{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,5,4]],"date-time":"2026-05-04T23:21:19Z","timestamp":1777936879208,"version":"3.51.4"},"reference-count":86,"publisher":"SAGE Publications","issue":"10","license":[{"start":{"date-parts":[[2017,7,12]],"date-time":"2017-07-12T00:00:00Z","timestamp":1499817600000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":["journals.sagepub.com"],"crossmark-restriction":true},"short-container-title":["New Media &amp; Society"],"published-print":{"date-parts":[[2017,10]]},"abstract":"<jats:p>What is the relationship between the \u2018haptic\u2019 and the \u2018tactile\u2019 when it comes to media? We might question whether there is such a thing as \u2018haptic media\u2019; in other words, is there a type of media that invite the attention of one modality rather than another, or that foster certain types of interaction over others? If we were to speak about \u2018haptic media\u2019, to what extent does it engage directly (only) with touch, and to what extent does it involve some form of enhancement of another modality? In what ways can haptic media appeal beyond the visuocentric norm of the screen, and therefore to non-normate or disabled users? Further, to what extent does the haptic in particular benefit from \u2018sensory substitution\u2019, which is most usually of touch for vision in assisted living technologies for the blind, or of sound for touch for the deaf, for example? Certain historical instances of sensory substitution systems are discussed below, including Norbert Wiener\u2019s \u2018hearing glove\u2019 and Bach-Y-Rita\u2019s tactile\u2013visual sensory substitution (TVSS) system, to make a larger argument about the role of haptic technologies, and haptic media, for more inclusive digital interactions.<\/jats:p>","DOI":"10.1177\/1461444817717513","type":"journal-article","created":{"date-parts":[[2017,9,29]],"date-time":"2017-09-29T05:10:33Z","timestamp":1506661833000},"page":"1541-1562","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":19,"title":["On haptic media and the possibilities of a more inclusive interactivity"],"prefix":"10.1177","volume":"19","author":[{"given":"Mark","family":"Paterson","sequence":"first","affiliation":[{"name":"University of Pittsburgh, USA"}]}],"member":"179","published-online":{"date-parts":[[2017,7,12]]},"reference":[{"key":"bibr1-1461444817717513","first-page":"1","volume-title":"Taking-Place: Non-Representational Theories and Geography","author":"Anderson B","year":"2010"},{"key":"bibr2-1461444817717513","first-page":"145","volume-title":"The Information Society","volume":"23","author":"Annable G","year":"2007"},{"key":"bibr3-1461444817717513","volume-title":"Brain Mechanisms in Sensory Substitution","author":"Bach-y-Rita P","year":"1972"},{"key":"bibr4-1461444817717513","volume-title":"Technologies of the Gendered Body: Reading Cyborg Women","author":"Balsamo A","year":"1996"},{"key":"bibr5-1461444817717513","doi-asserted-by":"publisher","DOI":"10.2752\/174589315X14161614601600"},{"key":"bibr6-1461444817717513","doi-asserted-by":"publisher","DOI":"10.1525\/9780520943902"},{"key":"bibr7-1461444817717513","volume-title":"The Florentine Painters of the Renaissance","author":"Berenson B","year":"1896"},{"key":"bibr8-1461444817717513","doi-asserted-by":"publisher","DOI":"10.1353\/tae.2012.0000"},{"key":"bibr9-1461444817717513","doi-asserted-by":"publisher","DOI":"10.1177\/1470412906066906"},{"key":"bibr10-1461444817717513","volume-title":"Art, Museums and Touch","author":"Candlin F","year":"2010"},{"key":"bibr11-1461444817717513","doi-asserted-by":"publisher","DOI":"10.1093\/acprof:oso\/9780199832798.003.0018"},{"key":"bibr12-1461444817717513","unstructured":"Davies C (2000) On Osmose. 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