{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,7,9]],"date-time":"2026-07-09T13:47:01Z","timestamp":1783604821044,"version":"3.55.0"},"reference-count":42,"publisher":"Public Library of Science (PLoS)","issue":"12","license":[{"start":{"date-parts":[[2022,12,21]],"date-time":"2022-12-21T00:00:00Z","timestamp":1671580800000},"content-version":"vor","delay-in-days":0,"URL":"http:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"DOI":"10.13039\/501100000265","name":"Medical Research Council","doi-asserted-by":"publisher","award":["MR\/L003589\/1"],"award-info":[{"award-number":["MR\/L003589\/1"]}],"id":[{"id":"10.13039\/501100000265","id-type":"DOI","asserted-by":"publisher"}]},{"DOI":"10.13039\/100014653","name":"Manchester Biomedical Research Centre","doi-asserted-by":"publisher","award":["UK IS-BRC-1215-20007"],"award-info":[{"award-number":["UK IS-BRC-1215-20007"]}],"id":[{"id":"10.13039\/100014653","id-type":"DOI","asserted-by":"publisher"}]},{"DOI":"10.13039\/100014653","name":"Manchester Biomedical Research Centre","doi-asserted-by":"publisher","award":["UK IS-BRC-1215-20007"],"award-info":[{"award-number":["UK IS-BRC-1215-20007"]}],"id":[{"id":"10.13039\/100014653","id-type":"DOI","asserted-by":"publisher"}]},{"DOI":"10.13039\/501100000265","name":"Medical Research Council","doi-asserted-by":"publisher","award":["MR\/L003589\/1"],"award-info":[{"award-number":["MR\/L003589\/1"]}],"id":[{"id":"10.13039\/501100000265","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":["www.plosone.org"],"crossmark-restriction":false},"short-container-title":["PLoS ONE"],"abstract":"<jats:p>The purpose of this study was to establish whether preferred music-listening level differed between musicians and non-musicians, and whether preferred music-listening level was related to music genre preference and lifetime noise exposure. Seventeen musicians (mean age = 29.06 years, SD = 4.74; female n = 9) and 17 non-musicians (mean age = 28.94 years, SD = 4.63; female n = 9) with clinically normal hearing were recruited to listen to six music samples from different genres and one sample of environmental sounds. Participants adjusted the listening level [dB(A)] until the music was loud and enjoyable. This was repeated three times and an average was taken. Lifetime noise exposure was estimated using the Noise Exposure Structured Interview. Preferred music-listening levels of musicians were significantly higher than non-musicians. The preferred music-listening level differed with genre preference, with the participants\u2019 favorite tracks being played at 11 dB higher level than the least favorite tracks. There was also a positive correlation between lifetime noise exposure and preferred music-listening level. Musicians prefer to listen to music at higher level than non-musicians and thus may be more susceptible to noise induced hearing loss than non-musicians. As such, musicians in particular would benefit from simple changes in lifestyle and listening habits, including increased awareness of the risks of higher listening levels, as well as the use of hearing protection.<\/jats:p>","DOI":"10.1371\/journal.pone.0278845","type":"journal-article","created":{"date-parts":[[2022,12,21]],"date-time":"2022-12-21T18:28:16Z","timestamp":1671647296000},"page":"e0278845","update-policy":"https:\/\/doi.org\/10.1371\/journal.pone.corrections_policy","source":"Crossref","is-referenced-by-count":5,"title":["Preferred music-listening level in musicians and non-musicians"],"prefix":"10.1371","volume":"17","author":[{"given":"Antonia Olivia","family":"Dolan","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-4392-6933","authenticated-orcid":true,"given":"Emanuele","family":"Perugia","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Karolina","family":"Kluk","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"340","published-online":{"date-parts":[[2022,12,21]]},"reference":[{"key":"pone.0278845.ref001","article-title":"Noise-induced hearing loss","author":"Royal National Institute for Deaf People (RNID)","year":"2019","journal-title":"RNID [Internet]"},{"key":"pone.0278845.ref002","doi-asserted-by":"crossref","first-page":"667","DOI":"10.1097\/00043764-199808000-00002","article-title":"Occupational noise-induced hearing loss surveillance in Michigan","volume":"40","author":"MJ Reilly","year":"1998","journal-title":"J Occup Environ Med"},{"key":"pone.0278845.ref003","doi-asserted-by":"crossref","first-page":"6393","DOI":"10.1021\/es305161z","article-title":"Estimation of permanent noise-induced hearing loss in an urban setting","volume":"47","author":"RC Lewis","year":"2013","journal-title":"Environ Sci Technol"},{"key":"pone.0278845.ref004","doi-asserted-by":"crossref","first-page":"33","DOI":"10.1539\/joh.16-0217-OA","article-title":"Noise-Induced hearing loss among professional musicians","volume":"59","author":"G Pouryaghoub","year":"2017","journal-title":"J Occup Health"},{"key":"pone.0278845.ref005","doi-asserted-by":"crossref","first-page":"785","DOI":"10.1016\/S1808-8694(15)31175-7","article-title":"Acceptance of hearing protection aids in members of an instrumental and voice music band","volume":"73","author":"MH Mendes","year":"2007","journal-title":"Braz J Otorhinolaryngol"},{"key":"pone.0278845.ref006","doi-asserted-by":"crossref","first-page":"160","DOI":"10.21091\/mppa.2007.4034","article-title":"Noise Exposure Levels for Student Musicians","volume":"22","author":"VL Miller","year":"2007","journal-title":"Medical Problems of Performing Artists"},{"key":"pone.0278845.ref007","doi-asserted-by":"crossref","first-page":"189","DOI":"10.4103\/1463-1741.134920","article-title":"Hearing and hearing conservation practices among Australia\u2019s professional orchestral musicians","volume":"16","author":"I O\u2019Brien","year":"2014","journal-title":"Noise Health"},{"key":"pone.0278845.ref008","doi-asserted-by":"crossref","first-page":"278","DOI":"10.4103\/nah.NAH_13_17","article-title":"Using auditory steady-state responses for measuring hearing protector occlusion effect","volume":"19","author":"O Valentin","year":"2017","journal-title":"Noise Health"},{"key":"pone.0278845.ref009","doi-asserted-by":"crossref","first-page":"14","DOI":"10.4103\/1463-1741.39004","article-title":"Employment and acceptance of hearing protectors in classical symphony and opera orchestras","volume":"10","author":"MF Zander","year":"2008","journal-title":"Noise Health"},{"key":"pone.0278845.ref010","first-page":"251","article-title":"Hearing Loss & Music","volume":"43","author":"K. 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