{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2023,6,29]],"date-time":"2023-06-29T04:15:00Z","timestamp":1688012100117},"reference-count":22,"publisher":"MIT Press","issue":"1-2","content-domain":{"domain":["direct.mit.edu"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2022,6,1]]},"abstract":"Abstract<\/jats:title>\n The political and economic instability in most Latin American countries has been profoundly affecting the lives of its inhabitants for decades. Support for artistic activities has usually been postponed to solve urgent social problems. Despite that, the development in these countries of the electronic arts, in general, and electroacoustic and computer music, in particular, is astounding. Mauricio Kagel, Reginaldo Carvalho, Hilda Dianda, Juan Amenabar, Horacio Vaggione, Jorge Antunes, Jocy de Oliveira, Jos\u00e9 Vicente Asuar, and Juan Blanco are only some of the many names in the ocean of electroacoustic music creativity that has always been Latin America. Archiving and disseminating electronic art\u2014and working on a revised version of its history\u2014is crucial to comprehend the present and build our future. The Latin American Electroacoustic Music Collection, hosted by the Daniel Langlois Foundation for Art, Science, and Technology in Montreal, has over 1,700 digital recordings of compositions created between 1957 and 2007 by almost 400 composers. The Collection has recovered and made visible (and listenable) the creative work of many composers otherwise almost forgotten. It has defied the hegemony of the computer and electroacoustic music history narrative, helping to break barriers and widening the way their history is understood.<\/jats:p>","DOI":"10.1162\/comj_a_00632","type":"journal-article","created":{"date-parts":[[2023,2,7]],"date-time":"2023-02-07T14:55:38Z","timestamp":1675781738000},"page":"8-24","update-policy":"http:\/\/dx.doi.org\/10.1162\/mitpressjournals.corrections.policy","source":"Crossref","is-referenced-by-count":0,"title":["Part of Computer Music History\u2026 (Trust Me, Latin America Has\n Always Been There!)"],"prefix":"10.1162","volume":"46","author":[{"given":"Ricardo","family":"Dal Farra","sequence":"first","affiliation":[{"name":"Department of Music Concordia University 1550 De Maisonneuve Boulevard West Montreal, QC H3H 1G8 Canada ricardo.dalfarra@concordia.ca"}]}],"member":"281","published-online":{"date-parts":[[2022,6,1]]},"reference":[{"key":"2023062819332833700_B1","article-title":"Portafolio Jorge Barco 2017: Artes sonoro \/artes\n electr\u00f3nicas","author":"Barco","year":"2017"},{"key":"2023062819332833700_B2","article-title":"Mauricio Bejarano CV\n 2011","author":"Bejarano","year":"2012"},{"issue":"3","key":"2023062819332833700_B3","doi-asserted-by":"publisher","first-page":"36","DOI":"10.2307\/3680821","article-title":"A Southerner's\n Perspective","volume":"11","author":"Dal Farra","year":"1996","journal-title":"Computer Music Journal"},{"key":"2023062819332833700_B4","unstructured":"Dal Farra,\n R.\n \n 2006a. \u201cA Journey of Sound through the\n Electroacoustic Wires: Art and New Technologies in Latin\n America.\u201d PhD\n dissertation, Universit\u00e9 du\n Qu\u00e9bec \u00e0 Montr\u00e9al. Available\n online atarchipel.uqam.ca\/2062\/1\/D1367.pdf. Accessed20 February 2022."},{"issue":"2","key":"2023062819332833700_B5","doi-asserted-by":"publisher","first-page":"131","DOI":"10.1017\/S1355771806001397","article-title":"Something Lost, Something Hidden,\n Something Found: Electroacoustic Music by Latin American\n Composers","volume":"11","author":"Dal Farra","year":"2006","journal-title":"Organised Sound"},{"issue":"2","key":"2023062819332833700_B6","doi-asserted-by":"publisher","first-page":"65","DOI":"10.7202\/016840ar","article-title":"The Southern Tip of the\n Electroacoustic Tradition","volume":"17","author":"Dal Farra","year":"2007","journal-title":"Circuit: Musiques\n contemporaines"},{"key":"2023062819332833700_B7","volume-title":"R\u00e9pertoire international des musiques\n \u00e9lectroacoustiques\/International Electronic Music\n Catalog","author":"Davies","year":"1968"},{"key":"2023062819332833700_B8","article-title":"Latin America and the\n Caribbean.\u201d United Nations Educational, Scientific, and Cultural\n Organization (UNESCO)","author":"Digi-Arts","year":"2007"},{"key":"2023062819332833700_B9","article-title":"Am\u00e9rica Latina.\u201d United\n Nations Educational, Scientific, and Cultural Organization\n (UNESCO)","author":"Digi-Arts","year":"2007"},{"key":"2023062819332833700_B10","article-title":"Latin American Electroacoustic\n Music Collection: Introduction.","author":"Fondation Daniel Langlois (FDL)","year":"2004"},{"key":"2023062819332833700_B11","article-title":"Latin American Electroacoustic Music Collection:\n Forward.","author":"FDL","year":"2005"},{"key":"2023062819332833700_B12","article-title":"Reginaldo Carvalho: Sibemol.","author":"FDL","year":"2005"},{"key":"2023062819332833700_B13","article-title":"Juan Amenabar: Los Peces.","author":"FDL","year":"2005"},{"key":"2023062819332833700_B14","article-title":"C\u00e9sar Bola\u00f1os: Intensidad y\n Altura.","author":"FDL","year":"2005"},{"key":"2023062819332833700_B15","article-title":"Juan Blanco: Interludio con\n m\u00e1quinas.","author":"FDL","year":"2005"},{"key":"2023062819332833700_B16","article-title":"Jorge Antunes: Valsa Sideral.","author":"FDL","year":"2005"},{"key":"2023062819332833700_B17","article-title":"Interviews.","author":"FDL","year":"2005"},{"key":"2023062819332833700_B18","article-title":"Latin American Electroacoustic Music Collection:\n Finding Aids.","author":"FDL","year":"2005"},{"key":"2023062819332833700_B19","article-title":"The Daniel Langlois Foundation Collection:\n Overview.","author":"FDL","year":"2014"},{"key":"2023062819332833700_B20","article-title":"Latin American Electroacoustic Music Collection:\n Music Selection (558 Titles).","author":"FDL","year":"2014"},{"key":"2023062819332833700_B21","first-page":"289","article-title":"The Technological Epiphanies of Samuel\n Beckett: Machines of Inscription and Audiovisual\n Manipulation","volume-title":"Proceedings of Sonologia: The International Conference on Sound\n Studies","author":"S\u00e1nchez Cardona","year":"2016"},{"key":"2023062819332833700_B22","volume-title":"Samuel Beckett electr\u00f3nico: Samuel Beckett\n coclear","author":"S\u00e1nchez Cardona","year":"2017"}],"container-title":["Computer Music Journal"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/direct.mit.edu\/comj\/article-pdf\/46\/1-2\/8\/2140697\/comj_a_00632.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"syndication"},{"URL":"https:\/\/direct.mit.edu\/comj\/article-pdf\/46\/1-2\/8\/2140697\/comj_a_00632.pdf","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,6,28]],"date-time":"2023-06-28T19:33:46Z","timestamp":1687980826000},"score":1,"resource":{"primary":{"URL":"https:\/\/direct.mit.edu\/comj\/article\/46\/1-2\/8\/114780\/Part-of-Computer-Music-History-Trust-Me-Latin"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2022]]},"references-count":22,"journal-issue":{"issue":"1-2","published-online":{"date-parts":[[2022,6,1]]},"published-print":{"date-parts":[[2022,6,1]]}},"URL":"https:\/\/doi.org\/10.1162\/comj_a_00632","relation":{},"ISSN":["0148-9267","1531-5169"],"issn-type":[{"value":"0148-9267","type":"print"},{"value":"1531-5169","type":"electronic"}],"subject":[],"published-other":{"date-parts":[[2022]]},"published":{"date-parts":[[2022]]}}}