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In sociology, these classifications are understood predominantly through a Bourdieusian lens, which links cultural consumption to habitus and a class-based struggle for distinction. However, people\u2019s engagement with institutionalized cultural classifications may be expressed differently on the Internet, where a culture of hierarchy-free equality is (sometimes) idealized. Using digital trace data from a representative sample of 280 user-generated reviews of four London cultural organizations, we find that reviewers are concerned with practical issues over cultural content, displaying a popular orientation to cultural consumption (an \u201caudience-focus\u201d or an \u201cembodied\u201d approach). A very small minority of reviewers claim status honor on a variety of bases, including symbolic mastery of traditional cultural capital. Overall, we find an online space in the cultural sphere in which cultural hierarchies are not relevant. <\/jats:p>","DOI":"10.1177\/1461444818769448","type":"journal-article","created":{"date-parts":[[2018,4,26]],"date-time":"2018-04-26T09:33:43Z","timestamp":1524735223000},"page":"4218-4236","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":18,"title":["Digital traces of distinction? 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