{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,7,9]],"date-time":"2026-07-09T12:13:59Z","timestamp":1783599239308,"version":"3.55.0"},"reference-count":84,"publisher":"SAGE Publications","license":[{"start":{"date-parts":[[2026,7,6]],"date-time":"2026-07-06T00:00:00Z","timestamp":1783296000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/"},{"start":{"date-parts":[[2026,7,6]],"date-time":"2026-07-06T00:00:00Z","timestamp":1783296000000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":["journals.sagepub.com"],"crossmark-restriction":true},"short-container-title":["Violence Against Women"],"abstract":"<jats:p>\n                    In 2021, Netflix released\n                    <jats:italic toggle=\"yes\">Clickbait<\/jats:italic>\n                    and\n                    <jats:italic toggle=\"yes\">The Guilty<\/jats:italic>\n                    , which both feature white men who are wrongfully accused of gender-based violence. The character trope of the wrongfully accused man is a staple in popular film and television but takes on a new meaning in the #MeToo era. This article argues that\n                    <jats:italic toggle=\"yes\">Clickbait<\/jats:italic>\n                    's and\n                    <jats:italic toggle=\"yes\">The Guilty<\/jats:italic>\n                    's use of this trope is created by perpetuating rape myths. Thus, they contribute to rape and domestic violence myth acceptance. Furthermore, it will demonstrate that their overall narratives show striking parallels with what Jennifer J.\n                    <jats:xref ref-type=\"bibr\">Freyd<\/jats:xref>\n                    coined as DARVO (Deny, Attack, Reverse Victim and Offender).\n                  <\/jats:p>","DOI":"10.1177\/10778012261465666","type":"journal-article","created":{"date-parts":[[2026,7,6]],"date-time":"2026-07-06T11:12:11Z","timestamp":1783336331000},"update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":0,"title":["Surprise, He's Innocent: The Character Trope of the Wrongfully Accused White Man in the #MeToo Era"],"prefix":"10.1177","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-4700-8515","authenticated-orcid":false,"given":"Cornelia","family":"Klecker","sequence":"first","affiliation":[{"name":"University of Innsbruck"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"179","published-online":{"date-parts":[[2026,7,6]]},"reference":[{"key":"e_1_3_4_2_1","doi-asserted-by":"publisher","DOI":"10.1093\/qje\/qjs014"},{"key":"e_1_3_4_3_1","doi-asserted-by":"publisher","DOI":"10.1177\/17496020221129516"},{"key":"e_1_3_4_4_1","unstructured":"Ayres R. White C. (Writers) & Anderson B. (Director). (2021a August 25). The sister (Season 1 Episode 1) [series episode]. In Clickbait. Netflix."},{"key":"e_1_3_4_5_1","unstructured":"Ayres T. White C. (Writers) & Freeman E. (Director) (2021b August 25). The detective (Season 1 Episode 2) [series episode]. In Clickbait. Netflix."},{"key":"e_1_3_4_6_1","unstructured":"Banet-Weiser S. (2015). Popular misogyny: A zeitgeist. 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