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This conception equates creative work with property per se, eclipsing the previously dominant American framework of copyright as a monopoly limited in duration. This legal shift in turn ties in with a concentration in the American media and fear among media corporations that the internet will undermine their dominant market position. Yet this very media concentration removes such issues from broadcast debates, a fact that combines with the complex technical nature of Creative Commons\u2019 arguments to undermine public understanding of their position. By presenting a social history of the site and an overview of how it operates, the relation of the site\u2019s work to media concentration and the future of representative democracy is clarified. <\/jats:p>","DOI":"10.1177\/1461444809343081","type":"journal-article","created":{"date-parts":[[2009,11,25]],"date-time":"2009-11-25T04:08:56Z","timestamp":1259122136000},"page":"1307-1326","source":"Crossref","is-referenced-by-count":8,"title":["An information commons? 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