{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,3,3]],"date-time":"2025-03-03T05:34:29Z","timestamp":1740980069143,"version":"3.38.0"},"reference-count":22,"publisher":"SAGE Publications","issue":"4","license":[{"start":{"date-parts":[[1999,8,1]],"date-time":"1999-08-01T00:00:00Z","timestamp":933465600000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Theory, Culture &amp; Society"],"published-print":{"date-parts":[[1999,8]]},"abstract":"<jats:p> The so-called New Music in Europe after the Second World War was based on the idea of progress, similar to technological progress and related to it, and aimed at a complete rationalization of composing. The ideal of music as autopoiesis, which appeared in the 1950s, became inherent to this development. It supposed a kind of communication on music as a reified object, which opposed music making and listening as communication between partners. Separated from the life-world and conceived as a self-referential system, New Music should represent not only the logical achievement of the historical development of European music, but also the superiority of Western musical thought in the more developed countries (like the USA, France, West Germany) over the music cultures of the world. Therefore, the integral serialism, which should rule the musical composition, became a form of symbolic power within the musical field, in correspondence with similar forms of domination within the economic, political and technological fields. However, some European composers rejected this trend and tried to find an alternative to aestheticism by means of political engagement. For instance, the Italian composer Luigi Nono (1924-90) explores the dialectic between subject and object, technological development and critique of technology, avant-garde and critique of progress, globalization and anti-imperialistic resistance. In his strategy, in which Gramsci's and Walter Benjamin's thought played an important role, aesthetics became inseparable from politics. His search for identity as a composer transforms the tragedy of listening into an allegory of human condition. <\/jats:p>","DOI":"10.1177\/02632769922050746","type":"journal-article","created":{"date-parts":[[2003,7,19]],"date-time":"2003-07-19T10:11:42Z","timestamp":1058609502000},"page":"127-135","source":"Crossref","is-referenced-by-count":7,"title":["`New Music' between Search for Identity and Autopoiesis"],"prefix":"10.1177","volume":"16","author":[{"given":"M\u00e1rio Vieira","family":"de Carvalho","sequence":"first","affiliation":[]}],"member":"179","published-online":{"date-parts":[[1999,8,1]]},"reference":[{"volume-title":"Introduction to the Sociology of Music","author":"Adorno, Theodor W.","key":"atypb1"},{"key":"atypb2","first-page":"79","volume":"77","author":"Adorno, Theodor W.","year":"1988","journal-title":"Telos"},{"volume-title":"The Dialectic of the Enlightenment","author":"Adorno, Theodor W.","key":"atypb3"},{"first-page":"255","volume-title":"Illuminations","author":"Benjamin, Walter","key":"atypb4"},{"key":"atypb5","doi-asserted-by":"publisher","DOI":"10.2307\/764020"},{"first-page":"112","volume-title":"Identity and Structure: Issues in the Sociology of Education","author":"Bourdieu, Pierre","key":"atypb6"},{"volume-title":"The Dialectic of Seeing: Walter Benjamin and the Arcades Project","author":"Buck-Morss, Susan","key":"atypb7"},{"volume-title":"Antonio Gramsci: Beyond Marxism and Postmodernism","author":"Holub, Renate","key":"atypb8"},{"key":"atypb9","doi-asserted-by":"publisher","DOI":"10.1177\/026327691008004001"},{"volume-title":"Soziale Systeme: Grundri\u00df einer allgemeinen Theorie","author":"Luhmann, Niklas","key":"atypb10"},{"volume-title":"Die Kunst der Gesellschaft","author":"Luhmann, Niklas","key":"atypb11"},{"first-page":"121","volume-title":"Autopoiesis","author":"Maturana, Humberto R.","key":"atypb12"},{"key":"atypb13","unstructured":"Nono, Luigi (1968) `Antworten auf f\u00fcnf Fragen von Francesco Degrada', pp. 195-7 in Luigi Nono, Texte: Studien zu seiner Musik, edited by J\u00fcrg Stenzl. Z\u00fcrich: Atlantis, 1975."},{"key":"atypb14","unstructured":"Nono, Luigi (1969a) `Gespr\u00e4ch mit Hansj\u00f6rg Pauli', in Luigi Nono, Texte, Studien zu seiner Musik, edited by J\u00fcrg Stenzl. Z\u00fcrich: Atlantis, 1975."},{"key":"atypb15","unstructured":"Nono, Luigi (1969b) `Gespr\u00e4ch mit der Zeitschrift Rocinante', pp. 210-17 in Luigi Nono, Texte: Studien zu seiner Musik, edited by J\u00fcrg Stenzl. Z\u00fcrich: Atlantis, 1975."},{"volume-title":"Spaces of Culture: City, Nation, World","author":"Santos, Boaventura de Sousa","key":"atypb16"},{"key":"atypb17","unstructured":"Vieira de Carvalho, M\u00e1rio (1994) `Aesthetic Autonomy and Modernity from Enlightenment to New Music', paper presented at the XIIIth World Congress of Sociology, Bielefeld, July 1994 (RC 37, Sociology of Music)."},{"key":"atypb18","doi-asserted-by":"crossref","unstructured":"Vieira de Carvalho, M\u00e1rio (1995a) `From Opera to \u201cSoap Opera\u201d: On Civilizing Processes, the Dialectic of Enlightenment and Postmodernity', Theory, Culture & Society 12(2): 41-61.","DOI":"10.1177\/026327695012002003"},{"volume-title":"lecture given at King's College","author":"Vieira de Carvalho, M\u00e1rio","key":"atypb19"},{"key":"atypb20","unstructured":"Vieira de Carvalho, M\u00e1rio (1996a) `No hay cami\u00f1os? \u2014 Luigi Nonos Verh\u00e4ltnis zur Geschichte', pp. 187-219 in Das aufgesprengte Kontinuum: \u00dcber die Geshichtsf\u00e4-higkeit der Musik (Studien zur Wertungsforschung, vol. 31), edited by Otto Kolleristch. Graz and Vienna: Institut f\u00fcr Wertungsforschung and Universal Editions."},{"key":"atypb21","doi-asserted-by":"publisher","DOI":"10.1080\/07494469900640191"},{"key":"atypb22","unstructured":"Vieira de Carvalho, M\u00e1rio (1996c) `Neither Prometheus is Dead, nor History at the End: An Approach to Luigi Nono', in Folia Sociologica, edited by Kazimier Kowalewicz, L\u00f3dz [in print]."}],"container-title":["Theory, Culture &amp; Society"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/journals.sagepub.com\/doi\/pdf\/10.1177\/02632769922050746","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/journals.sagepub.com\/doi\/pdf\/10.1177\/02632769922050746","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,3,2]],"date-time":"2025-03-02T09:53:52Z","timestamp":1740909232000},"score":1,"resource":{"primary":{"URL":"https:\/\/journals.sagepub.com\/doi\/10.1177\/02632769922050746"}},"subtitle":["Or, the `Tragedy of Listening'"],"short-title":[],"issued":{"date-parts":[[1999,8]]},"references-count":22,"journal-issue":{"issue":"4","published-print":{"date-parts":[[1999,8]]}},"alternative-id":["10.1177\/02632769922050746"],"URL":"https:\/\/doi.org\/10.1177\/02632769922050746","relation":{},"ISSN":["0263-2764","1460-3616"],"issn-type":[{"type":"print","value":"0263-2764"},{"type":"electronic","value":"1460-3616"}],"subject":[],"published":{"date-parts":[[1999,8]]}}}