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A unique theoretical intervention in the discourses of posthumanism and deconstruction, this essay carves out a coenesthetic intervention into the malleability of the human shape and reimagines how Game and Media Studies can equip us to analyze the relationships between self and other, bodily modification, prosthetics, and violence. Playing out the threat of agential uncertainty and destabilizing the safe markers of self and other through which life and bodies define themselves in media, the series establishes a\n                    <jats:italic toggle=\"yes\">Geschlecht<\/jats:italic>\n                    , a genre and community all its own, but one predicated upon the disorganization and defamiliarization of subjectivity.\n                  <\/jats:p>","DOI":"10.1177\/15554120241226828","type":"journal-article","created":{"date-parts":[[2024,1,19]],"date-time":"2024-01-19T01:55:24Z","timestamp":1705629324000},"page":"898-915","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":0,"title":["\u201cAs if Possessed by a Demon\u201d: Subjectivity, Possession, and Undeadness in\n                    <i>Metal Gear Solid<\/i>"],"prefix":"10.1177","volume":"20","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-0608-5063","authenticated-orcid":false,"given":"Steven","family":"Kielich","sequence":"first","affiliation":[{"name":"University at Buffalo"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-5629-8147","authenticated-orcid":false,"given":"Chris","family":"Hall","sequence":"additional","affiliation":[{"name":"University of the Ozarks"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"179","published-online":{"date-parts":[[2024,1,18]]},"reference":[{"key":"e_1_3_3_2_1","doi-asserted-by":"publisher","DOI":"10.1515\/9780804764025"},{"key":"e_1_3_3_3_1","volume-title":"The open: Man and animal","author":"Agamben G.","year":"2004","unstructured":"Agamben G. 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