{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2022,8,3]],"date-time":"2022-08-03T13:41:06Z","timestamp":1659534066886},"reference-count":34,"publisher":"MIT Press","issue":"2","content-domain":{"domain":["direct.mit.edu"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2021,6,1]]},"abstract":"<jats:title>Abstract<\/jats:title>\n               <jats:p>The Acoustic Localization Positioning System is the outcome of several years of participatory development with musicians and artists having a stake in sonic arts, collaboratively aiming for nonobtrusive tracking and indoors positioning technology that facilitates spatial interaction and immersion. Based on previous work on application scenarios for spatial reproduction of moving sound sources and the conception of the kinaesthetic interface, a tracking system for spatially interactive sonic arts is presented here. It is an open-source implementation in the form of a stand-alone application and associated Max patches. The implementation uses off-the-shelf, ubiquitous technology. Based on the findings of tests and experiments conducted in extensive creative workshops, we show how the approach addresses several technical problems and overcomes some typical obstacles to immersion in spatially interactive applications in sonic arts.<\/jats:p>","DOI":"10.1162\/comj_a_00605","type":"journal-article","created":{"date-parts":[[2022,6,1]],"date-time":"2022-06-01T19:38:35Z","timestamp":1654112315000},"page":"24-47","update-policy":"http:\/\/dx.doi.org\/10.1162\/mitpressjournals.corrections.policy","source":"Crossref","is-referenced-by-count":0,"title":["Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System"],"prefix":"10.1162","volume":"45","author":[{"given":"Dominik","family":"Schlienger","sequence":"first","affiliation":[{"name":"University of the Arts Helsinki Sibelius Academy PO Box 30, FI-00097 Uniarts dominik.schlienger@uniarts.fi"}]},{"given":"Victor","family":"Khashchanskiy","sequence":"additional","affiliation":[{"name":"University of the Arts Helsinki Sibelius Academy PO Box 30, FI-00097 Uniarts victor@victorx.eu"}]}],"member":"281","published-online":{"date-parts":[[2021,6,1]]},"reference":[{"key":"2022080313252786500_B1","doi-asserted-by":"crossref","first-page":"483","DOI":"10.1016\/j.measurement.2017.11.046","article-title":"Broadband Acoustic Local Positioning System for Mobile Devices with Multiple Access Interference Cancellation","volume":"116","author":"Aguilera","year":"2017","journal-title":"Measurement"},{"key":"2022080313252786500_B2","first-page":"174","article-title":"Research Group in Interdisciplinary Improvisation: Goals, Perspectives, and Practice","volume-title":"This and That: Essays on Live Art and Performance Studies","author":"Andean","year":"2014"},{"key":"2022080313252786500_B3","doi-asserted-by":"publisher","first-page":"266","DOI":"10.5281\/zenodo.3672954","article-title":"Expressive Potentials of Motion Capture in the Vis Insita Musical Performance","author":"Bazoge","year":"2019","journal-title":"Proceedings of the International Conference on New Interfaces for Musical Expression"},{"key":"2022080313252786500_B4","volume-title":"Spaces Speak, Are You Listening? 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