{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,1,6]],"date-time":"2026-01-06T03:17:26Z","timestamp":1767669446741,"version":"3.48.0"},"reference-count":47,"publisher":"SAGE Publications","issue":"1","license":[{"start":{"date-parts":[[2008,1,1]],"date-time":"2008-01-01T00:00:00Z","timestamp":1199145600000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Studies in Psychology: Estudios de Psicolog\u00eda"],"published-print":{"date-parts":[[2008,1]]},"abstract":"<jats:p>The paper deals with the production of musical meaning by performers and listeners in order to understand how musical communication takes place between them. It includes an approach both practical and theoretical: a pedagogical experiment on teaching students music interpretation is reported, and an inquiry crossing the work of Lakoff and Johnson with the contributions of Donald and Trevarthen is developed, establishing an alternative account of meaning, which is summarised in five principles. The results show that during the ritual of a musical performance, performer and listener somehow capture the same level of meaning production, which is operating below their conscious awareness and revealing the embodied structure of experience. At this level, what is shared is not so much the same meaning but rather the same process of producing musical meanings that may only be expressed in terms of a quasi-corporeal experience.<\/jats:p>","DOI":"10.1174\/021093908783781338","type":"journal-article","created":{"date-parts":[[2008,3,4]],"date-time":"2008-03-04T19:36:28Z","timestamp":1204659388000},"page":"49-69","source":"Crossref","is-referenced-by-count":0,"title":["Do performer and listener share the same musical meaning?"],"prefix":"10.1177","volume":"29","author":[{"given":"Jorge","family":"Salgado-Correia","sequence":"first","affiliation":[{"name":"Universidad de Aveiro"}]}],"member":"179","published-online":{"date-parts":[[2008,3]]},"reference":[{"key":"e_1_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1038\/7299"},{"key":"e_1_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1093\/oso\/9780198239581.003.0004"},{"key":"e_1_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1093\/oso\/9780198161547.001.0001"},{"key":"e_1_2_1_5_1","volume-title":"Music: A Very Short Introduction.","author":"Cook N.","year":"1998","unstructured":"Cook N. (1998). Music: A Very Short Introduction. Oxford: Oxford University Press."},{"key":"e_1_2_1_6_1","first-page":"9","volume-title":"Theory into Practice: Composition, Performance and the Listening experience","author":"Cook N.","year":"1999","unstructured":"Cook N. (1999). Words about music, or analysis versus performance. In Dejans P. (Ed.), Theory into Practice: Composition, Performance and the Listening experience (pp. 9\u201352). Leuven: Leuven University Press."},{"key":"e_1_2_1_7_1","volume-title":"Music and Imagination.","author":"Copland A.","year":"1961","unstructured":"Copland A. (1961). Music and Imagination. Cambridge, MA: Haward University Press."},{"key":"e_1_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1177\/102986490100500204"},{"key":"e_1_2_1_9_1","doi-asserted-by":"publisher","DOI":"10.1038\/79871"},{"key":"e_1_2_1_10_1","volume-title":"The Feeling of What Happens: Body and Emotion in the Making of Consciousness.","author":"Damasio A.","year":"1999","unstructured":"Damasio A. (1999). The Feeling of What Happens: Body and Emotion in the Making of Consciousness. Orlando: Harcourt Brace."},{"key":"e_1_2_1_11_1","volume-title":"The development of expression in body movement during learning in piano performance.","author":"Davidson J. W.","year":"1995","unstructured":"Davidson J. W., Dawson J. C. (1995). The development of expression in body movement during learning in piano performance. Paper presented at Society for Music Perception and Cognition Conference. University of California, Berkeley."},{"key":"e_1_2_1_12_1","volume-title":"Logique du Sens.","author":"Deleuze G.","year":"1969","unstructured":"Deleuze G. (1969). Logique du Sens. Paris: Les \u00c9ditions de Minuit."},{"key":"e_1_2_1_13_1","first-page":"1","article-title":"La Mythologie Blanche: La m\u00e9taphore dans le texte philosophique.","volume":"2","author":"Derrida J.","year":"1973","unstructured":"Derrida J. (1973). La Mythologie Blanche: La m\u00e9taphore dans le texte philosophique. In Po\u00e9tique: revue de th\u00e9orie et d'analyse litt\u00e9raires (Deuxi\u00e8me ann\u00e9e, 2, 1\u201352). Paris: \u00c9ditions du Seuil.","journal-title":"In Po\u00e9tique: revue de th\u00e9orie et d'analyse litt\u00e9raires"},{"key":"e_1_2_1_14_1","volume-title":"Origins of the Modern Mind: Three Stages in the Evolution of Culture and Cognition.","author":"Donald M.","year":"1991","unstructured":"Donald M. (1991). Origins of the Modern Mind: Three Stages in the Evolution of Culture and Cognition. Cambridge, MA and London, UK: Harvard University Press."},{"key":"e_1_2_1_15_1","volume-title":"The Phenomenology of Aesthetic Experience","author":"Dufrenne M.","year":"1973","unstructured":"Dufrenne M. (1973). The Phenomenology of Aesthetic Experience (Trans. Edward Casey). Evanston: Northwestern University Press."},{"key":"e_1_2_1_16_1","first-page":"1","article-title":"Continuing Matters: Myths, Realities, Rejoinders.","volume":"132","author":"Elliott D. J.","year":"1997","unstructured":"Elliott D. J. (1997). Continuing Matters: Myths, Realities, Rejoinders. Bulletin of the Council for Research in Music Education, 132, 1\u201337.","journal-title":"Bulletin of the Council for Research in Music Education"},{"key":"e_1_2_1_17_1","volume-title":"On the Musically Beautiful","author":"Hanslick E.","year":"1986","unstructured":"Hanslick E. (1986). On the Musically Beautiful (Trans. G. Payzant). Indianapolis: Hacket."},{"key":"e_1_2_1_18_1","volume-title":"On-line lectures, Cyber Semiotic Institute.","author":"Hatten R.","year":"1999","unstructured":"Hatten R. (1999). Musical Gesture. On-line lectures, Cyber Semiotic Institute. Univ. of Toronto. URL: http:\/\/www.chass.utoronto.ca\/epc\/srb\/cyber\/hatout.html"},{"key":"e_1_2_1_19_1","first-page":"83","volume-title":"Music and Meaning","author":"Higgins K. M.","year":"1997","unstructured":"Higgins K. M. (1997). Musical Idiosyncrasy and Perspectival Listening. In Robinson J. (Ed.), Music and Meaning (pp. 83\u2013102). New York: Cornell University Press."},{"key":"e_1_2_1_20_1","doi-asserted-by":"publisher","DOI":"10.7208\/chicago\/9780226177847.001.0001"},{"key":"e_1_2_1_21_1","volume-title":"Music Alone: Philosophical Reflections on the Purely Musical Experience.","author":"Kivy P.","year":"1990","unstructured":"Kivy P. (1990). Music Alone: Philosophical Reflections on the Purely Musical Experience. Ithaca: Cornell University Press."},{"key":"e_1_2_1_22_1","volume-title":"Music as Cultural Practice.","author":"Kramer L.","year":"1990","unstructured":"Kramer L. (1990). Music as Cultural Practice. California: University of California Press."},{"key":"e_1_2_1_23_1","doi-asserted-by":"publisher","DOI":"10.7208\/chicago\/9780226471013.001.0001"},{"key":"e_1_2_1_24_1","volume-title":"Metaphors We Live By.","author":"Lakoff G.","year":"1980","unstructured":"Lakoff G., Johnson M. (1980). Metaphors We Live By. Chicago: The University Chicago Press."},{"key":"e_1_2_1_25_1","volume-title":"Philosophy in the Flesh: the Embodied Mind and its Challenge to Western Thought.","author":"Lakoff G.","year":"1999","unstructured":"Lakoff G., Johnson M. (1999). Philosophy in the Flesh: the Embodied Mind and its Challenge to Western Thought. New York: Basic Books, Inc."},{"key":"e_1_2_1_26_1","volume-title":"Emotion and the Experience of Listening to Music: A Framework for Empirical Research.","author":"Lavy M. M.","year":"2001","unstructured":"Lavy M. M. (2001). Emotion and the Experience of Listening to Music: A Framework for Empirical Research. Unpublished PhD thesis, Jesus College, Cambridge."},{"key":"e_1_2_1_27_1","first-page":"105","volume-title":"Music and Meaning","author":"Maus E. F.","year":"1997","unstructured":"Maus E. F. (1997). Music as Drama. In Robinson J. (Ed.), Music and Meaning (pp. 105\u2013130). New York: Cornell University Press."},{"key":"e_1_2_1_28_1","volume-title":"Feminine Endings: Music, Gender and Sexuality.","author":"Mcclary S.","year":"1990","unstructured":"Mcclary S. (1990). Feminine Endings: Music, Gender and Sexuality. Minneapolis: University of Minnesota Press."},{"key":"e_1_2_1_29_1","volume-title":"Ph\u00e9nom\u00e9nologie de la perception.","author":"Merleau-Ponty M.","year":"1945","unstructured":"Merleau-Ponty M. (1945). Ph\u00e9nom\u00e9nologie de la perception. Paris: Gallimard."},{"key":"e_1_2_1_30_1","volume-title":"The Child's conception oof time","author":"Piaget J.","year":"1969","unstructured":"Piaget J. (1969). The Child's conception oof time (Trans. A. J. Pomerans). London: Routledge & Kegan Paul."},{"key":"e_1_2_1_31_1","volume-title":"The Psychology of the Child","author":"Piaget J.","year":"1969","unstructured":"Piaget J., Inhelder B. (1969). The Psychology of the Child (Transl. H. Weaver). New York: Basic Books, Inc."},{"key":"e_1_2_1_32_1","first-page":"51","article-title":"Developing Schenkerian hearing and performing.","volume":"8","author":"Pierce A.","year":"1994","unstructured":"Pierce A. (1994). Developing Schenkerian hearing and performing. Int\u00e9gral, 8, 51\u2013123.","journal-title":"Int\u00e9gral"},{"key":"e_1_2_1_33_1","volume-title":"The Tacit Dimension.","author":"Polanyi M.","year":"1966","unstructured":"Polanyi M. (1966). The Tacit Dimension. Garden City, NY: Doubleday & Co., Inc."},{"key":"e_1_2_1_34_1","doi-asserted-by":"publisher","DOI":"10.1177\/030573569302100104"},{"key":"e_1_2_1_35_1","doi-asserted-by":"publisher","DOI":"10.1016\/S0166-2236(98)01260-0"},{"key":"e_1_2_1_36_1","doi-asserted-by":"publisher","DOI":"10.7591\/9781501729737"},{"key":"e_1_2_1_37_1","volume-title":"The Frontiers of Meaning: Three informal Lectures on Music.","author":"Rosen C.","year":"1994","unstructured":"Rosen C. (1994). The Frontiers of Meaning: Three informal Lectures on Music. New York:Ed. Hill and Wang."},{"key":"e_1_2_1_38_1","volume-title":"Course in general linguistics","author":"Saussure F.","year":"1974","unstructured":"Saussure F. (1974). Course in general linguistics (Transl. Wade Baskin). London: Peter Owen. (v.o.: 1916)"},{"key":"e_1_2_1_39_1","volume-title":"The Aesthetic Understanding: Essays in the Philosophy of Art and Culture.","author":"Scruton R.","year":"1983","unstructured":"Scruton R. (1983). The Aesthetic Understanding: Essays in the Philosophy of Art and Culture. London: Methuen."},{"key":"e_1_2_1_40_1","volume-title":"The Roots of Thinking.","author":"Sheets-Johnstone M.","year":"1990","unstructured":"Sheets-Johnstone M. (1990). The Roots of Thinking. Philadelphia, PA: Temple University Press."},{"key":"e_1_2_1_41_1","volume-title":"Music as Social Text.","author":"Shepherd J.","year":"1991","unstructured":"Shepherd J. (1991). Music as Social Text. Cambridge: Polity Press and Oxford: Basil Blackwell Inc."},{"key":"e_1_2_1_42_1","volume-title":"Musicking: the meanings of performing and listening.","author":"Small C.","year":"1998","unstructured":"Small C. (1998). Musicking: the meanings of performing and listening. Hanover and London: Wesleyan University Press, University Press of New England."},{"key":"e_1_2_1_43_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203258156"},{"key":"e_1_2_1_44_1","doi-asserted-by":"publisher","DOI":"10.1177\/0305735601291006"},{"key":"e_1_2_1_45_1","doi-asserted-by":"publisher","DOI":"10.1177\/10298649000030S109"},{"key":"e_1_2_1_46_1","volume-title":"Mimesis as Make-Believe: On the Foundations of the Representational Arts.","author":"Walton K. L.","year":"1990","unstructured":"Walton K. L. (1990). Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge, MA and London, UK: Harvard University Press."},{"key":"e_1_2_1_47_1","first-page":"57","volume-title":"Music and Meaning","author":"Walton K. L.","year":"1997","unstructured":"Walton K. L. (1997). Listening with Imagination: Is Music representational? In Robinson J. (Ed.), Music and Meaning (pp. 57\u201382). New York: Cornell University Press."},{"key":"e_1_2_1_48_1","doi-asserted-by":"publisher","DOI":"10.1177\/102986499800200103"}],"container-title":["Studies in Psychology: Estudios de Psicolog\u00eda"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/journals.sagepub.com\/doi\/pdf\/10.1174\/021093908783781338","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/journals.sagepub.com\/doi\/pdf\/10.1174\/021093908783781338","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2026,1,6]],"date-time":"2026-01-06T03:13:38Z","timestamp":1767669218000},"score":1,"resource":{"primary":{"URL":"https:\/\/journals.sagepub.com\/doi\/10.1174\/021093908783781338"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2008,1]]},"references-count":47,"journal-issue":{"issue":"1","published-print":{"date-parts":[[2008,1]]}},"alternative-id":["10.1174\/021093908783781338"],"URL":"https:\/\/doi.org\/10.1174\/021093908783781338","relation":{},"ISSN":["0210-9395","1579-3699"],"issn-type":[{"type":"print","value":"0210-9395"},{"type":"electronic","value":"1579-3699"}],"subject":[],"published":{"date-parts":[[2008,1]]}}}