{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,14]],"date-time":"2025-05-14T04:22:47Z","timestamp":1747196567099,"version":"3.40.5"},"reference-count":53,"publisher":"Intellect","issue":"1","license":[{"start":{"date-parts":[[2022,7,13]],"date-time":"2022-07-13T00:00:00Z","timestamp":1657670400000},"content-version":"am","delay-in-days":42,"URL":"https:\/\/www.intellectbooks.com\/self-archiving#accepted-manuscript-during-embargo"},{"start":{"date-parts":[[2023,7,13]],"date-time":"2023-07-13T00:00:00Z","timestamp":1689206400000},"content-version":"am","delay-in-days":407,"URL":"https:\/\/www.intellectbooks.com\/self-archiving#accepted-manuscript-post-embargo"},{"start":{"date-parts":[[2022,7,13]],"date-time":"2022-07-13T00:00:00Z","timestamp":1657670400000},"content-version":"vor","delay-in-days":42,"URL":"https:\/\/www.intellectbooks.com\/self-archiving#final-published-version"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Empedocles: European Journal for the Philosophy of Communication"],"published-print":{"date-parts":[[2022,6,1]]},"abstract":"<jats:p>In this article, precariousness is understood as an intrinsic characteristic of a vast set of images \u2010 being them pictorial, sculptural, photographic, cinematographic, digital or other. These images acquire their specific value, most of the time, precisely as a function of this\n attribute. Precariousness is, in this case, not an insufficiency or a weakness, but a power, understood in different areas, from aesthetics to ontology. This article is divided into two parts: the first one explores, in various ways, the ephemerality\u2010eternity polarity based on precariousness;\n the second one allows us to know the plural manifestations of the precariousness of the image in multiple forms of expression by identifying a range of arts and media nuclei. Invoking the contribution of different authors, from ancient to contemporary times, the article ends as it begins:\n it highlights the intrinsic precariousness of both forms of artistic creation and the modes of academic thinking.<\/jats:p>","DOI":"10.1386\/ejpc_00042_1","type":"journal-article","created":{"date-parts":[[2022,7,5]],"date-time":"2022-07-05T13:16:15Z","timestamp":1657026975000},"page":"69-86","source":"Crossref","is-referenced-by-count":0,"title":["Cabinet of precariousness: From the ephemeral image to the eternal image"],"prefix":"10.1386","volume":"13","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-9872-4191","authenticated-orcid":false,"given":"Lu\u00eds","family":"Nogueira","sequence":"first","affiliation":[{"name":"0000000122207094University of Beira Interior and Labcom-Communication & Arts"}]}],"member":"358","reference":[{"volume-title":"A History of Modern Art","year":"2011","key":"CIT0001"},{"volume-title":"Aesthetic 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