{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,14]],"date-time":"2025-05-14T04:42:16Z","timestamp":1747197736942,"version":"3.40.5"},"reference-count":13,"publisher":"Associacao Profissional de Conservadores-Restauradores de Portugal","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Cons. Patrim\u00f3nio"],"published-print":{"date-parts":[[2020,7,31]]},"abstract":"<jats:p>Many times, records of the materials used by contemporary artists in their first works are scarce. If the work under study has been carried out during the artist youth, sometimes artists just remember to have used synthetic materials but no longer have memory of its specific type. In the last decades of the 20th century, vinyl-based synthetic paints marketed as Sabu paints, were sold at affordable prices making them popular among the students of Fine Arts as substitutes of more expensive acrylic paints. Using the ATR-FTIR spectroscopic technique it was possible to unequivocally distinguish acrylic from vinyl paints in two early works from Manuel Vilarinho and Pedro Cabrita Reis, both belonging to the collection of the Faculdade de Belas-Artes da Universidade de Lisboa. Samples from the first case painting presented the characteristic peaks of acrylic paints while those collected from the second case paint presented the characteristic peaks of Sabu paints.<\/jats:p>","DOI":"10.14568\/cp2018062","type":"journal-article","created":{"date-parts":[[2020,5,11]],"date-time":"2020-05-11T16:20:03Z","timestamp":1589214003000},"page":"109-115","source":"Crossref","is-referenced-by-count":0,"title":["Identification of the type of paint, acrylic or vinyl, in works of two contemporary painters, Manuel Vilarinho and Pedro Cabrita Reis, by ATR-FTIR"],"prefix":"10.14568","volume":"34","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-9876-9015","authenticated-orcid":false,"given":"Maria Eduarda","family":"Ara\u00fajo","sequence":"first","affiliation":[{"name":"Universidade de Lisboa, Faculdade de Ci\u00eancias, Departamento de Qu\u00edmica e Bioqu\u00edmica e Centro de Qu\u00edmica e Bioqu\u00edmica, Portugal"}]},{"given":"Oleksander","family":"Pavlyshyn","sequence":"additional","affiliation":[{"name":"Universidade de Lisboa, Faculdade de Ci\u00eancias, Departamento de Qu\u00edmica e Bioqu\u00edmica e Centro de Qu\u00edmica e Bioqu\u00edmica, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-6683-8007","authenticated-orcid":false,"given":"Alice Nogueira","family":"Alves","sequence":"additional","affiliation":[{"name":"Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investiga\u00e7\u00e3o e Estudos em Belas-Artes (CIEBA), Portugal"}]}],"member":"5676","published-online":{"date-parts":[[2020,4,14]]},"reference":[{"key":"ref0","doi-asserted-by":"publisher","unstructured":"[1] Alves, A. N.; Arruda, L.; Fragoso, D., 'O Convento de S\u00e3o Francisco da Cidade de Lisboa - Uma casa de cole\u00e7\u00f5es', in Din\u00e2micas do Patrim\u00f3nio Art\u00edstico, circula\u00e7\u00e3o, transforma\u00e7\u00f5es e di\u00e1logos, ed. C. Moura Soares, V. Mariz, ARTIS PRESS, Lisboa (2018) 215-223, http:\/\/artispress.letras.ulisboa.pt\/index.php\/artispress\/catalog\/book\/4 (acesso em 2018-11-28).","DOI":"10.37935\/aion.v0i10.273"},{"key":"ref1","doi-asserted-by":"publisher","unstructured":"[2] Alves, A. N.; Franco, L. L., 'A cole\u00e7\u00e3o de pintura da Faculdade de Belas-Artes da Universidade de Lisboa', in Adriano de Sousa Lopes - Conserva\u00e7\u00e3o e restauro das obras acad\u00e9micas pertencentes ao esp\u00f3lio da FBAUL, CIEBA-FBAUL, Lisboa (2018) 15-18, http:\/\/hdl.handle.net\/10451\/33878.","DOI":"10.30618\/978-989-658-525-9"},{"key":"ref2","doi-asserted-by":"publisher","unstructured":"[3] Marques, M. D. M., 'O que tem vida sobrevive - Estudo para conserva\u00e7\u00e3o e restauro de obras em t\u00eampera vin\u00edlica sobre platex: Uma pintura de Pedro Cabrita Reis das cole\u00e7\u00f5es da FBAUL', Disserta\u00e7\u00e3o de Mestrado em Ci\u00eancias da Conserva\u00e7\u00e3o Restauro e Produ\u00e7\u00e3o de Arte Contempor\u00e2nea, Faculdade de Belas-Artes da Universidade de Lisboa, Lisboa (2016), http:\/\/hdl.handle.net\/10451\/28025.","DOI":"10.32385\/rpmgf.v29i2.11056"},{"key":"ref3","unstructured":"[4] Manuel Vilarinho, p\u00e1gina pessoal, http:\/\/www.manuelvilarinho.com\/index.htm (acesso em 9-4-2019)."},{"key":"ref4","doi-asserted-by":"publisher","unstructured":"[5] Learner, T., 'A review of synthetic binding media in twentieth-century paints', The Conservator 24(1) (2000) 96-103, https:\/\/doi.org\/10.1080\/01410096.2000.9995156.","DOI":"10.1080\/01410096.2000.9995156"},{"key":"ref5","doi-asserted-by":"publisher","unstructured":"[6] Chiantore, O.; Scalarone, D.; Learner, T., 'Characterization of artists' acrylic emulsion paints', International Journal of Polymer Analysis and Characterization 8(1) (2003) 67-82, https:\/\/doi.org\/10.1080\/10236660304884.","DOI":"10.1080\/10236660304884"},{"key":"ref6","doi-asserted-by":"publisher","unstructured":"[7] Ferreira, J. L.; \u00c1vila, M. J.; Melo, M. J.; Ramos, A. R., 'Early aqueous dispersion paints: Portuguese artists' use of polyvinyl acetate, 1960s-1990s', Studies in Conservation 58(3) (2013) 211-225, https:\/\/doi.org\/10.1179\/2047058412Y.0000000065.","DOI":"10.1179\/2047058412y.0000000065"},{"key":"ref7","doi-asserted-by":"publisher","unstructured":"[8] Wei, S., Pintus, V., Schreiner, M., 'Photochemical degradation study of polyvinyl acetate paints used in artworks by Py-GC\/MS', Journal of Analytical and Applied Pyrolysis 97(5) (2012) 158-163, https:\/\/www.sciencedirect.com\/science\/article\/pii\/S0165237012000964 (acesso em 7-12-2018).","DOI":"10.1016\/j.jaap.2012.05.004"},{"key":"ref8","doi-asserted-by":"publisher","unstructured":"[9] Badertscher, M.; B\u00fchlmann, P.; Pretsch, E., Structure Determination of Organic Compounds. Tables of Spectral Data, Springer-Verlag, Berlin Heidelberger (2000).","DOI":"10.1007\/978-3-662-62439-5"},{"key":"ref9","unstructured":"[10] Ferreira, J. L.; Melo, M., J.; Ramos, A., M.; \u00c1vila, M., J., 'Eternity is in love with the productions of time: Joaquim Rodrigo's classical palette in a vinyl synthetic medium', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, ed. T. J. S. Learner, P. Smithen, J. W. Krueger, M. R. Schilling, The Getty Conservation Institute, Los Angeles (2006) 43-52, http:\/\/www.getty.edu\/conservation\/publications_resources\/books\/modern_paints_uncovered.html (acesso em 4-12-2018)."},{"key":"ref10","unstructured":"[11] Ferreira, J. L.; Melo, M. J.; Ramos, A. M., 'Sabu colours: vinyl artists' paints from the 1960s', in The Artist's Process. Technology and Interpretation, ed. S. Eyb-Green, J. H. Townsend, M. Clarke, J. Nadolny, S. Kroustallis, Archetype Publications, London (2012) 207."},{"key":"ref11","doi-asserted-by":"publisher","unstructured":"[12] Ferreira, J. L., 'Liaisons dangereuses, conservation of modern and contemporary art: a study of the synthetic binding media in Portugal', Tese de Doutoramento em Conserva\u00e7\u00e3o e Restauro, especialidade de Ci\u00eancias da Conserva\u00e7\u00e3o, Faculdade de Ci\u00eancias e Tecnologia da Universidade Nova de Lisboa, Lisboa (2011), https:\/\/run.unl.pt\/handle\/10362\/5342.","DOI":"10.4000\/medievalista.1153"},{"key":"ref12","doi-asserted-by":"publisher","unstructured":"[13] Pereira, A., I., M., L., 'The perfect paint in modern art conservation: a comparative study of 21st century vinyl emulsions', Tese de Doutoramento em Ci\u00eancias da Conserva\u00e7\u00e3o, Faculdade de Ci\u00eancias e Tecnologia da Universidade Nova de Lisboa, Lisboa (2015), http:\/\/hdl.handle.net\/10362\/16840.","DOI":"10.4000\/medievalista.1153"}],"container-title":["Conservar Patrim\u00f3nio"],"original-title":["Identifica\u00e7\u00e3o do tipo de tinta - acr\u00edlica ou vin\u00edlica - em obras de dois pintores contempor\u00e2neos, Manuel Vilarinho e Pedro Cabrita Reis, por ATR-FTIR"],"deposited":{"date-parts":[[2021,1,21]],"date-time":"2021-01-21T17:23:36Z","timestamp":1611249816000},"score":1,"resource":{"primary":{"URL":"https:\/\/conservarpatrimonio.pt\/article\/view\/21445"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2020,4,14]]},"references-count":13,"URL":"https:\/\/doi.org\/10.14568\/cp2018062","relation":{},"ISSN":["1646-043X","2182-9942"],"issn-type":[{"type":"print","value":"1646-043X"},{"type":"electronic","value":"2182-9942"}],"subject":[],"published":{"date-parts":[[2020,4,14]]}}}