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A detailed description of the data format is followed by two examples of its application in a computer-aided composition process resulting in the sounding interpretation of two score excerpts of an electroacoustic composition. Generating sound structures as symbolic notation data in this way provided possibilities for the creation of sound-based music otherwise limited to works of traditional notation.<\/jats:p>","DOI":"10.1162\/comj_a_00648","type":"journal-article","created":{"date-parts":[[2023,6,28]],"date-time":"2023-06-28T18:44:00Z","timestamp":1687977840000},"page":"7-25","update-policy":"http:\/\/dx.doi.org\/10.1162\/mitpressjournals.corrections.policy","source":"Crossref","is-referenced-by-count":0,"title":["Computer-Aided Composition Using a Sound-Based Notation"],"prefix":"10.1162","volume":"46","author":[{"given":"Mattias","family":"Sk\u00f6ld","sequence":"first","affiliation":[{"name":"Royal College of Music in Stockholm Box 27711, 115 91 Stockholm, Sweden mattias.skold@kmh.se"}]}],"member":"281","published-online":{"date-parts":[[2022,9,1]]},"reference":[{"issue":"2","key":"2023103018313227900_B1","doi-asserted-by":"publisher","first-page":"11","DOI":"10.1162\/COMJ_a_00296","article-title":"A 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