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Through textual analysis, dystopian concerns are shown to be motivated by shared normative preoccupations: that internet users are irresponsible, that they do not sufficiently value work, and that the pursuit of pleasure online interrupts and impedes users\u2019 desire and ability to become responsible subjects. Building on the antisocial thesis in queer theory and recent work on anxiety in affect studies, the article argues that dystopian anxieties work to produce discursive space for responsible subjecthood that readers are invited to occupy. In this way, it is proposed that digital dystopianism is not simply a descriptive project; it is also, and perhaps more fundamentally, a normative project linked to domination, insofar as it aims to reverse the transformations it describes, soliciting readers to assume responsibility for their bodies, minds, families, communities, and nations.<\/jats:p>","DOI":"10.1177\/1461444814547165","type":"journal-article","created":{"date-parts":[[2014,8,20]],"date-time":"2014-08-20T23:54:24Z","timestamp":1408578864000},"page":"784-799","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":7,"title":["Antisocial media: Digital dystopianism as a normative project"],"prefix":"10.1177","volume":"18","author":[{"given":"Greg","family":"Goldberg","sequence":"first","affiliation":[{"name":"Wesleyan University, USA"}]}],"member":"179","published-online":{"date-parts":[[2014,8,19]]},"reference":[{"key":"bibr1-1461444814547165","volume-title":"On Popular Music","author":"Adorno TW","year":"1942"},{"key":"bibr2-1461444814547165","doi-asserted-by":"publisher","DOI":"10.1177\/0263276404042133"},{"key":"bibr3-1461444814547165","unstructured":"Ahmed S (2004b) Declarations of whiteness: the non-performativity of anti-racism. borderlands 3(2). 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