{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,30]],"date-time":"2026-04-30T10:37:10Z","timestamp":1777545430285,"version":"3.51.4"},"reference-count":46,"publisher":"SAGE Publications","issue":"1","license":[{"start":{"date-parts":[[2014,7,14]],"date-time":"2014-07-14T00:00:00Z","timestamp":1405296000000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":["journals.sagepub.com"],"crossmark-restriction":true},"short-container-title":["Cultural Sociology"],"published-print":{"date-parts":[[2015,3]]},"abstract":"<jats:p>Over the last three decades, Iceland\u2019s reputation has been increasingly tied to the prominence of its popular music. Associated with an effervescent independent scene and the global successes of the band Sigur R\u00f3s and the singer Bj\u00f6rk, the country has been positioned as one of the world\u2019s most vibrant cultural hotspots. With particular reference to Reykjav\u00edk, the paper aims to show how the city\u2019s spatial configuration favours the development of dense creative networks and attendant forms of knowledge, conflict, diversity and collaboration. It assesses the integrative nature of music education on the island, the formation of a small but influential punk scene and the global marketing of the country\u2019s music through an agile cluster of cultural agencies and intermediaries. Getting a sense of the city\u2019s routine musical practices, it will be argued, opens an aperture on the location of place-based musics within prevailing social and economic conditions.<\/jats:p>","DOI":"10.1177\/1749975514534219","type":"journal-article","created":{"date-parts":[[2014,7,14]],"date-time":"2014-07-14T23:14:27Z","timestamp":1405379667000},"page":"81-98","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":25,"title":["\u2018It\u2019s A Social Thing, Not a Nature Thing\u2019: Popular Music Practices in Reykjav\u00edk, Iceland"],"prefix":"10.1177","volume":"9","author":[{"given":"Nick","family":"Prior","sequence":"first","affiliation":[{"name":"University of Edinburgh, UK"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"179","published-online":{"date-parts":[[2014,7,14]]},"reference":[{"key":"bibr1-1749975514534219","volume-title":"Modernity at Large: Disjuncture and Difference in the Global Cultural Economy","author":"Appadurai A","year":"1990"},{"key":"bibr2-1749975514534219","volume-title":"Arts and Cultural Education in Iceland","author":"Bamford A","year":"2009"},{"key":"bibr3-1749975514534219","first-page":"11","volume":"37","author":"Barrett C","year":"2008","journal-title":"Music Week"},{"key":"bibr4-1749975514534219","doi-asserted-by":"publisher","DOI":"10.2307\/2094151"},{"key":"bibr5-1749975514534219","volume-title":"Art Worlds","author":"Becker H","year":"1982"},{"key":"bibr6-1749975514534219","doi-asserted-by":"publisher","DOI":"10.1007\/s11206-006-9018-2"},{"key":"bibr7-1749975514534219","doi-asserted-by":"publisher","DOI":"10.2307\/j.ctv17vf74v"},{"key":"bibr8-1749975514534219","unstructured":"Bollasson A (2013) Precession of hipsters. 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