{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,14]],"date-time":"2025-05-14T04:51:35Z","timestamp":1747198295637,"version":"3.40.5"},"reference-count":13,"publisher":"Walter de Gruyter GmbH","issue":"1","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2019,3,26]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Perforated cardboards were common and economic supports for embroidery in the Victorian Era. Despite their popularity, they had a brief life and are almost forgotten today. Different types of cardboard were chosen according to the materials and techniques to be applied. This article presents nineteenth century documentary sources on perforated cardboard and its use in various objects of everyday life. The types of cardboard, commercialization, decorative techniques and motifs and applied materials will be discussed.<\/jats:p>","DOI":"10.1515\/res-2018-0021","type":"journal-article","created":{"date-parts":[[2019,3,22]],"date-time":"2019-03-22T09:03:47Z","timestamp":1553245427000},"page":"35-67","source":"Crossref","is-referenced-by-count":1,"title":["Perforated Cardboards: A Support for Embroidery Used for Various Everyday Objects in the Victorian Age"],"prefix":"10.1515","volume":"40","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-6396-5027","authenticated-orcid":false,"given":"Ant\u00f3nio Jo\u00e3o","family":"Cruz","sequence":"first","affiliation":[{"name":"Instituto Politecnico de Tomar , Tomar , Portugal"},{"name":"Laborat\u00f3rio HERCULES , Universidade de \u00c9vora , \u00c9vora , Portugal"}]},{"given":"Luciana","family":"Barros","sequence":"additional","affiliation":[{"name":"Instituto Politecnico de Tomar , Tomar , Portugal"}]},{"given":"Leonor","family":"Loureiro","sequence":"additional","affiliation":[{"name":"Instituto Politecnico de Tomar , Tomar , Portugal"}]}],"member":"374","published-online":{"date-parts":[[2019,3,22]]},"reference":[{"key":"2021021402472732704_j_res-2018-0021_ref_001a_w2aab3b7c39b1b6b1ab2ab1Aa","unstructured":"Note: the nineteenth century documentary sources are listed in Tables 1 and 2."},{"key":"2021021402472732704_j_res-2018-0021_ref_001_w2aab3b7c39b1b6b1ab2ab2Aa","unstructured":"Citrigno, J.: Curatorial Report 83: Needle Arts in Nova Scotian Women\u2019s Lives: 1752-1938. Nova Scotia: Nova Scotia Museum, 1998."},{"key":"2021021402472732704_j_res-2018-0021_ref_002_w2aab3b7c39b1b6b1ab2ab3Aa","unstructured":"Dutcher, C.: Perforated paper needlework 1840\u2019s-1880\u2019s smalls and samplers documented from the collection of Claudia Dutcher. Dutch Treat Designs, 2009. http:\/\/www.dutchtreat.com\/perfpaper\/1840_1880_smalls_and_samplers.pdf (accessed 6. 1. 2018)."},{"key":"2021021402472732704_j_res-2018-0021_ref_003_w2aab3b7c39b1b6b1ab2ab4Aa","unstructured":"Dutcher, C.: Perforated paper needlework 1870\u2019s-1900 The mottoes documented from the collection of Claudia Dutcher. Dutch Treat Designs, 2011. http:\/\/www.dutchtreat.com\/perfpaper\/1870_1900_mottoes_letter.pdf (accessed 6. 1. 2018)."},{"key":"2021021402472732704_j_res-2018-0021_ref_004_w2aab3b7c39b1b6b1ab2ab5Aa","unstructured":"Dutcher, C.: A collector\u2019s history of perforated paper needlework by Claudia Dutcher Kistler. Dutch Treat Designs, 2012. http:\/\/www.dutchtreat.com\/perfpaper\/perf_article_2012.pdf (accessed 6. 1. 2018)."},{"key":"2021021402472732704_j_res-2018-0021_ref_005_w2aab3b7c39b1b6b1ab2ab6Aa","unstructured":"Hughes, T.: English Domestic Needlework, 1660-1860. London: Abbey Fine Arts, 1961."},{"key":"2021021402472732704_j_res-2018-0021_ref_006_w2aab3b7c39b1b6b1ab2ab7Aa","doi-asserted-by":"crossref","unstructured":"Leslie, C. A.: Needlework through History: An Encyclopedia. Westport: Greenwood Publishing Group, 2007.","DOI":"10.5040\/9798400690372"},{"key":"2021021402472732704_j_res-2018-0021_ref_007_w2aab3b7c39b1b6b1ab2ab8Aa","unstructured":"Lister, A., Fairbrass, S.: Necessary compromise: Treatment strategies for composite objects. In: Proceedings of the Fourth International Conference of the Institute of Paper Conservation, 6-9 April 1997. J. Eagan (ed.), UK: The Institute of Paper Conservation, 1998: 264\u2013272."},{"key":"2021021402472732704_j_res-2018-0021_ref_008_w2aab3b7c39b1b6b1ab2ab9Aa","doi-asserted-by":"crossref","unstructured":"Read, J.: Fit for what? Special education in London, 1890-1914. History of Education 33 (2004): 283\u2013298.","DOI":"10.1080\/00467600410001691492"},{"key":"2021021402472732704_j_res-2018-0021_ref_009_w2aab3b7c39b1b6b1ab2ac10Aa","unstructured":"Vincent, M.: The Ladies\u2019 Work Table: Domestic Needlework in the Nineteenth-Century America. Allentown: Allentown Art Museum, 1988."},{"key":"2021021402472732704_j_res-2018-0021_ref_010_w2aab3b7c39b1b6b1ab2ac11Aa","unstructured":"Warren, G.: A Stitch in Time: Victorian and Edwardian Needlecraft. New York: Taplinger Publishing Company, 1976."},{"key":"2021021402472732704_j_res-2018-0021_ref_011_w2aab3b7c39b1b6b1ab2ac12Aa","unstructured":"Yates, R. F., Yates, M. 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