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Our goal was to develop a tool that could facilitate the production of distorted sounds without direct effort on the part of the singer. In this way, the singer can perform a nondistorted or lightly distorted sound, and the software tool will generate or magnify the distortion in real time.<\/jats:p>","DOI":"10.1162\/comj_a_00485","type":"journal-article","created":{"date-parts":[[2019,6,5]],"date-time":"2019-06-05T12:53:12Z","timestamp":1559739192000},"page":"26-40","update-policy":"https:\/\/doi.org\/10.1162\/mitpressjournals.corrections.policy","source":"Crossref","is-referenced-by-count":6,"title":["Composing Vocal Distortion: A Tool for Real-Time Generation of Roughness"],"prefix":"10.1162","volume":"42","author":[{"given":"Marta","family":"Gentilucci","sequence":"first","affiliation":[{"name":"*Research\/Creation Interfaces, IRCAM 1, Place Igor Stravinsky 75004 Paris, France marta@martagentilucci.com"}]},{"given":"Luc","family":"Ardaillon","sequence":"additional","affiliation":[{"name":"\u2020Analysis\/Synthesis Team, Science and Technology of Music and Sound, IRCAM 1, Place Igor Stravinsky 75004 Paris, France luc.ardaillon@ircam.fr"}]},{"given":"Marco","family":"Liuni","sequence":"additional","affiliation":[{"name":"**ERC CREAM project, PDS team, IRCAM 1, Place Igor Stravinsky 75004 Paris, France marco.liuni@ircam.fr"}]}],"member":"281","published-online":{"date-parts":[[2018,12,1]]},"reference":[{"key":"p_2","first-page":"265","author":"Bonada J.","year":"2008","journal-title":"Proceedings of the International Conference on Digital Audio Effects"},{"key":"p_3","doi-asserted-by":"crossref","first-page":"6910","DOI":"10.1109\/ICASSP.2013.6639001","author":"Bonada J.","year":"2013","journal-title":"IEEE International Conference on Acoustics, Speech, and Signal Processing"},{"key":"p_5","doi-asserted-by":"publisher","DOI":"10.1121\/1.1458024"},{"key":"p_6","doi-asserted-by":"publisher","DOI":"10.1016\/S0892-1997(99)80002-2"},{"key":"p_7","doi-asserted-by":"publisher","DOI":"10.1046\/j.1365-2273.2001.00413.x"},{"key":"p_8","first-page":"91","author":"Laroche J.","year":"1999","journal-title":"IEEE Workshop on Applications of Signal Processing to Audio and Acoustics"},{"key":"p_9","first-page":"49","author":"Loscos A.","year":"2004","journal-title":"Proceedings of the International Conference on Digital Audio Effects"},{"key":"p_11","doi-asserted-by":"publisher","DOI":"10.1159\/000070092"},{"key":"p_12","doi-asserted-by":"publisher","DOI":"10.1006\/anbe.2001.1912"},{"key":"p_14","doi-asserted-by":"publisher","DOI":"10.1109\/ASPAA.1995.482995"},{"key":"p_15","first-page":"489","author":"Ruinskiy D.","year":"2008","journal-title":"IEEE Convention of Electrical and Electronics Engineers in Israel"},{"key":"p_17","doi-asserted-by":"publisher","DOI":"10.1044\/jshr.2701.02"},{"key":"p_18","first-page":"88","author":"Smialek E.","year":"2012","journal-title":"Proceedings of the International Computer Music Conference"},{"issue":"4","key":"p_20","first-page":"201","volume":"30","author":"Terhardt E.","year":"1974","journal-title":"Acta Acustica united with Acustica"},{"key":"p_21","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2010.27.3.209"},{"key":"p_22","first-page":"5","author":"Verma A.","year":"2005","journal-title":"Proceedings of IEEE International Conference on Acoustics, Speech, and Signal Processing"},{"key":"p_23","doi-asserted-by":"publisher","DOI":"10.1121\/1.1908630"}],"container-title":["Computer Music Journal"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/direct.mit.edu\/comj\/article-pdf\/42\/4\/26\/2005091\/comj_a_00485.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"syndication"},{"URL":"https:\/\/direct.mit.edu\/comj\/article-pdf\/42\/4\/26\/2005091\/comj_a_00485.pdf","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,17]],"date-time":"2023-09-17T06:30:39Z","timestamp":1694932239000},"score":1,"resource":{"primary":{"URL":"https:\/\/direct.mit.edu\/comj\/article\/42\/4\/26\/94832\/Composing-Vocal-Distortion-A-Tool-for-Real-Time"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2018]]},"references-count":17,"journal-issue":{"issue":"4","published-online":{"date-parts":[[2018,12,1]]},"published-print":{"date-parts":[[2018,12,1]]}},"URL":"https:\/\/doi.org\/10.1162\/comj_a_00485","relation":{},"ISSN":["0148-9267","1531-5169"],"issn-type":[{"value":"0148-9267","type":"print"},{"value":"1531-5169","type":"electronic"}],"subject":[],"published-other":{"date-parts":[[2018]]},"published":{"date-parts":[[2018]]}}}