{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,2,27]],"date-time":"2026-02-27T04:57:35Z","timestamp":1772168255400,"version":"3.50.1"},"reference-count":186,"publisher":"Duke University Press","isbn-type":[{"value":"9780822354116","type":"print"},{"value":"9780822399698","type":"electronic"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2013]]},"DOI":"10.1215\/9780822399698-021","type":"book-chapter","created":{"date-parts":[[2013,11,20]],"date-time":"2013-11-20T01:45:47Z","timestamp":1384911947000},"page":"130-138","source":"Crossref","is-referenced-by-count":0,"title":["A Queer and Present Danger"],"prefix":"10.1215","member":"73","reference":[{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r1","doi-asserted-by":"crossref","DOI":"10.1515\/9781474463768","volume-title":"The New Queer Cinema: A Critical Reader","author":"Aaron","year":"2004"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r2","unstructured":"A\u00efnouzKarim. \u201cInterview with Tania Cypriano.\u201d Bomb102 (Winter2008). Available at http:\/\/bombsite.com\/issues\/102\/articles\/3046."},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r3","volume-title":"Teatro de cabaret: Imaginarios disidentes","author":"Alzate","year":"2002"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r4","doi-asserted-by":"crossref","first-page":"126","DOI":"10.1057\/fr.1989.12","article-title":"Sex in the Summer of \u201988","volume":"31","author":"Ardill","year":"1989","journal-title":"Feminist Review"},{"issue":"3\u20134","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r5","first-page":"521","article-title":"Interview with Terry Castle","volume":"3","author":"Arnzen","year":"1997","journal-title":"Paradoxa: Studies in World Literary Genres"},{"issue":"3\u20134","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r6","article-title":"The Return of the Uncanny","volume":"3","author":"Arnzen","year":"1997","journal-title":"Paradoxa: Studies in World Literary Genres"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r7","doi-asserted-by":"crossref","first-page":"203","DOI":"10.1093\/fs\/kni139","article-title":"Meat, Murder, Metamorphosis: The Transformational Ethics of Fran\u00e7ois Ozon","volume":"59","author":"Asibong","year":"2005","journal-title":"French Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r8","volume-title":"How Do I Look? Queer Film and Video","author":"Bad Object-Choices Collective","year":"1991"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r9","volume-title":"The Dialogic Imagination: Four Essays","author":"Bakhtin","year":"1981"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r10","volume-title":"Rabelais and His World","author":"Bakhtin","year":"1968"},{"issue":"4","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r11","doi-asserted-by":"crossref","first-page":"56","DOI":"10.1080\/00043249.1996.10791786","article-title":"Corporal Evidence: Representations of Aileen Wuornos","volume":"55","author":"Basilio","year":"1996","journal-title":"Art Journal"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r12","volume-title":"North of Everything: English-Canadian Cinema since 1980","author":"Beard","year":"2002"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r13","unstructured":"BenshoffHarry M. \u201cMilk and Gay Political History.\u201d Jump Cut: A Review of Contemporary Media51 (Spring2009). Available at http:\/\/www.ejumpcut.org\/archive\/jc51.2009\/Milk\/."},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r14","volume-title":"Queer Cinema: The Film Reader","author":"Benshoff","year":"2004"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r15","volume-title":"Moving Targets: Women, Crime and Representation","author":"Birch","year":"1994"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r16","article-title":"Sleeping Beauty","volume-title":"Beginning with O","author":"Broumas","year":"1977"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r17","doi-asserted-by":"crossref","DOI":"10.4159\/9780674028944","volume-title":"Citizenship and Nationhood in France and Germany","author":"Brubaker","year":"1992"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r18","volume-title":"Matilde Landeta, hija de la Revoluci\u00f3n","author":"Burton-Carvajal","year":"2003"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r19","volume-title":"Gender Trouble: Feminism and the Subversion of Identity","author":"Butler","year":"1990"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r20","volume-title":"aids in French Culture: Social Ills, Literary Cures","author":"Caron","year":"2001"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r21","doi-asserted-by":"crossref","first-page":"265","DOI":"10.1215\/10642684-11-2-265","article-title":"My Father and I: Jewishness, Queerness, and the Marais","volume":"11","author":"Caron","year":"2005","journal-title":"glq: A Journal of Lesbian and Gay Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r22","volume-title":"My Father and I: The Marais and the Queerness of Community","author":"Caron","year":"2009"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r23","volume-title":"The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny","author":"Castle","year":"1995"},{"issue":"4","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r24","doi-asserted-by":"crossref","first-page":"571","DOI":"10.2307\/40147594","article-title":"A Last Interview with Manuel Puig","volume":"65","author":"Christ","year":"1991","journal-title":"World Literature Today"},{"issue":"4","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r25","first-page":"62","article-title":"I Scream, You Scream: Tom\u00e1s Guti\u00e9rrez Alea\u2019s Film \u2018Strawberry and Chocolate","volume":"33","author":"Chua","year":"1994","journal-title":"Artforum International"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r26","unstructured":"ChuaLawrence. \u201cInterview with Shu Lea Cheang.\u201d Bomb54 (Winter1996). Available at http:\/\/bombsite.com\/issues\/54\/articles\/1915."},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r27","volume-title":"Critical Visions in Film Theory: Classic and Contemporary Readings","author":"Corrigan","year":"2010"},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r28","doi-asserted-by":"crossref","first-page":"459","DOI":"10.1353\/tj.2004.0089","article-title":"Latin American Performance Studies: Random Acts or Critical Moves?","volume":"56","author":"Costantino","year":"2004","journal-title":"Theatre Journal"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r29","doi-asserted-by":"crossref","first-page":"105","DOI":"10.1215\/10642684-2006-020","article-title":"Brokeback: The Parody","volume":"13","author":"Creekmur","year":"2007","journal-title":"glq: A Journal of Lesbian and Gay Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r30","volume-title":"Transgender Rights","author":"Currah","year":"2006"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r31","volume-title":"Mala Noche and Other \u201cIllegal\u201dAdventures","author":"Curtis","year":"1997"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r32","doi-asserted-by":"crossref","first-page":"177","DOI":"10.1111\/j.1470-9856.1996.tb00029.x","article-title":"Recent Cuban Fiction Films: Identification, Interpretation, Disorder","volume":"15","author":"Davies","year":"1996","journal-title":"Bulletin of Latin American Research"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r33","unstructured":"de la MoraSergio. \u201cChili in Your Eyes: La Pasi\u00f3n According to Ximena Cuevas.\u201d Senses of Cinema, January9, 2000. Available at http:\/\/sensesofcinema.com\/2000\/feature-articles\/chilli\/."},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r34","doi-asserted-by":"crossref","DOI":"10.7560\/712966","volume-title":"Cinemachismo: Masculinities and Sexuality in Mexican Film","author":"de la Mora","year":"2006"},{"issue":"3\u20134","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r35","first-page":"90","article-title":"Fascinating Machismo: Toward an Unmasking of Heterosexual Masculinity in Arturo Ripstein\u2019s El lugar sin l\u00edmites","volume":"44","author":"de la Mora","year":"1992\u201393","journal-title":"Journal of Film and Video"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r36","first-page":"102","article-title":"Mexican Experimental Cinema and Ximena Cuevas","volume":"43","author":"de la Mora","year":"2000","journal-title":"Jump Cut: A Review of Contemporary Media"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r37","article-title":"Por un amor: Lucha Reyes and Queer Mexican Cultural Nationalism","author":"de la Mora","year":"2009"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r38","doi-asserted-by":"crossref","first-page":"154","DOI":"10.2307\/488343","article-title":"Aesthetic and Feminist Theory: Rethinking Women\u2019s Cinema","volume":"34","author":"de Lauretis","year":"1985","journal-title":"New German Critique"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r39","article-title":"Film and the Visible","volume-title":"How Do I Look? Queer Film and Video","author":"de Lauretis","year":"1991"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r40","doi-asserted-by":"crossref","first-page":"6","DOI":"10.1093\/screen\/31.1.6","article-title":"Guerrilla in the Midst: Women\u2019s Cinema in the \u201980s","volume":"31","author":"de Lauretis","year":"1990","journal-title":"Screen"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r41","doi-asserted-by":"crossref","DOI":"10.1215\/10407391-3-2-iii","article-title":"Queer Theory: Lesbian and Gay Sexualities","volume":"3","author":"de Lauretis","year":"1991","journal-title":"Differences"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r42","volume-title":"Intimate Matters: A History of Sexuality in America","author":"D\u2019Emilio","year":"1988"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r43","volume-title":"Stonewall","author":"Duberman","year":"1994"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r44","doi-asserted-by":"crossref","DOI":"10.1215\/9780822381013","volume-title":"Sapphic Slashers: Sex, Violence and American Modernity","author":"Duggan","year":"2000"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r45","volume-title":"The Twilight of Equality? Neoliberalism, Cultural Politics, and the Attack on Democracy","author":"Duggan","year":"2004"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r46","volume-title":"Now You See It: Studies in Lesbian and Gay Film","author":"Dyer","year":"2003","edition":"2"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r47","volume-title":"Backlash: The Undeclared War against American Women","author":"Faludi","year":"1991"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r48","doi-asserted-by":"crossref","first-page":"215","DOI":"10.1215\/08992363-13-2-215","article-title":"Same Sex, Different Politics: \u2018Gay Marriage\u2019 Debates in France and the United States","volume":"13","author":"Fassin","year":"2001","journal-title":"Public Culture"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r49","volume-title":"Philosophies of Integration: Immigration and the Idea of Citizenship in France and Britain","author":"Favell","year":"1998"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r50","volume-title":"Transgender Liberation: A Movement Whose Time Has Come","author":"Feinberg","year":"1992"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r51","volume-title":"Transgender Warriors: Making History from Joan of Arc to Dennis Rodman","author":"Feinberg","year":"1997"},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r52","doi-asserted-by":"crossref","first-page":"651","DOI":"10.2307\/3115140","article-title":"Blood Justice: Courts, Conflict, and Compensation in Japan, France, and the United States","volume":"34","author":"Feldman","year":"2000","journal-title":"Law and Society Review"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r53","article-title":"The Logic of Folly in the Political Campaigns of Harvey Milk","volume-title":"Queer Words, Queer Images","author":"Foss","year":"1994"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r54","doi-asserted-by":"crossref","DOI":"10.7560\/705364","volume-title":"Queer Issues in Contemporary Latin American Cinema","author":"Foster","year":"2003"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r55","article-title":"Feminism, Rabelais, and the Hill\/Thomas Hearings: Return to a Scene of Reading","volume-title":"Fran\u00e7ois Rabelais: Critical Assessments","author":"Freccero","year":"1995"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r56","doi-asserted-by":"crossref","first-page":"454","DOI":"10.1086\/340875","article-title":"They Are All Sodomites!","volume":"28","author":"Freccero","year":"2002","journal-title":"Signs: Journal of Women in Culture and Society"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r57","volume-title":"Inside Out: Lesbian Theories, Gay Theories","author":"Fuss","year":"1991"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r58","doi-asserted-by":"crossref","first-page":"55","DOI":"10.1177\/0957155805049566","article-title":"Screening Autobiography: Cyril Collard\u2019s Nuits Fauves","volume":"16","author":"Gabara","year":"2005","journal-title":"French Cultural Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r59","volume-title":"Entertaining Lesbians: Celebrity, Sexuality, and Self-Invention","author":"Gever","year":"2003"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r60","article-title":"Pictures of Sickness: Stuart Marshall\u2019s Bright Eyes","volume-title":"Queer Looks: Perspectives on Lesbian and Gay Film and Video","author":"Gever","year":"1993"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r61","volume-title":"Queer Looks: Perspectives on Lesbian and Gay Film and Video","author":"Gever","year":"1993"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r62","doi-asserted-by":"crossref","first-page":"28","DOI":"10.1353\/cj.2001.0019","article-title":"Zero Patience, Genre, Difference, and Ideology: Singing and Dancing Queer Nation","volume":"41","author":"Gittings","year":"2001","journal-title":"Cinema Journal"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r63","volume-title":"Parker and Hulme: A Lesbian View","author":"Glamuzina","year":"1995"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r64","volume-title":"In a Queer Country: Gay and Lesbian Studies in the Canadian Context","author":"Goldie","year":"2002"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r65","volume-title":"The Gilda Stories, a Novel","author":"Gomez","year":"1991"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r66","doi-asserted-by":"crossref","DOI":"10.7208\/chicago\/9780226305318.001.0001","volume-title":"Moving Politics: Emotion and actup\u2019s Fight against aids","author":"Gould","year":"2009"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r67","volume-title":"Branding New York: How a City in Crisis Was Sold to the World","author":"Greenberg","year":"2008"},{"issue":"5","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r68","doi-asserted-by":"crossref","first-page":"805","DOI":"10.1097\/00002030-200403260-00013","article-title":"hiv Risk and Condom Use in the Adult Heterosexual Population in France between 1992 and 2001: Return to the Starting Point?","volume":"18","author":"Gr\u00e9my","year":"2004","journal-title":"aids"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r69","volume-title":"Bitches, Bimbos, and Ballbreakers: The Guerrilla Girls\u2019 Illustrated Guide to Female Stereotypes","author":"Guerrilla","year":"2003"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r70","volume-title":"The Guerrilla Girls\u2019 Bedside Companion to the History of Western Art","author":"Guerrilla","year":"1998"},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r71","doi-asserted-by":"crossref","first-page":"340","DOI":"10.1353\/sex.2005.0009","article-title":"Building a More Stately Closet: French Gay Movements Since the Early 1980s","volume":"13","author":"Gunther","year":"2004","journal-title":"Journal of the History of Sexuality"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r72","doi-asserted-by":"crossref","first-page":"73","DOI":"10.1080\/14680770120042873","article-title":"Reframing the Retablo: Mexican Feminist Critical Practice in Ximena Cuevas\u2019 Coraz\u00f3n Sangrante","volume":"1","author":"Guti\u00e9rrez","year":"2001","journal-title":"Feminist Media Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r73","doi-asserted-by":"crossref","DOI":"10.2307\/j.ctv11hpjb1","volume-title":"Female Masculinity","author":"Halberstam","year":"1998"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r74","volume-title":"In a Queer Time and Place: Transgender Bodies, Subcultural Lives","author":"Halberstam","year":"2005"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r75","volume-title":"hammer! Making Movies out of Sex and Life","author":"Hammer","year":"2010"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r76","article-title":"Chloe Liked Olivia: Death, Desire and Detection in the Female Buddy Film","volume-title":"Fatal Women: Lesbian Sexuality and the Mark of Aggression","author":"Hart","year":"1994"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r77","unstructured":"HartlenNeil. \u201cQueer across the Atlantic: Homo\/sexual Representation in the United States and France, 1977\u20132001.\u201d PhD diss., University of Massachusetts, Amherst, 2006."},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r78","doi-asserted-by":"crossref","first-page":"37","DOI":"10.1086\/495413","article-title":"Simple Pleasures: Lesbian Community and Go Fish","volume":"25","author":"Henderson","year":"1999","journal-title":"Signs"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r79","doi-asserted-by":"crossref","first-page":"141","DOI":"10.1093\/screen\/hjm012","article-title":"From Documentary to Drama: Capturing Aileen Wuornos","volume":"48","author":"Horeck","year":"2007","journal-title":"Screen"},{"issue":"4","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r80","doi-asserted-by":"crossref","first-page":"96","DOI":"10.1093\/screen\/28.4.96","article-title":"Matilde Landeta: An Introduction to the Work of a Pioneer Mexican Filmmaker","volume":"28","author":"Huaco-Nuzum","year":"1987","journal-title":"Screen"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r81","volume-title":"Miradas de mujer: Encuentro de cineastas y videoastas Mexicanas y Chicanas","author":"Iglesias Prieto","year":"1998"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r82","volume-title":"Three-Month Fever: The Andrew Cunanan Story","author":"Indiana","year":"1999"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r83","volume-title":"Feminism and Contemporary Art: The Revolutionary Power of Women\u2019s Laughter","author":"Isaak","year":"1996"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r84","volume-title":"Modern Nature: The Journals of Derek Jarman","author":"Jarman","year":"1994"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r85","volume-title":"Dancing Ledge","author":"Jarman","year":"1993"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r86","volume-title":"At Your Own Risk: A Saint\u2019s Testament","author":"Jarman","year":"1993"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r87","volume-title":"Smiling in Slow Motion","author":"Jarman","year":"2000"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r88","volume-title":"Derek Jarman\u2019s Garden","author":"Jarman","year":"1996"},{"issue":"4","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r89","first-page":"12","article-title":"Death Every Day","volume":"11","author":"Johnston","year":"2001","journal-title":"Sight and Sound"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r90","doi-asserted-by":"crossref","first-page":"131","DOI":"10.1215\/10642684-2008-021","article-title":"The Gendercator, or How I Learned to Stop Worrying and Love the Blogosphere","volume":"15","author":"Lawless","year":"2009","journal-title":"glq: A Journal of Lesbian and Gay Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r91","volume-title":"Brazilian Popular Music: Caetano Veloso and the Regeneration of Tradition","author":"Leu","year":"2006"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r92","doi-asserted-by":"crossref","DOI":"10.1515\/9781474463768-017","article-title":"New Queer Cinema and Third Cinema","volume-title":"New Queer Cinema: A Critical Reader","author":"Leung","year":"2004"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r93","doi-asserted-by":"crossref","DOI":"10.1515\/9780773588967","volume-title":"The Perils of Pedagogy: The Works of John Greyson","author":"Longfellow","year":"2013"},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r94","doi-asserted-by":"crossref","first-page":"315","DOI":"10.1093\/screen\/43.3.315","article-title":"Baise-moi, Feminist Cinemas and the Censorship Controversy","volume":"43","author":"Mackenzie","year":"2002","journal-title":"Screen"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r95","volume-title":"A Financial History of the United States","author":"Markham","year":"2001"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r96","volume-title":"Directed by Dorothy Arzner","author":"Mayne","year":"1994"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r97","first-page":"99","article-title":"Gender, Sexuality, and Nation in the Art of Mexican Social Movements","volume":"3","author":"McCaughan","year":"2002","journal-title":"Nepantla: Views from South"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r98","doi-asserted-by":"crossref","first-page":"95","DOI":"10.1353\/sex.2001.0015","article-title":"Behind the Mask of Respectability: Reconsidering the Mattachine Society and Male Homophile Practice, 1950s\u20131960s","volume":"10","author":"Meeker","year":"2001","journal-title":"Journal of the History of Sexuality"},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r99","article-title":"An Affair to Remember","volume":"53","author":"Mendelsohn","year":"2006","journal-title":"New York Review of Books"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r100","volume-title":"Girl Culture, an Encyclopedia","author":"Mitchell","year":"2008"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r101","volume-title":"Intoxicated Identities: Alcohol\u2019s Power in Mexican History and Culture","author":"Mitchell","year":"2004"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r102","doi-asserted-by":"crossref","first-page":"285","DOI":"10.1080\/08870449408407487","article-title":"Social Perception of aids in French General Public: 1987\u20131990 Evolution in Paris Region","volume":"9","author":"Moatti","year":"1994","journal-title":"Psychological Health"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r103","volume-title":"Riot Grrrl: Revolution Girl Style Now!","author":"Monem","year":"2007"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r104","doi-asserted-by":"crossref","first-page":"83","DOI":"10.1093\/screen\/36.2.83","article-title":"The Autoethnographic Performance: Reading Richard Fung\u2019s Queer Hybridity","volume":"36","author":"Mu\u00f1oz","year":"1995","journal-title":"Screen"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r105","volume-title":"Cruising Utopia: The Then and There of Queer Futurity","author":"Mu\u00f1oz","year":"2009"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r106","doi-asserted-by":"crossref","first-page":"127","DOI":"10.1215\/10642684-4-1-127","article-title":"Dead White: Notes on the Whiteness of the New Queer Cinema","volume":"4","author":"Mu\u00f1oz","year":"1998","journal-title":"glq: Journal of Lesbian and Gay Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r107","volume-title":"Dis-Identifications: Queers of Color and the Performance of Politics","author":"Mu\u00f1oz","year":"1999"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r108","article-title":"Unruly Passions: Poetics, Performance and Gender in the Ranchera Song","volume-title":"Chicana Feminisms: A Critical Reader","author":"N\u00e1jera-Ram\u00edrez","year":"2003"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r109","doi-asserted-by":"crossref","first-page":"97","DOI":"10.1111\/j.1467-8705.1994.tb01018.x","article-title":"Chronicle(s) of a Death Foretold: Notes Apropos of Les Nuits Fauves","volume":"36","author":"Nash","year":"1994","journal-title":"Critical Quarterly"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r110","volume-title":"Brokeback Mountain","author":"Needham","year":"2000"},{"issue":"56","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r111","first-page":"46","article-title":"Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation","volume":"19","author":"Nero","year":"2004","journal-title":"Camera Obscura"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r112","doi-asserted-by":"crossref","first-page":"87","DOI":"10.3167\/153763703782370503","article-title":"The Pacte Civil de Solidarit\u00e9 and the History of Sexuality","volume":"21","author":"Nye","year":"2003","journal-title":"French Politics, Culture and Society"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r113","article-title":"Camera Obscura for Dreams","volume-title":"Practical Dreamers: Conversations with Movie Artists","author":"Onodera","year":"2004"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r114","volume-title":"Vulgar Favors: Andrew Cunanan, Gianni Versace, and the Largest Failed Manhunt in U.S. History","author":"Orth","year":"1999"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r115","doi-asserted-by":"crossref","DOI":"10.1057\/9780230596337","volume-title":"Transgender on Screen","author":"Phillips","year":"2006"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r116","volume-title":"Wyoming Stories","author":"Proulx","year":"2000"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r117","doi-asserted-by":"crossref","DOI":"10.56021\/9780801860782","volume-title":"A Woman Who\u2026: Essays, Interviews, Scripts","author":"Rainer","year":"1999"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r118","article-title":"An Other Cinema","volume-title":"Women Filmmakers in Mexico: The Country of Which We Dream","author":"Rashkin","year":"2001"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r119","first-page":"54","article-title":"Le \u2019hood: \u2018Hate\u2019 and Its Neighbors","volume":"32","author":"Reynaud","year":"1996","journal-title":"Film Comment"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r120","doi-asserted-by":"crossref","first-page":"631","DOI":"10.1086\/493756","article-title":"Compulsory Heterosexuality and the Lesbian Continuum","volume":"5","author":"Rich","year":"1980","journal-title":"Signs: Journal of Women in Culture and Society"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r121","first-page":"5","article-title":"An\/Other View of New Latin American Cinema","volume":"13","author":"Rich","year":"1991","journal-title":"Iris"},{"issue":"9","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r122","first-page":"57","article-title":"Bay of Pix","volume":"9","author":"Rich","year":"1984","journal-title":"American Film"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r123","doi-asserted-by":"crossref","DOI":"10.2307\/j.ctv11g9726.50","article-title":"Feminism and Sexuality in the Eighties","volume-title":"Chick Flicks: Theories and Memories of the Feminist Film Movement","author":"Rich","year":"1998"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r124","article-title":"H\u00e9ctor Garc\u00eda Mesa: Man of My Dreams","volume-title":"H\u00e9ctor Garc\u00eda Mesa","author":"Rich","year":"2009"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r125","article-title":"Introduction to U.S. Edition","volume-title":"Parker and Hulme: A Lesbian View","author":"Rich","year":"1995"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r126","article-title":"Lethal Lesbians","volume-title":"girlsgangsguns: Zwischen Exploitation-Kino und Underground","author":"Rich","year":"2000"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r127","article-title":"Lethal Lesbians","volume-title":"Village Voice","author":"Rich","year":"1995"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r128","doi-asserted-by":"crossref","first-page":"51","DOI":"10.1080\/00043249.2002.10792117","article-title":"The Long Road: Isaac Julien in Conversation with B. Ruby Rich","volume":"61","author":"Rich","year":"2002","journal-title":"Art Journal"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r129","article-title":"Making Argentina Matter Again: Lucrecia Martel\u2019s \u2018La Ci\u00e9naga.\u2019","volume-title":"New York Times","author":"Rich","year":"2001"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r130","article-title":"Manifesto Destiny: Drawing a Bead on Valerie Solanas","volume-title":"Village Voice Literary Supplement","author":"Rich","year":"1993"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r131","doi-asserted-by":"crossref","first-page":"83","DOI":"10.1215\/10642684-1-1-83","article-title":"Reflections on a Queer Screen","volume":"1.1","author":"Rich","year":"1993","journal-title":"glq: A Journal of Lesbian and Gay Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r132","article-title":"Tough Girls Don\u2019t Dance: Sergio Toledo\u2019s Vera","volume-title":"Village Voice","author":"Rich","year":"1987"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r133","article-title":"What\u2019s Up, \u2018Pussycat\u2019?","volume-title":"Village Voice","author":"Rich","year":"1995"},{"issue":"4","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r134","doi-asserted-by":"crossref","first-page":"683","DOI":"10.1086\/494093","article-title":"Homosexuality, Homophobia and Revolution: Notes toward an Understanding of the Cuban Lesbian and Gay Male Experience, Part I","volume":"9","author":"Rich","year":"1984","journal-title":"Signs: Journal of Women in Culture and Society"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r135","doi-asserted-by":"crossref","first-page":"120","DOI":"10.1086\/494203","article-title":"Homosexuality, Homophobia and Revolution: Notes toward an Understanding of the Cuban Lesbian and Gay Male Experience, Part II","volume":"11","author":"Rich","year":"1985","journal-title":"Signs: Journal of Women in Culture and Society"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r136","article-title":"Visions of Excess: Filming\/Writing the Gay Self in Collard\u2019s Savage Nights","volume-title":"Gay Signatures: Gay and Lesbian Theory, Fiction and Film in France, 1945\u20131995","author":"Rollet","year":"1998"},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r137","doi-asserted-by":"crossref","first-page":"553","DOI":"10.2307\/2927944","article-title":"Caught in the Web: Latinidad, aids, and Allegory in \u2018Kiss of the Spider Woman,\u2019 the Musical","volume":"67","author":"Rom\u00e1n","year":"1995","journal-title":"American Literature"},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r138","doi-asserted-by":"crossref","first-page":"809","DOI":"10.1086\/495289","article-title":"Riot Grrrl: Revolutions from Within","volume":"23","author":"Rosenberg","year":"1998","journal-title":"Signs"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r139","volume-title":"The Female Grotesque: Risk, Excess, and Modernity","author":"Russo","year":"1994"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r140","doi-asserted-by":"crossref","first-page":"135","DOI":"10.1177\/0263276407075003","article-title":"Authority in Question: Secularity, Republicanism and \u2018Communitarianism\u2019 in the Emerging Euro-Islamic Public Sphere","volume":"24","author":"Salvatore","year":"2007","journal-title":"Theory, Culture and Society"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r141","doi-asserted-by":"crossref","first-page":"407","DOI":"10.1353\/mln.1998.0031","article-title":"Fresa y Chocolate: The Rhetoric of Cuban Reconciliation","volume":"113","author":"Sant\u00ed","year":"1998","journal-title":"mln"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r142","doi-asserted-by":"crossref","first-page":"43","DOI":"10.2307\/3090581","article-title":"The Crisis of French Universalism","volume":"100","author":"Schor","year":"2001","journal-title":"Yale French Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r143","unstructured":"SchrobsdorffSusanna. \u201cChick Flick Cowboys: Brokeback Mountain Has Stolen the Hearts of Women in Middle America.\u201d Newsweek, January20, 2006, accessed online August30, 2006, at www.msnbc.msn.com\/id\/10930877\/site\/newsweek."},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r144","doi-asserted-by":"crossref","DOI":"10.7208\/chicago\/9780226741093.001.0001","volume-title":"Parit\u00e9: Sexual Equality and the Crisis of French Universalism","author":"Scott","year":"2005"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r145","volume-title":"Epistemology of the Closet","author":"Sedgwick","year":"1990"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r146","doi-asserted-by":"crossref","DOI":"10.5040\/9781628928617","volume-title":"Contemporary Cinema of Latin America: Ten Key Films","author":"Shaw","year":"2003"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r147","article-title":"Afro-Brazilian Identity: Malandragem and Homosexuality in Madame Sat\u00e3","volume-title":"Contemporary Latin American Cinema: Breaking into the Global Market","author":"Shaw","year":"2007"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r148","volume-title":"The Mayor of Castro Street","author":"Shilts","year":"1988"},{"issue":"4","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r149","doi-asserted-by":"crossref","first-page":"590","DOI":"10.1086\/493754","article-title":"Sex and Power: Sexual Bases of Radical Feminism","volume":"5","author":"Shulman","year":"1980","journal-title":"Signs"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r150","unstructured":"SimoAnna. \u201cOuting in Gay Paree.\u201d Gully.com, October30, 2000. Available at http:\/\/www.thegully.com\/essays\/france\/001030gay_paris.html."},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r151","volume-title":"Visionary Film: The American Avant-Garde","author":"Sitney","year":"1974"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r152","article-title":"Fresa y chocolate (Strawberry and Chocolate): Cinema as Guided Tour","volume-title":"Vision Machines: Cinema, Literature, and Sexuality in Spain and Cuba, 1983\u201393","author":"Smith","year":"1996"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r153","first-page":"31","article-title":"The Language of Strawberry","volume":"4","author":"Smith","year":"1994","journal-title":"Sight and Sound"},{"issue":"1","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r154","doi-asserted-by":"crossref","first-page":"48","DOI":"10.1093\/screen\/28.1.48","article-title":"Desperately Seeking Difference","volume":"28","author":"Stacey","year":"1987","journal-title":"Screen"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r155","volume-title":"Star-Gazing","author":"Stacey","year":"1994"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r156","volume-title":"Queer Screen","author":"Stacey","year":"2007"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r157","doi-asserted-by":"crossref","DOI":"10.56021\/9780801838149","volume-title":"Subversive Pleasures: Bakhtin, Cultural Criticism, and Film","author":"Stam","year":"1989"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r158","volume-title":"Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture","author":"Stam","year":"1997"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r159","doi-asserted-by":"crossref","first-page":"48","DOI":"10.2307\/2935319","article-title":"The Latin Phallus","volume":"65","author":"Stavans","year":"1995","journal-title":"Transition"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r160","doi-asserted-by":"crossref","first-page":"22","DOI":"10.2307\/2935255","article-title":"The Riddle of Cantinflas","volume":"67","author":"Stavans","year":"1995","journal-title":"Transition"},{"issue":"3\u20134","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r161","article-title":"\u2018I Think, Sebastian, Therefore I & Somersault\u2019: Film and the Uncanny","volume":"3","author":"Stern","year":"1997","journal-title":"Paradoxa"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r162","article-title":"The Empire Strikes Back: A Posttranssexual Manifesto","volume-title":"Body Guards: The Cultural Politics of Sexual Ambiguity","author":"Stone","year":"1991"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r163","doi-asserted-by":"crossref","first-page":"145","DOI":"10.1215\/10642684-4-2-145","article-title":"The Transgender Issue: An Introduction","volume":"4","author":"Stryker","year":"1998","journal-title":"glq: A Journal of Lesbian and Gay Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r164","volume-title":"The Transgender Studies Reader","author":"Stryker","year":"2006"},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r165","doi-asserted-by":"crossref","first-page":"347","DOI":"10.1177\/a018601","article-title":"Civil Solidarity or Fragmented Identities? The Politics of Sexuality and Citizenship in France","volume":"10","author":"Stychin","year":"2001","journal-title":"Social and Legal Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r166","doi-asserted-by":"crossref","first-page":"1","DOI":"10.1162\/grey.2008.1.32.6","article-title":"The Puerto Rican Lower East Side and the Queer Underground","volume":"32","author":"Suarez","year":"2008","journal-title":"Grey Room"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r167","doi-asserted-by":"crossref","first-page":"159","DOI":"10.1353\/lar.0.0017","article-title":"Fear of the Trannies: On Filmic Phobia of Transvestism in the New Latin American Cinema","volume":"43","author":"Subero","year":"2008","journal-title":"Latin American Research Review"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r168","unstructured":"SusslerBetsy. \u201cLizzie Borden.\u201d Bomb7 (Fall1983). Available at http:\/\/bombsite.com\/issues\/7\/articles\/333."},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r169","volume-title":"Reframing Difference: Beur and Banlieue Filmmaking in France","author":"Tarr","year":"2005"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r170","doi-asserted-by":"crossref","DOI":"10.1215\/9780822385325","volume-title":"Holy Terrors: Latin American Women Perform","author":"Taylor","year":"2003"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r171","doi-asserted-by":"crossref","first-page":"613","DOI":"10.1086\/517983","article-title":"Same-Sex Couples Creating Households in Old Regime France: The Uses of the Affr\u00e8rement","volume":"79","author":"Tulchin","year":"2007","journal-title":"Journal of Modern History"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r172","volume-title":"Imagining Transgender: An Ethnography of a Category","author":"Valentine","year":"2007"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r173","volume-title":"Pleasure and Danger: Exploring Female Sexuality","author":"Vance","year":"1984"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r174","article-title":"Biting the Hand That Breeds: The Trials of Tracey Wigginton","volume-title":"Moving Targets: Women, Murder, and Representation","author":"Verhoeven","year":"1994"},{"issue":"2","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r175","doi-asserted-by":"crossref","first-page":"338","DOI":"10.1215\/10642684-12-2-338","article-title":"The Creature from the Black Lagoon","volume":"12","author":"Villarejo","year":"2006","journal-title":"glq: Journal of Lesbian and Gay Studies"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r176","doi-asserted-by":"crossref","DOI":"10.1215\/9780822379157-013","article-title":"Forbidden Love: Pulp as Lesbian History","volume-title":"Out Takes: Essays on Queer Theory and Film","author":"Villarejo","year":"1999"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r177","doi-asserted-by":"crossref","DOI":"10.1215\/9780822385356","volume-title":"Lesbian Rule: Cultural Criticism and the Value of Desire","author":"Villarejo","year":"2003"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r178","doi-asserted-by":"crossref","DOI":"10.5040\/9780755695522","volume-title":"La Haine (French Film Guide)","author":"Vincendeau","year":"2005"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r179","volume-title":"Fear of a Queer Planet: Queer Politics and Social Theory","author":"Warner","year":"1993"},{"issue":"6","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r180","first-page":"24","article-title":"The French Connection","volume":"3","author":"Watney","year":"1993","journal-title":"Sight and Sound"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r181","volume-title":"Vampires and Violets: Lesbians in Film","author":"Weiss","year":"1993"},{"issue":"1\u20132","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r182","first-page":"16","article-title":"Strawberry and Chocolate, Ice Cream and Tolerance: Interviews with Tom\u00e1s Guti\u00e9rrez Alea and Juan Carlos Tab\u00edo","volume":"21","author":"West","year":"1995","journal-title":"Cineaste"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r183","unstructured":"WhiteDave. \u201cThe Straight Dude\u2019s Guide to \u2018Brokeback.\u2019\u201d msnbc, December8, 2005. Available at.http:\/\/today.msnbc.msn.com\/id\/10342237#.UGDUwo5bwdI."},{"issue":"3","key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r184","doi-asserted-by":"crossref","first-page":"227","DOI":"10.1215\/02705346-15-3_45-227","article-title":"Black and White: Mercedes de Acosta\u2019s Glorious Enthusiasms","volume":"15","author":"White","year":"2000","journal-title":"Camera Obscura"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r185","volume-title":"No More Nice Girls: Countercultural Essays","author":"Willis","year":"1992"},{"key":"&#xA;        key 20200827191810415_queer_part00_037_bibliography.r186","article-title":"Rasquachismo: A Chicano Sensibility","volume-title":"cara: Chicano Art: Resistance and Affirmation 1965\u20131995","author":"Ybarra-Frausto","year":"1991"}],"container-title":["New Queer Cinema"],"original-title":[],"language":"en","deposited":{"date-parts":[[2025,4,30]],"date-time":"2025-04-30T18:05:53Z","timestamp":1746036353000},"score":1,"resource":{"primary":{"URL":"http:\/\/read.dukeupress.edu\/books\/book\/1915\/chapter\/190470\/A-Queer-and-Present-DangerThe-Death-of-New-Queer"}},"subtitle":["The Death of New Queer Cinema?"],"short-title":[],"issued":{"date-parts":[[2013]]},"ISBN":["9780822354116","9780822399698"],"references-count":186,"URL":"https:\/\/doi.org\/10.1215\/9780822399698-021","relation":{"is-identical-to":[{"id-type":"doi","id":"10.2307\/j.ctv11hpp0s.21","asserted-by":"object"}]},"subject":[],"published":{"date-parts":[[2013]]}}}