{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,14]],"date-time":"2025-05-14T04:42:17Z","timestamp":1747197737313,"version":"3.40.5"},"reference-count":32,"publisher":"Associacao Profissional de Conservadores-Restauradores de Portugal","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Cons. Patrim\u00f3nio"],"published-print":{"date-parts":[[2020,7,31]]},"abstract":"<jats:p>The present article has two objectives: the first one is to present the collection of medals of the extinct Research and Studies Section Volte Face \u2013 Medalha Contempor\u00e2nea, of the Research Unit of the Faculdade de Belas Artes da Universidade de Lisboa, CIEBA, constituted by medals of various sizes, formats and materials (organic, inorganic and synthetic), whose characteristics influence the way they degrade and how they are conditioned; the second objective is to present the packaging proposals for the packing of the medals, for which we used 3D modelling, vector drawing and 3D printing. In the first case, we present the inventory of objects, their documentation, identification of constituent materials and degradation factors. For the second case, criteria were defined for the selection of the packaging format and for the choice of construction materials. The alveolar polypropylene for the box and the low-density polyethylene were selected for the filler material.<\/jats:p>","DOI":"10.14568\/cp2018066","type":"journal-article","created":{"date-parts":[[2020,8,1]],"date-time":"2020-08-01T15:02:12Z","timestamp":1596294132000},"page":"88-100","source":"Crossref","is-referenced-by-count":0,"title":["Conservation of contemporary medals: packaging solutions"],"prefix":"10.14568","volume":"34","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-7546-776X","authenticated-orcid":false,"given":"Ana Sofia","family":"Neves","sequence":"first","affiliation":[{"name":"Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investiga\u00e7\u00e3o e de Estudos em Belas-Artes (CIEBA), Largo da Academia Nacional de Belas-Artes, 1249-058 Lisboa, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-2652-0843","authenticated-orcid":false,"given":"Ana","family":"Bail\u00e3o","sequence":"additional","affiliation":[{"name":"Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investiga\u00e7\u00e3o e de Estudos em Belas-Artes (CIEBA), Largo da Academia Nacional de Belas-Artes, 1249-058 Lisboa, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-4615-4852","authenticated-orcid":false,"given":"Frederico","family":"Henriques","sequence":"additional","affiliation":[{"name":"Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investiga\u00e7\u00e3o e de Estudos em Belas-Artes (CIEBA), Largo da Academia Nacional de Belas-Artes, 1249-058 Lisboa, Portugal"}]},{"given":"Andreia","family":"Ferreira","sequence":"additional","affiliation":[{"name":"Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investiga\u00e7\u00e3o e de Estudos em Belas-Artes (CIEBA), Largo da Academia Nacional de Belas-Artes, 1249-058 Lisboa, Portugal"}]}],"member":"5676","published-online":{"date-parts":[[2020,7,31]]},"reference":[{"key":"ref0","doi-asserted-by":"publisher","unstructured":"[1] Duarte, J., 'Um Percurso na Medalha em Portugal', em Um Percurso na Medalha em Portugal - Exposi\u00e7\u00e3o de Medalha na Reitoria da Universidade de Lisboa. Universidade de Lisboa, Lisboa (2005).","DOI":"10.32385\/rpmgf.v29i2.11056"},{"key":"ref1","unstructured":"[2] Aur\u00e9lio, J. 'O simbolismo da Medalha Comemorativa', Col\u00f3quio-Revista de Artes e Letras 56 (1969) 151, http:\/\/coloquio.gulbenkian.pt\/al\/sirius.exe\/numero?56 (acesso 2018-03-18)."},{"key":"ref2","unstructured":"[3] Garcia, D., 'Dorita de Castel-Branco 1936-1996, II da vida pela obra dentro', em Mulheres Escultoras em Portugal, ed. S. Leandro, R. H. Silva, Caleidosc\u00f3pio, Casal de Cambra (2016) 143-157."},{"key":"ref3","unstructured":"[4] Carvalho, N. L. de, em 1964-1982 Retrospectiva Medalha\/Objecto - Desenvolvimentos do Escultor, Edi\u00e7\u00f5es Estoril-Sol, Estoril (1982)."},{"key":"ref4","unstructured":"[5] Exposi\u00e7\u00e3o coletiva: medalha contempor\u00e2nea: projecto volte face, C\u00e2mara Municipal de Lisboa, Lisboa (2001)."},{"key":"ref5","unstructured":"[6] Despacho n\u00ba11 949 - BD\/2007. D.R. 2 S\u00e9rie. 114 (15 de junho de 2007), pp. 16750 (67) -16750 (68)."},{"key":"ref6","unstructured":"[7] Despacho n\u00ba 5440\/2004. D.R. 2\u00aa S\u00e9rie, 67 (19 de mar\u00e7o de 2004), pp. 4276."},{"key":"ref7","doi-asserted-by":"publisher","unstructured":"[8] 'Protocolo de Colabora\u00e7\u00e3o com a C\u00e2mara Municipal do Seixal no \u00e2mbito da II Bienal Internacional de Medalha Contempor\u00e2nea do Seixal', protocolo de colabora\u00e7\u00e3o, Arquivo do Volte Face - Medalha Contempor\u00e2nea, Faculdade de Belas-Artes da Universidade de Lisboa, Lisboa (2001).","DOI":"10.24140\/issn.1645-7250.rle45.14"},{"key":"ref8","doi-asserted-by":"publisher","unstructured":"[9] 'Protocolo de Colabora\u00e7\u00e3o no \u00e2mbito do Pr\u00e9mio de Medalha Contempor\u00e2nea Dorita de Castel Branco para o ano de 2003', protocolo de colabora\u00e7\u00e3o, Arquivo do Volte Face - Medalha Contempor\u00e2nea, Faculdade de Belas-Artes da Universidade de Lisboa, Lisboa (2003).","DOI":"10.32385\/rpmgf.v28i5.10971"},{"key":"ref9","doi-asserted-by":"publisher","unstructured":"[10] 'Protocolo de Colabora\u00e7\u00e3o entre a Imprensa Nacional - Casa da Moeda, S.A. e a Faculdade de Belas-Artes da Universidade de Lisboa', protocolo de colabora\u00e7\u00e3o, Arquivo do Volte Face - Medalha Contempor\u00e2nea, Faculdade de Belas-Artes da Universidade de Lisboa, Lisboa (2008).","DOI":"10.32385\/rpmgf.v24i4.10526"},{"key":"ref10","unstructured":"[11] Thornes, R.; Dorrell, P.; Lie, H., Introduction to Object ID: Guidelines for Making Records that Describe Art, Antiques, and Antiquities, Getty Information Institute, Estados Unidos da Am\u00e9rica (1999)."},{"key":"ref11","unstructured":"[12] Rodrigues, F. A., Diccionario Technico e Historico de Pintura, Escultura, Architectura e Gravura, Imprensa Nacional, Lisboa (1875)."},{"key":"ref12","unstructured":"[13] Trigueiros, A. M., 'A Medalha Arte Nobre da Escultura', Moeda 10 (2010) 17-26."},{"key":"ref13","unstructured":"[14] Ferreira, A., 'Volte Face - freedoms and debaucheries from \"Lisbon school\" kids', M\u00e9dailles 63 (2010) 103-108."},{"key":"ref14","unstructured":"[15] Neves, A. S.; Bail\u00e3o, A.; Ferreira, A., 'Volte Face Contemporary Medal: the Study of a Collection of Contemporary Medals', Diferents. Revista de Museus 3 (2018) 74-87."},{"key":"ref15","unstructured":"[16] Llamas Pacheco, R., Arte Contempor\u00e1neo y Restauraci\u00f3n - O c\u00f3mo investigar entre lo material, lo esencial y lo simb\u00f3lico, Tecnos, Madrid (2014)."},{"key":"ref16","unstructured":"[17] Gonz\u00e1lez de Ubieta, M. R., Conservaci\u00f3n y Restauraci\u00f3n de Materailes Contempor\u00e2neos y Nuevas Tecnologias, Editorial Sintesis, Madrid (2010)."},{"key":"ref17","unstructured":"[18] Schaeffer, T. T., Effects of Light on Materials in Collections: Data on Photoflash and Related Sources, The Getty Conservation Institute, Los Angeles (2001)."},{"key":"ref18","unstructured":"[19] Neves, A. S.; Bail\u00e3o, A.; Ferreira, A., 'Preservation of Organic Matearils in Contemporary Medals', poster apresentado no 19th Conservator-Restorers' Professional Meeting, National Gallery of Slovenia em Ljubljana, Eslov\u00e9nia (2019)."},{"key":"ref19","unstructured":"[20] Unger, A.; Schniewind, A. P.; Unger, W., Conservation of wood artifacts: a handbook, Springer, Alemanha (2001)."},{"key":"ref20","unstructured":"[21] Vasconcellos, J. L. de, Nomenclatura Numism\u00e1tica, Ulmeiro, Lisboa (1994)."},{"key":"ref21","unstructured":"[22] Pinho, E. G.; Freitas, I. C., Normas de Invent\u00e1rio - Normas Gerais, 2\u00ba ed, Instituto Portugu\u00eas de Museus, Lisboa (2000)."},{"key":"ref22","unstructured":"[23] Gonz\u00e1lez de Ubieta, M. R., Transporte, dep\u00f3sito y manipulaci\u00f3n de obras de arte, Editirial S\u00edntesis, Madrid (2007)."},{"key":"ref23","unstructured":"[24] Figueiredo, M. R. 'As medalhas do Renascimento italiano - uma nova forma art\u00edstica provocada pelo Humanismo', em Medalhas e Plaquetes cole\u00e7\u00e3o Calouste Gulbenkian, ed. J. C. B. Pereira, N. V. Silva, Funda\u00e7\u00e3o Calouste Gulbenkian, Lisboa (2004), 15-80."},{"key":"ref24","unstructured":"[25] T\u00e9treault, J., 'Products used in Preventive Conservation - Technical Bulletin 32', em Canadian Conservation Institute, Canad\u00e1, https:\/\/www.canada.ca\/en\/conservation-institute\/services\/conservation-preservation-publications\/technical-bulletins\/products-used-preventive-conservation.html (acesso 2018-05-10)"},{"key":"ref25","unstructured":"[26] Shashoua, Y., Conservation of plastics: materials science, degradation and preservation, Elsevier\/Butterworth-Heinemann, Amesterd\u00e3o (2008)."},{"key":"ref26","unstructured":"[27] 'Damage Atlas - Atlas of case studies presenting typical damages', em POPART, Fran\u00e7a, http:\/\/popart-highlights.mnhn.fr\/collection-survey\/damage-atlas\/index.html (acesso 2018-05-10)."},{"key":"ref27","unstructured":"[28] Fern\u00e1ndez, I. G., La Conservaci\u00f3n Perventiva de Bienes Culturales (2013)."},{"key":"ref28","doi-asserted-by":"publisher","unstructured":"[29] Marziali, S., Dionisio, G., 'Photogrammetry and Macro Photography. The Experience of the MUSINT II Project in the 3D Digitization of Small Archaeological Artifacts', Studies in Digital Heritage 1(2) (2017) 299-309, DOI: 10.14434\/sdh. v1i2.23250 (acesso 2018-01-24).","DOI":"10.14434\/sdh.v1i2.23250"},{"key":"ref29","unstructured":"[30] Agisoft PhotoScan, http:\/\/www.agisoft.com\/ (acesso 2018-11-02)."},{"key":"ref30","doi-asserted-by":"publisher","unstructured":"[31] Astier-Cholodenko, N.,'L'utilisation des technologies d'imagerie 3D en Conservation-Restauration: Quels apports \u00e0 la logique de la discipline?', Trabalho acad\u00e9mico, Universit\u00e9 Paris 1 - Panth\u00e9on-Sorbonne, D\u00e9partement Histoire de L'art et Arch\u00e9ologie Parcours Pr\u00e9servation des Biens Culturels, Paris (2018), 1-29, https:\/\/cours.univ-paris1.fr\/pluginfile.php\/709148\/mod_resource\/content\/0\/ASTIER-CHOLODENKO_Dossier%20d%E2%80%99%C3%A9pist%C3%A9mologie.pdf (acesso 2018-6-26).","DOI":"10.4000\/ceroart.2003"},{"key":"ref31","unstructured":"[32] 'Polilactido', em MoDiP, Museum of Design in Plastics, Reino Unido, https:\/\/www.modip.ac.uk\/plastics\/materials\/polylactide (acesso 2018-12-17)."}],"container-title":["Conservar Patrim\u00f3nio"],"original-title":["Conserva\u00e7\u00e3o de medalhas contempor\u00e2neas: solu\u00e7\u00f5es de acondicionamento"],"deposited":{"date-parts":[[2021,1,21]],"date-time":"2021-01-21T17:23:57Z","timestamp":1611249837000},"score":1,"resource":{"primary":{"URL":"https:\/\/conservarpatrimonio.pt\/article\/view\/21441"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2020,7,31]]},"references-count":32,"URL":"https:\/\/doi.org\/10.14568\/cp2018066","relation":{},"ISSN":["1646-043X","2182-9942"],"issn-type":[{"type":"print","value":"1646-043X"},{"type":"electronic","value":"2182-9942"}],"subject":[],"published":{"date-parts":[[2020,7,31]]}}}