{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,9,10]],"date-time":"2025-09-10T21:48:16Z","timestamp":1757540896159,"version":"3.40.5"},"reference-count":52,"publisher":"Associacao Profissional de Conservadores-Restauradores de Portugal","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Cons. Patrim\u00f3nio"],"published-print":{"date-parts":[[2020,7,31]]},"abstract":"<jats:p>Goa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for understanding the influence of Portuguese painting overseas. Goa Cathedral former altarpiece is revealed as a crucial study source of Garcia Fernandes' creative process. There is evidence in the vigorous underdrawing of these paintings, of the existence of different types of drawing, as well as abandoned iconographic themes, or formal alterations of compositions. The iconographic and stylistic study evidences north and south-European influences in the choice and representation of the themes around the Mart\u00edrio de Santa Catarina. In the present study, this work is compared in the making of the underdrawing with other works attributed to Garcia Fernandes.<\/jats:p>","DOI":"10.14568\/cp2018068","type":"journal-article","created":{"date-parts":[[2020,8,1]],"date-time":"2020-08-01T15:02:08Z","timestamp":1596294128000},"page":"73-87","source":"Crossref","is-referenced-by-count":1,"title":["An Artist's Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes - iconographic and stylistic influences and underdrawing study"],"prefix":"10.14568","volume":"34","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-7240-6956","authenticated-orcid":false,"given":"Vanessa","family":"Antunes","sequence":"first","affiliation":[{"name":"ARTIS-Instituto Hist\u00f3ria da Arte da Faculdade de Letras da Universidade de Lisboa (ARTIS-FLUL), Alameda da Universidade, 1600-214 Lisboa, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-8240-6359","authenticated-orcid":false,"given":"Vitor","family":"Serr\u00e3o","sequence":"additional","affiliation":[{"name":"ARTIS-Instituto Hist\u00f3ria da Arte da Faculdade de Letras da Universidade de Lisboa (ARTIS-FLUL), Alameda da Universidade, 1600-214 Lisboa, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-4912-5061","authenticated-orcid":false,"given":"Ant\u00f3nio","family":"Candeias","sequence":"additional","affiliation":[{"name":"Laborat\u00f3rio HERCULES, Escola de Ci\u00eancias e Tecnologia, Universidade de \u00c9vora, Largo Marqu\u00eas de Marialva 8, 7000-676 \u00c9vora, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-0103-3448","authenticated-orcid":false,"given":"Jos\u00e9","family":"Mir\u00e3o","sequence":"additional","affiliation":[{"name":"Laborat\u00f3rio HERCULES, Escola de Ci\u00eancias e Tecnologia, Universidade de \u00c9vora, Largo Marqu\u00eas de Marialva 8, 7000-676 \u00c9vora, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-2146-7024","authenticated-orcid":false,"given":"Sara","family":"Valadas","sequence":"additional","affiliation":[{"name":"Laborat\u00f3rio HERCULES, Escola de Ci\u00eancias e Tecnologia, Universidade de \u00c9vora, Largo Marqu\u00eas de Marialva 8, 7000-676 \u00c9vora, Portugal"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9004-1134","authenticated-orcid":false,"given":"Maria Lu\u00edsa","family":"Carvalho","sequence":"additional","affiliation":[{"name":"LIBPhys-UNL, Laborat\u00f3rio de Instrumenta\u00e7\u00e3o, Engenharia Biom\u00e9dica e F\u00edsica da Radia\u00e7\u00e3o, Departamento de F\u00edsica, Faculdade de Ci\u00eancias e Tecnologia, Universidade Nova de Lisboa, 2829-516, Caparica, Portugal"}]}],"member":"5676","published-online":{"date-parts":[[2020,7,31]]},"reference":[{"key":"ref0","unstructured":"[1] Serr\u00e3o, V., 'Pintura e devo\u00e7\u00e3o em Goa no tempo dos Filipes: o mosteiro de Santa M\u00f3nica no \"Monte Santo\" (c. 1606 -1639) e os seus artistas'. 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