{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,5,1]],"date-time":"2026-05-01T14:41:12Z","timestamp":1777646472086,"version":"3.51.4"},"reference-count":23,"publisher":"SAGE Publications","issue":"6","license":[{"start":{"date-parts":[[2014,9,4]],"date-time":"2014-09-04T00:00:00Z","timestamp":1409788800000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":["journals.sagepub.com"],"crossmark-restriction":true},"short-container-title":["Games and Culture"],"published-print":{"date-parts":[[2014,11]]},"abstract":"<jats:p>This essay looks at the nexus of rhythm, gesture, and time to argue that play has a systematicity of its own, separate from that of games, which rarely comes to our attention. It constructs a genealogy by following the idea of a to-and-fro motion characterizing play through Huizinga\u2019s Homo Ludens, to Gadamer\u2019s Truth and Method, and finally to Nicolas Abraham\u2019s essays on the phenomenology of rhythm. By looking at play as a selection of game acts, it is understood as having a style of its own that opens it up to microanalysis and interpretation. By opening up new rhythms and new ways of comporting one\u2019s body, play is understood to have a radical connection with the experience of time, and the analysis ends with some speculation on the nature of their relation.<\/jats:p>","DOI":"10.1177\/1555412014549192","type":"journal-article","created":{"date-parts":[[2014,9,5]],"date-time":"2014-09-05T00:49:45Z","timestamp":1409878185000},"page":"480-490","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":5,"title":["For Every to There Is a fro"],"prefix":"10.1177","volume":"9","author":[{"given":"Peter","family":"McDonald","sequence":"first","affiliation":[{"name":"Department of English Language and Literature, University of Chicago, Chicago, IL, USA"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"179","published-online":{"date-parts":[[2014,9,4]]},"reference":[{"key":"bibr1-1555412014549192","first-page":"45","volume-title":"First person: New media as performance, story, and game","author":"Aarseth E.","year":"2004"},{"key":"bibr2-1555412014549192","first-page":"pp. 107","volume-title":"Rhythms: On the work, translation, and psychoanalysis","author":"Abraham N.","year":"1995"},{"key":"bibr3-1555412014549192","first-page":"65","volume-title":"Rhythms: On the work, translation, and psychoanalysis","author":"Abraham N.","year":"1995"},{"key":"bibr4-1555412014549192","volume-title":"Precarious rhapsody: Semiocapitalism and the pathologies of the post-alpha generation","author":"Berardi F.","year":"2009"},{"key":"bibr5-1555412014549192","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/3229.001.0001"},{"key":"bibr6-1555412014549192","first-page":"296","volume-title":"Behavioral development: The Bielefeld interdisciplinary project","author":"Byers J.","year":"1981"},{"key":"bibr7-1555412014549192","unstructured":"Eskelinen M. (2001). The gaming situation. Game Studies, 1. 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W.","year":"1966"},{"key":"bibr21-1555412014549192","volume-title":"The ambiguity of play","author":"Sutton-Smith B.","year":"1997"},{"key":"bibr22-1555412014549192","doi-asserted-by":"publisher","DOI":"10.1093\/past\/38.1.56"},{"key":"bibr23-1555412014549192","doi-asserted-by":"publisher","DOI":"10.4159\/9780674044838"},{"key":"bibr24-1555412014549192","doi-asserted-by":"publisher","DOI":"10.1007\/BF02331805"}],"container-title":["Games and Culture"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/journals.sagepub.com\/doi\/pdf\/10.1177\/1555412014549192","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/journals.sagepub.com\/doi\/full-xml\/10.1177\/1555412014549192","content-type":"application\/xml","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/journals.sagepub.com\/doi\/pdf\/10.1177\/1555412014549192","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2026,4,29]],"date-time":"2026-04-29T06:35:22Z","timestamp":1777444522000},"score":1,"resource":{"primary":{"URL":"https:\/\/journals.sagepub.com\/doi\/10.1177\/1555412014549192"}},"subtitle":["Interpreting Time, Rhythm, and Gesture in Play"],"short-title":[],"issued":{"date-parts":[[2014,9,4]]},"references-count":23,"journal-issue":{"issue":"6","published-print":{"date-parts":[[2014,11]]}},"alternative-id":["10.1177\/1555412014549192"],"URL":"https:\/\/doi.org\/10.1177\/1555412014549192","relation":{},"ISSN":["1555-4120","1555-4139"],"issn-type":[{"value":"1555-4120","type":"print"},{"value":"1555-4139","type":"electronic"}],"subject":[],"published":{"date-parts":[[2014,9,4]]}}}