{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,9,5]],"date-time":"2026-09-05T03:54:49Z","timestamp":1788580489057,"version":"build-2803163510"},"reference-count":42,"publisher":"SAGE Publications","issue":"4","license":[{"start":{"date-parts":[[2023,6,21]],"date-time":"2023-06-21T00:00:00Z","timestamp":1687305600000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":["journals.sagepub.com"],"crossmark-restriction":true},"short-container-title":["Journal of Dance Medicine &amp; Science"],"published-print":{"date-parts":[[2023,12]]},"abstract":"<jats:sec>\n                    <jats:title>Introduction:<\/jats:title>\n                    <jats:p>Dancers have self-reported a link between spinal extension movements and low back pain (LBP). Researchers have not reported the total number or frequency that spinal movements occur in ballet, modern, or hip-hop dance classes or performances. The purpose of this study was to report the number of spinal movements dancers are exposed to in different dance environments.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Materials and Methods:<\/jats:title>\n                    <jats:p>We analyzed 65 dance videos on YouTube.com for dance movements within 7 dance environments: ballet class and performance, modern class and performance, and hip-hop breaking, ciphers (large groups), and battles (\u201c1v1s\u201d). Two reviewers recorded counts of spinal (spinal flexion, extension, lateral flexion, and rotation), impact (jumps, leaps, and falls), and partnering movements (lifts, catches, and leans). Data analyses were processed in Jamovi (the jamovi project, Sydney, Australia). We reported movement totals, percentages, frequency, ranges, means with standard deviations (SD), and medians with interquartile range (IQR). We calculated significant differences using Mann-Whitney U tests.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Results:<\/jats:title>\n                    <jats:p>Video length ranged from 3 to 141\u2009minutes (mean\u2009\u00b1\u2009SD: 38.4\u2009\u00b1\u200938.3, range: 138). the average spinal extension movements ranged from 2\u2009\u00b1\u20090.8 to 7\u2009\u00b1\u20099.6 movements per minute across genres. Modern dance class had the most spinal flexion (89\u2009\u00b1\u200953.6), rotation (60\u2009\u00b1\u200940.8), and lateral flexion (74\u2009\u00b1\u200920.7) movements. Ballet performance had the most spinal extension movements (77\u2009\u00b1\u200969.8), jumps (74\u2009\u00b1\u200948), and leaps (19\u2009\u00b1\u200918.2). Hip-hop breaking had the highest number of falling movements (2\u2009\u00b1\u20092.3). Partnering movements were only present in ballet performance, modern dance performance, and hip-hop breaking environments.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Conclusions:<\/jats:title>\n                    <jats:p>Movements that increase LBP occur often in all 3 dance genres. Dancers can expect frequent exposure to spinal extension movements; therefore, we recommend strengthening back and core musculature for all dancers. We recommend that ballet dancers also strengthen their lower extremity muscles. For modern dancers, we recommend strengthening their obliques. For hip-hop dancers, we recommend increasing muscular power and muscular endurance.<\/jats:p>\n                  <\/jats:sec>","DOI":"10.1177\/1089313x231178083","type":"journal-article","created":{"date-parts":[[2023,6,21]],"date-time":"2023-06-21T06:04:02Z","timestamp":1687327442000},"page":"203-221","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":3,"title":["Spinal Counts, Impact, and Partnering Movements in Ballet, Modern, and Hip Hop dance: A YouTube Video Analysis Study"],"prefix":"10.1177","volume":"27","author":[{"given":"Erica D.","family":"Henn","sequence":"first","affiliation":[{"name":"Institute of Human Sciences, University of Wolverhampton, Wolverhampton, UK"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Samantha","family":"Lanza","sequence":"additional","affiliation":[{"name":"Institute of Human Sciences, University of Wolverhampton, Wolverhampton, UK"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Jatin P.","family":"Ambegaonkar","sequence":"additional","affiliation":[{"name":"Sports Medicine Assessment, Research, and Testing Laboratory, George Mason University, Fairfax, VA, USA"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Tina","family":"Smith","sequence":"additional","affiliation":[{"name":"Institute of Human Sciences, University of Wolverhampton, Wolverhampton, UK"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Matthew","family":"Wyon","sequence":"additional","affiliation":[{"name":"Institute of Human Sciences, University of Wolverhampton, Wolverhampton, UK"},{"name":"National Institute of Dance Medicine and Science, Birmingham, UK"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"179","published-online":{"date-parts":[[2023,6,21]]},"reference":[{"key":"bibr1-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1007\/s00586-017-5432-9"},{"key":"bibr2-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.2519\/jospt.2019.8609"},{"key":"bibr3-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1016\/0268-0033(96)00010-1"},{"key":"bibr4-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1136\/aim.22.4.178"},{"key":"bibr5-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.12678\/1089-313X.17.4.170"},{"key":"bibr6-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1097\/00132585-200210010-00013"},{"key":"bibr7-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.2519\/jospt.1986.7.4.180"},{"key":"bibr8-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.12678\/1089-313X.091522d"},{"key":"bibr9-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1055\/s-2007-965158"},{"key":"bibr10-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1123\/ijspp.5.3.328"},{"key":"bibr11-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1177\/1089313X0901300405"},{"key":"bibr12-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1055\/s-0031-1279718"},{"key":"bibr13-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1177\/1089313X0500900102"},{"key":"bibr14-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1017\/CCO9781139775298.004"},{"key":"bibr15-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.1177\/1089313X1001400401"},{"key":"bibr16-1089313X231178083","doi-asserted-by":"publisher","DOI":"10.2519\/jospt.2012.3893"},{"key":"bibr17-1089313X231178083","unstructured":"YouTube.com. 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