{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,10,10]],"date-time":"2026-10-10T16:56:20Z","timestamp":1791651380078,"version":"4.3.4"},"reference-count":66,"publisher":"MIT Press - Journals","issue":"7","content-domain":{"domain":["direct.mit.edu"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2013,7,1]]},"abstract":"<jats:title>Abstract<\/jats:title>\n               <jats:p>We investigated whether people monitor the outcomes of their own and their partners' individual actions as well as the outcome of their combined actions when performing joint actions together. Pairs of pianists memorized both parts of a piano duet. Each pianist then performed one part while their partner performed the other; EEG was recorded from both. Auditory outcomes (pitches) associated with keystrokes produced by the pianists were occasionally altered in a way that either did or did not affect the joint auditory outcome (i.e., the harmony of a chord produced by the two pianists' combined pitches). Altered auditory outcomes elicited a feedback-related negativity whether they occurred in the pianist's own part or the partner's part, and whether they affected individual or joint action outcomes. Altered auditory outcomes also elicited a P300 whose amplitude was larger when the alteration affected the joint outcome compared with individual outcomes and when the alteration affected the pianist's own part compared with the partner's part. Thus, musicians engaged in joint actions monitor their own and their partner's actions as well as their combined action outcomes, while at the same time maintaining a distinction between their own and others' actions and between individual and joint outcomes.<\/jats:p>","DOI":"10.1162\/jocn_a_00388","type":"journal-article","created":{"date-parts":[[2013,3,14]],"date-time":"2013-03-14T15:24:24Z","timestamp":1363274664000},"page":"1049-1061","update-policy":"https:\/\/doi.org\/10.1162\/mitpressjournals.corrections.policy","source":"Crossref","is-referenced-by-count":117,"title":["Monitoring Individual and Joint Action Outcomes in Duet Music Performance"],"prefix":"10.1162","volume":"25","author":[{"given":"Janeen D.","family":"Loehr","sequence":"first","affiliation":[{"name":"1University of Saskatchewan, Canada"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Dimitrios","family":"Kourtis","sequence":"additional","affiliation":[{"name":"2Ghent University, Belgium"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Cordula","family":"Vesper","sequence":"additional","affiliation":[{"name":"3Radboud University Nijmegen, The Netherlands"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Natalie","family":"Sebanz","sequence":"additional","affiliation":[{"name":"3Radboud University Nijmegen, The Netherlands"},{"name":"4Central European University, Budapest, Hungary"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"G\u00fcnther","family":"Knoblich","sequence":"additional","affiliation":[{"name":"4Central European University, Budapest, Hungary"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"281","published-online":{"date-parts":[[2013,7,1]]},"reference":[{"key":"2021072913295184300_R1","doi-asserted-by":"crossref","first-page":"38","DOI":"10.1097\/00003446-199502000-00004","article-title":"Cerebral generators of mismatch negativity (MMN) and its magnetic counterpart (MMNm) elicited by sound changes.","volume":"16","author":"Alho","year":"1995","journal-title":"Ear and Hearing"},{"key":"2021072913295184300_R2","doi-asserted-by":"crossref","first-page":"36","DOI":"10.1186\/1471-2202-4-26","article-title":"Mapping perception to action in piano practice: A longitudinal DC-EEG study.","volume":"4","author":"Bangert","year":"2003","journal-title":"BMC Neuroscience"},{"key":"2021072913295184300_R3","doi-asserted-by":"crossref","first-page":"917","DOI":"10.1016\/j.neuroimage.2005.10.044","article-title":"Shared networks for auditory and motor processing in professional pianists: Evidence from fMRI conjunction.","volume":"30","author":"Bangert","year":"2006","journal-title":"Neuroimage"},{"key":"2021072913295184300_R4","doi-asserted-by":"crossref","first-page":"63","DOI":"10.1016\/0010-0277(83)90003-3","article-title":"The representation of harmonic structure in music: Hierarchies of stability as a function of context.","volume":"13","author":"Bharucha","year":"1983","journal-title":"Cognition"},{"key":"2021072913295184300_R5","doi-asserted-by":"crossref","first-page":"219","DOI":"10.1016\/S0959-4388(03)00043-6","article-title":"Self-awareness and action.","volume":"13","author":"Blakemore","year":"2003","journal-title":"Current Opinion in Neurobiology"},{"key":"2021072913295184300_R6","doi-asserted-by":"crossref","first-page":"9353","DOI":"10.1523\/JNEUROSCI.1897-04.2004","article-title":"Localizing P300 generators in visual target and distractor processing: A combined event-related potential and functional magnetic resonance imaging study.","volume":"24","author":"Bledowski","year":"2004","journal-title":"The Journal of Neuroscience"},{"key":"2021072913295184300_R7","doi-asserted-by":"crossref","first-page":"539","DOI":"10.1016\/j.tics.2004.10.003","article-title":"Conflict monitoring and anterior cingulate cortex: An update.","volume":"8","author":"Botvinick","year":"2004","journal-title":"Trends in Cognitive Sciences"},{"key":"2021072913295184300_R8","doi-asserted-by":"crossref","first-page":"367","DOI":"10.3758\/CABN.7.4.367","article-title":"Anterior cingulate cortex and conflict detection: An update of theory and data.","volume":"7","author":"Carter","year":"2007","journal-title":"Cognitive, Affective, & Behavioral Neuroscience"},{"key":"2021072913295184300_R9","doi-asserted-by":"crossref","first-page":"1","DOI":"10.3389\/fnins.2012.00008","article-title":"Is your error my concern? 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