Limerick, Ireland"}]}],"member":"281","reference":[{"key":"p_1","doi-asserted-by":"publisher","DOI":"10.1162\/014892600559272"},{"key":"p_2","doi-asserted-by":"publisher","DOI":"10.1162\/01489260152815260"},{"key":"p_3","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802003114"},{"key":"p_5","first-page":"3","author":"Cage J.","year":"1958","journal-title":"Silence: Lectures and Writings. 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