{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2023,6,29]],"date-time":"2023-06-29T04:14:57Z","timestamp":1688012097452},"reference-count":15,"publisher":"MIT Press","issue":"1-2","content-domain":{"domain":["direct.mit.edu"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2022,6,1]]},"abstract":"<jats:title>Abstract<\/jats:title>\n               <jats:p>The present work studies the scenic realizations of the ensemble called Lum\u00ednico (Rodrigo Sigal and Alejandro Escuer) from the perspective of intermediality, performance theory, musicality, and theatricality. Lum\u00ednico's proposal offers, as sound and audiovisual artists, an alternative to the experience of the traditional chamber music and electroacoustic concert, both to themselves and to the audience. In the field of music, it blurs the binary distinction between artistic work and audience by transferring the creation of the uninterrupted concert to the very moment of its execution and reception. This way, a Lum\u00ednico concert generates a unique, unrepeatable, and ephemeral event that emerges thanks to the characteristics of the scenic realization, starring the ensemble members and the audience.<\/jats:p>","DOI":"10.1162\/comj_a_00637","type":"journal-article","created":{"date-parts":[[2023,2,14]],"date-time":"2023-02-14T19:23:31Z","timestamp":1676402611000},"page":"72-81","update-policy":"http:\/\/dx.doi.org\/10.1162\/mitpressjournals.corrections.policy","source":"Crossref","is-referenced-by-count":0,"title":["An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lum\u00ednico"],"prefix":"10.1162","volume":"46","author":[{"given":"Guillermo","family":"Eisner","sequence":"first","affiliation":[{"name":"Department of Sound, Faculty of Arts, University of Chile Compa\u00f1\u00eda 1264, Santiago, Chile guilleisner@uchile.cl"}]}],"member":"281","published-online":{"date-parts":[[2022,6,1]]},"reference":[{"issue":"1","key":"2023062819331342700_B1","first-page":"1","article-title":"\u00bfQu\u00e9 es la teatralidad? Paradigmas est\u00e9ticos de la Modernidad","volume":"1","author":"Cornago","year":"2005","journal-title":"Telon de fondo: Revista de teor\u00eda y cr\u00edtica teatral"},{"key":"2023062819331342700_B2","first-page":"23","article-title":"Medio","volume-title":"Vocabulario cr\u00edtico para los estudios intermediales: Hacia el estudio de las literaturas extendidas","author":"Cruz","year":"2022"},{"key":"2023062819331342700_B3","volume-title":"Est\u00e9tica de lo performativo","author":"Fischer-Lichte","year":"2014"},{"key":"2023062819331342700_B4","volume-title":"Vocabulario cr\u00edtico para los estudios intermediales: Hacia el estudio de las literaturas extendidas","author":"Gonz\u00e1lez Aktories","year":"2022"},{"key":"2023062819331342700_B5","article-title":"\u2018Resonancias\u2019 de la promesa: \u2018Ecos\u2019 y \u2018reverberaciones\u2019 del Don Giovanni.","author":"Kent Trejo","year":"2016"},{"key":"2023062819331342700_B6","volume-title":"Teatro posdram\u00e1tico","author":"Lehmann","year":"2013"},{"key":"2023062819331342700_B7","volume-title":"The Medium Is the Massage","author":"McLuhan","year":"1967"},{"key":"2023062819331342700_B8","volume-title":"Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making","author":"Roesner","year":"2014"},{"issue":"1","key":"2023062819331342700_B9","doi-asserted-by":"publisher","first-page":"92","DOI":"10.2307\/1144509","article-title":"Musica Elettronica Viva","volume":"14","author":"Rzewski","year":"1969","journal-title":"The Drama Review"},{"key":"2023062819331342700_B10","first-page":"99","article-title":"Creaci\u00f3n en la interpretaci\u00f3n","volume-title":"M\u00fasica, transversalidade: S\u00e9rie Di\u00e1logos com o Som","author":"Sigal","year":"2018"},{"key":"2023062819331342700_B11","volume-title":"Lum\u00ednico","author":"Sigal","year":"2013"},{"key":"2023062819331342700_B12","volume-title":"Music as Social Life: The Politics of Participation","author":"Turino","year":"2008"},{"key":"2023062819331342700_B13","article-title":"Rodrigo Sigal y su m\u00fasica electroac\u00fastica","author":"V\u00e9rtiz","year":"2004","journal-title":"Proceso"},{"issue":"April","key":"2023062819331342700_B14","first-page":"7","article-title":"De la teatralidad como estrategia multidisciplinaria","volume":"21","author":"Villegas","year":"1996","journal-title":"Gestos"},{"key":"2023062819331342700_B15","doi-asserted-by":"crossref","first-page":"93","DOI":"10.2307\/jj.3177140.10","article-title":"What Are Media?","volume-title":"Techn\u0113\/Technology. Researching Cinema and Media Technologies: Their Development, Use, and Impact","author":"Wiesing","year":"2014"}],"container-title":["Computer Music Journal"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/direct.mit.edu\/comj\/article-pdf\/46\/1-2\/72\/2140654\/comj_a_00637.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"syndication"},{"URL":"https:\/\/direct.mit.edu\/comj\/article-pdf\/46\/1-2\/72\/2140654\/comj_a_00637.pdf","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,6,28]],"date-time":"2023-06-28T19:33:33Z","timestamp":1687980813000},"score":1,"resource":{"primary":{"URL":"https:\/\/direct.mit.edu\/comj\/article\/46\/1-2\/72\/114879\/An-Analytical-Approach-to-the-Scenic-Realization"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2022]]},"references-count":15,"journal-issue":{"issue":"1-2","published-online":{"date-parts":[[2022,6,1]]},"published-print":{"date-parts":[[2022,6,1]]}},"URL":"https:\/\/doi.org\/10.1162\/comj_a_00637","relation":{},"ISSN":["0148-9267","1531-5169"],"issn-type":[{"value":"0148-9267","type":"print"},{"value":"1531-5169","type":"electronic"}],"subject":[],"published-other":{"date-parts":[[2022]]},"published":{"date-parts":[[2022]]}}}