{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,28]],"date-time":"2025-05-28T23:40:04Z","timestamp":1748475604534,"version":"3.41.0"},"reference-count":34,"publisher":"SAGE Publications","issue":"1","license":[{"start":{"date-parts":[[2015,7,1]],"date-time":"2015-07-01T00:00:00Z","timestamp":1435708800000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":["journals.sagepub.com"],"crossmark-restriction":true},"short-container-title":["Revista Internacional de Educaci\u00f3n Musical"],"published-print":{"date-parts":[[2015,7]]},"abstract":"<jats:p>This article presents the context of music teacher education in Portugal after the Bologna Declaration. In the backdrop of the present economic, political and financial situation with its sociological and philosophical complexities, the construction of curricula for music teacher education cannot avoid the discussion around a new teaching and learning paradigm, which takes as starting points the development of general skills\u2013instrumental, interpersonal, and systemic\u2013as well as those of musical nature, leading to a significant educational interaction within the Higher Education European Space. The challenge of such an approach of music teacher education is addressed under a critical perspective, with an emphasis on the possible dangers that may come from a distorted vision, essentially moved by economical motivations. This article, beyond government educational policies and the present institutional restrictions, also addresses the imperative that music education be positioned in a world of tensions and conflicts, in confrontation with political turbulences and with the absence of equality of opportunities at the social, economic, and political levels.<\/jats:p>","DOI":"10.12967\/riem-2015-3-p041-050","type":"journal-article","created":{"date-parts":[[2015,6,30]],"date-time":"2015-06-30T21:26:26Z","timestamp":1435699586000},"page":"41-50","update-policy":"https:\/\/doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":0,"title":["Music teacher education in Portugal. Contributions for a reflection in context"],"prefix":"10.1177","volume":"3","author":[{"given":"Gra\u00e7a","family":"Mota","sequence":"first","affiliation":[{"name":"Instituto Polit\u00e9cnico de Oporto (ortugal)"}]}],"member":"179","published-online":{"date-parts":[[2015,7,1]]},"reference":[{"key":"bibr1-RIEM-2015-3-p041-050","doi-asserted-by":"publisher","DOI":"10.4324\/9780203401903"},{"key":"bibr2-RIEM-2015-3-p041-050","unstructured":"BerghA., y SlobodaJ. A. (2010). Music and arts in conflict transformation: A review. Music & Arts in Action, 2(2), 2\u201317. Disponible en http:\/\/musicandartsinaction.net\/index.php\/maia\/article\/view\/conflicttransformation"},{"volume-title":"Proceedings of the XXII ISME International Seminar on Research in Music Education.","year":"2008","author":"Boal-Palheiros G.","key":"bibr3-RIEM-2015-3-p041-050"},{"key":"bibr4-RIEM-2015-3-p041-050","unstructured":"BowmanW. (2007). Who is the \u201cWe\u201d? Rethinking professionalism in music education. 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