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It contrasts the Lovelace Effect with the more commonly known \u2018Lovelace objection\u2019, which claims that computers cannot originate or create anything, but only do what their programmers instruct them to do. By analysing the case study of AICAN \u2013 an AI art-generating system \u2013 we argue for the need for approaches in computational creativity to shift focus from what computers are able to do in ontological terms to the perceptions of human users who enter into interactions with them. The case study illuminates how the Lovelace effect can be facilitated through technical but also through representational means, such as the situations and cultural contexts in which users are invited to interact with the AI.<\/jats:p>","DOI":"10.1177\/14614448221077278","type":"journal-article","created":{"date-parts":[[2022,3,4]],"date-time":"2022-03-04T07:56:51Z","timestamp":1646380611000},"page":"1909-1926","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":53,"title":["The Lovelace effect: Perceptions of creativity in machines"],"prefix":"10.1177","volume":"26","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-1962-2398","authenticated-orcid":false,"given":"Simone","family":"Natale","sequence":"first","affiliation":[{"name":"University of Turin, Italy; Loughborough University, UK"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-8008-2373","authenticated-orcid":false,"given":"Leah","family":"Henrickson","sequence":"additional","affiliation":[{"name":"University of Leeds, UK"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"179","published-online":{"date-parts":[[2022,3,4]]},"reference":[{"key":"bibr1-14614448221077278","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/9014.001.0001"},{"key":"bibr2-14614448221077278","doi-asserted-by":"publisher","DOI":"10.1007\/s11023-008-9094-6"},{"key":"bibr3-14614448221077278","unstructured":"AICAN and Elgammal A (2019) Artist\u2019s statement. 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