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It argues that while the variations in Mahjong can be described as sitting together in a family resemblance, the specificities of the technologies and the sociocultural contexts involved give rise to new kinds of playful practices that are not reducible to the \u201ctransmedial Mahjong\u201d but whose understanding nevertheless necessitates knowledge of the rules and conventions of Mahjong. This not only casts critical light on how the \u201cludological\u201d paradigm of game studies has defined its object of study but also prompts reconsideration of the role of technology when applying perspectives that emphasize the processual nature of games.<\/jats:p>","DOI":"10.1177\/1555412017721840","type":"journal-article","created":{"date-parts":[[2018,2,1]],"date-time":"2018-02-01T12:11:36Z","timestamp":1517487096000},"page":"639-659","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":6,"title":["From Manual to Automated to Digital: On Transmediality, Technological Specificity, and Playful Practice in Mahjong"],"prefix":"10.1177","volume":"14","author":[{"given":"Hanna","family":"Wirman","sequence":"first","affiliation":[{"name":"School of Design, The Hong Kong Polytechnic University, Hung Hom, Hong Kong"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-6885-0269","authenticated-orcid":false,"given":"Olli Tapio","family":"Leino","sequence":"additional","affiliation":[{"name":"School of Creative Media, City University of Hong Kong, Kowloon Tong, Hong Kong"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"179","published-online":{"date-parts":[[2017,7,30]]},"reference":[{"key":"bibr1-1555412017721840","first-page":"1","volume":"17","author":"Aarseth E.","year":"2003","journal-title":"Fine Art Forum"},{"key":"bibr2-1555412017721840","first-page":"60","volume-title":"DIGAREC Keynote-Lectures 2009\/10. 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