{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2023,6,29]],"date-time":"2023-06-29T04:03:41Z","timestamp":1688011421898},"reference-count":25,"publisher":"MIT Press","issue":"1-2","content-domain":{"domain":["direct.mit.edu"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2022,6,1]]},"abstract":"<jats:title>Abstract<\/jats:title>\n               <jats:p>Latin America has a tradition of socially engaged artists. In Mexico, since the muralist movement of the 1920s, artists have shown a preoccupation for denouncing social issues in their works. In this article, we propose the concept of Paisaje sonoro social [socially engaged soundscapes], an approach to the composition of sound art that aims to raise awareness about specific social issues experienced in Mexican society. Through the combination of oral testimony, soundscapes (both real and imagined), and instrumental and electroacoustic music, Paisaje sonoro social aims to provide a direct communication to the listener in order to draw attention to social issues such as child exploitation, migration, poor working conditions for factory workers, poverty, and children working in the touristic industry.<\/jats:p>\n               <jats:p>Through the analysis of a series of six works we argue that, although Paisaje sonoro social shares features of other genres, such as soundscape composition, acousmatic storytelling, and documental sonoro [radio feature] it has fundamental differences<\/jats:p>","DOI":"10.1162\/comj_a_00638","type":"journal-article","created":{"date-parts":[[2023,2,22]],"date-time":"2023-02-22T20:30:01Z","timestamp":1677097801000},"page":"58-71","update-policy":"http:\/\/dx.doi.org\/10.1162\/mitpressjournals.corrections.policy","source":"Crossref","is-referenced-by-count":0,"title":["<i>Paisaje Sonoro Social<\/i>: Socially Engaged Soundscapes in Mexico"],"prefix":"10.1162","volume":"46","author":[{"given":"Mario Alberto","family":"Duarte-Garc\u00eda","sequence":"first","affiliation":[{"name":"Music and Artistic Technology ENES Unidad Morelia National Autonomous University of Mexico UNAM Cub\u00edculo 8, Edificio de Gobierno Antigua Carretera a P\u00e1tzcuaro 8701 Col. Ex Hacienda San Jos\u00e9 de la Huerta C.P. 58190 Morelia, Michoac\u00e1n, M\u00e9xico mduarte@enesmorelia.unam.mx"}]},{"given":"Emma","family":"Wilde","sequence":"additional","affiliation":[{"name":"Music and Artistic Technology ENES Unidad Morelia National Autonomous University of Mexico UNAM Cub\u00edculo 8, Edificio de Gobierno Antigua Carretera a P\u00e1tzcuaro 8701 Col. Ex Hacienda San Jos\u00e9 de la Huerta C.P. 58190 Morelia, Michoac\u00e1n, M\u00e9xico emmawildecomposer@gmail.com"}]}],"member":"281","published-online":{"date-parts":[[2022,6,1]]},"reference":[{"issue":"3","key":"2023062819332427600_B1","doi-asserted-by":"publisher","first-page":"213","DOI":"10.1017\/S1355771816000182","article-title":"Acousmatic Storytelling","volume":"21","author":"Amelides","year":"2016","journal-title":"Organised Sound"},{"key":"2023062819332427600_B2","volume-title":"El Se\u00f1or Presidente","author":"Asturias","year":"1946"},{"key":"2023062819332427600_B3","volume-title":"El Reino de este Mundo","author":"Carpentier","year":"1979"},{"issue":"1","key":"2023062819332427600_B4","doi-asserted-by":"publisher","first-page":"7","DOI":"10.1080\/10714420212350","article-title":"Muralism and the People: Culture, Popular Citizenship, and Government in Post-Revolutionary Mexico","volume":"5","author":"Coffey","year":"2002","journal-title":"Communication Review"},{"key":"2023062819332427600_B5","volume-title":"\u00cdndice de rezago social 2020 a nivel nacional, estatal, municipal y localidad","author":"CONEVAL","year":"2021"},{"key":"2023062819332427600_B6","volume-title":"Sistema de indicadores sobre pobreza y g\u00e9nero, 2016\u20132020","author":"CONEVAL","year":"2022"},{"key":"2023062819332427600_B7","doi-asserted-by":"crossref","first-page":"113","DOI":"10.1093\/acprof:oso\/9780199545872.003.0005","article-title":"Music as a Communicative Medium","volume-title":"The Prehistory of Language","author":"Cross","year":"2009"},{"key":"2023062819332427600_B8","volume-title":"Education for Socially Engaged Art","author":"Helguera","year":"2011"},{"key":"2023062819332427600_B9","article-title":"Estadio Chile, Lotty Rosenfeld","author":"HEMI","year":"2009"},{"key":"2023062819332427600_B10","volume-title":"Sonic Agency: Sound and Emergent Forms of Resistance","author":"LaBelle","year":"2018"},{"issue":"2","key":"2023062819332427600_B11","doi-asserted-by":"publisher","first-page":"49","DOI":"10.1080\/07494469400640291","article-title":"The \u2018Something to Hold on to Factor\u2019 in y","volume":"10","author":"Landy","year":"1994","journal-title":"Contemporary Music Review"},{"key":"2023062819332427600_B12","volume-title":"El documental sonoro: Una mirada desde Am\u00e9rica Latina","author":"Lechuga Olg\u00fan","year":"2015"},{"issue":"1","key":"2023062819332427600_B13","first-page":"85","article-title":"Notas al pie de la ciudad. 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