{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,9,21]],"date-time":"2026-09-21T17:11:20Z","timestamp":1790010680476,"version":"4.0.1"},"reference-count":30,"publisher":"Guilford Publications","issue":"3","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["The Psychoanalytic Review"],"published-print":{"date-parts":[[2026,9]]},"abstract":"<jats:p>Filmmaker Paul Schrader (2018) defined Transcendental-Slow Cinema as a style that seeks to convey an ineffable experience using the formal qualities of cinema. The filmmaking techniques employed create a frustrating, withholding experience for the viewer, a cinema journey that is far from mainstream entertainment movie-viewing. This experience maps onto Bion\u2019s theory of thinking and growth and its relationship to frustration, as well as his further development and complication of those ideas in his work on transformations and O. It is recommended that by enduring the experience of these films, a psychoanalyst, or trainee, can practice Bion\u2019s recommendations for analytic attention\u2014a state denuded of memory, desire, and understanding necessary for apprehension of a session\u2019s ultimate emotional reality, O.<\/jats:p>","DOI":"10.1521\/prev.2026.113.3.233","type":"journal-article","created":{"date-parts":[[2026,9,21]],"date-time":"2026-09-21T16:31:46Z","timestamp":1790008306000},"page":"233-257","source":"Crossref","is-referenced-by-count":0,"title":["Bion and Transcendental-Slow Cinema: Toward a Psychoanalytic Cinema-Viewing Practice"],"prefix":"10.1521","volume":"113","author":[{"given":"Collin","family":"Ruffino","sequence":"first","affiliation":[{"name":"E-mail:"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"377","reference":[{"key":"ref1","unstructured":"Ackerman, C. (Director). (1975). Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles [Film]. Criterion Collection."},{"key":"ref2","volume-title":"Bion in film theory and analysis: The retreat in film","author":"Ambr\u00f3sio Garcia C.","year":"2017"},{"key":"ref3","volume-title":"Elements of psycho-analysis","author":"Bion W. R.","year":"1963"},{"key":"ref4","volume-title":"Transformations: Change from learning to growth","author":"Bion W. R.","year":"1965"},{"key":"ref5","volume-title":"Second thoughts. Selected papers on psycho-analysis","author":"Bion W. R.","year":"1967"},{"key":"ref6","volume-title":"Attention and interpretation","author":"Bion W. R.","year":"1970"},{"key":"ref7","volume-title":"A memoir of the future","author":"Bion W. R.","year":"1991"},{"key":"ref8","volume-title":"Cogitations","author":"Bion W. R.","year":"1992"},{"key":"ref9","volume-title":"Brazilian lectures","author":"Bion W. R.","year":"2008"},{"key":"ref10","first-page":"3","volume-title":"The complete works of W. R. Bion","author":"Bion W. 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